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This groundbreaking study argues that, in the Gospel of Mark, Gentiles are recipients of Jesus' compassion and are typically depicted as desperate individuals who exhibit faith and understanding. Mark's arrangement of the sequence of Gentile episodes is progressive and envisions a theological reversal in the kingdom of God, a re-prioritization in the proclamation of the gospel message that coincides with the death of Jesus. After receiving Gentiles in the Jewish homeland (3:7-12), the Markan Jesus initiates four excursions into Gentile territory. The first journey (5:1-20) is preparatory and opens the door for future ministry in Gentile regions. Jesus symbolically cleanses the land and the healed demoniac becomes the first missionary to Gentiles. The second journey (6:45-52) ends prematurely when the disciples fail to understand the Gentile mission, leading inexorably to the third journey where the relationship between Jews, Gentiles, and the kingdom of God becomes the focal point of the narrative. Although the Jews are first, the Gentiles are not excluded from the kingdom. On the fourth journey the reader senses a subtle re-prioritization in the kingdom as an event on Gentile soil occurs before its parallel counterpart on Jewish soil, reversing an established narrative pattern in Jesus' ministry. Iverson shows how the theological reversal gains clarity when the narrative shifts to Jerusalem. The tearing of the temple curtain marks the dawn of a new era and links the temple and Gentile themes. Through Jesus' obedient self-gift, he becomes the new temple providing universal access to God for all people's depiction of the centurion is a narrative signal that the kingdom has been passed to Gentiles according to the divine plan. The Jews have not been excluded, any more than the Gentiles were when Israel was first. Mark's theological reversal looks proleptically beyond the story line to the completion of the Gentile mission by the followers of Jesus.
The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
This series affirms that the Bible is a Christ-centered book, containing a unified story of redemptive history of which Jesus is the hero. It's presented as sermons, divided into chapters that conclude with a "Reflect & Discuss" section, making this series ideal for small group study, personal devotion, and even sermon preparation. It's not academic but rather presents an easy-reading, practical and friendly commentary. The series is projected to be 48 volumes.
The Humor of Christ inspires Christians to redraw their pictures of Christ and to add a persistent biblical detail, the note of humor. Throughout the Gospels, Christ employed humor for the sake of truth and many of his teachings, when seen in this light, become brilliantly clear for the first time. Irony, satire, paradox, even laughter itself help clarify Christ's famous parables, His brief sayings, and important events in His life.
Peter Bolt explores the impact of Mark's Gospel on early readers in the first-century Graeco-Roman world. Focusing upon the thirteen characters in Mark who come to Jesus for healing or exorcism, Bolt analyzes their crucial role in the communication of the Gospel. Enlisting a variety of ancient literary and non-literary sources, this book recreates the first-century world of illness, magic and Roman imperialism. This new approach to Mark combines reader-response criticism with social history.
Previously published in hardcover as King's Cross The most influential man to ever walk the earth has had his story told in hundreds of different ways for thousands of years. Can any more be said? Now, Timothy Keller, New York Times bestselling author of The Prodigal Prophet and the man Newsweek called a “C. S. Lewis for the twenty-first century,” unlocks new insights into the life of Jesus Christ as he explores how Jesus came as a king, but a king who had to bear the greatest burden anyone ever has. Jesus the King is Keller’s revelatory look at the life of Christ as told in the Gospel of Mark. In it, Keller shows how the story of Jesus is at once cosmic, historical, and personal, calling each of us to look anew at our relationship with God. It is an unforgettable look at Jesus Christ, and one that will leave an indelible imprint on every reader.
This fresh look at the Gospel of Matthew highlights the unique contribution that Matthew's rich and multilayered portrait of Jesus makes to understanding the connection between the Old and New Testaments. Patrick Schreiner argues that Matthew obeyed the Great Commission by acting as scribe to his teacher Jesus in order to share Jesus's life and work with the world, thereby making disciples of future generations. The First Gospel presents Jesus's life as the fulfillment of the Old Testament story of Israel and shows how Jesus brings new life in the New Testament.
"Magisterial. . . . A learned, brilliant and enjoyable study."—Géza Vermès, Times Literary Supplement In this exciting book, Paula Fredriksen explains the variety of New Testament images of Jesus by exploring the ways that the new Christian communities interpreted his mission and message in light of the delay of the Kingdom he had preached. This edition includes an introduction reviews the most recent scholarship on Jesus and its implications for both history and theology. "Brilliant and lucidly written, full of original and fascinating insights."—Reginald H. Fuller, Journal of the American Academy of Religion "This is a first-rate work of a first-rate historian."—James D. Tabor, Journal of Religion "Fredriksen confronts her documents—principally the writings of the New Testament—as an archaeologist would an especially rich complex site. With great care she distinguishes the literary images from historical fact. As she does so, she explains the images of Jesus in terms of the strategies and purposes of the writers Paul, Matthew, Mark, Luke, and John."—Thomas D’Evelyn, Christian Science Monitor