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From Irish painter Genieve Figgis (born 1972) comes a book-object that is both exquisite and utilitarian, nostalgic and new. Wrapped in plush suede of deep violet, Something for Lovers compiles 34 of Figgis' paintings into a compact coloring book. The works' dreamlike aspect and romantic yet, at times, banal subject matter--Victorian landscapes, tender portraits and passionate embraces--makes for images begging creative reinterpretation. Published by Karma to coincide with the opening of Figgis' exhibition at New York's Gallery Met, at the Metropolitan Opera, Something for Lovers lets you reimagine Figgis' seductive paintings, inviting you to infuse each artwork with colors befitting your surroundings. All 34 paintings are reproduced in color in the back of the publication.
From Irish painter Genieve Figgis (born 1972) comes a book-object that is both exquisite and utilitarian, nostalgic and new. Wrapped in plush suede of deep violet, Something for Lovers compiles 34 of Figgis' paintings into a compact coloring book. The works' dreamlike aspect and romantic yet, at times, banal subject matter--Victorian landscapes, tender portraits and passionate embraces--makes for images begging creative reinterpretation. Published by Karma to coincide with the opening of Figgis' exhibition at New York's Gallery Met, at the Metropolitan Opera, Something for Lovers lets you reimagine Figgis' seductive paintings, inviting you to infuse each artwork with colors befitting your surroundings. All 34 paintings are reproduced in color in the back of the publication.
The indispensable guide to the most exciting painters of recent years, chosen by leading arts professionals - now in paperback Despite its long history, painting continues to evolve and excite, with new generations taking it in unexpected directions. A central pillar of artistic practice, painting also has enduring appeal for collectors and still dominates the art market. Vitamin P3 takes the conversation forward, spotlighting more than 100 outstanding artists who are pushing the boundaries of the medium of paint. In its new paperback format, it's sure to inspire a wider-than-ever audience.
The most comprehensive monograph on Turner Prize-nominated artist Peter Doig. In every generation of artists, there are a few-or perhaps just one-who propose a new set of questions and alter the way we understand art. Peter Doig is such an artist. While stories of painting's demise in the early 1990s deemed painters and their work quaintly anachronistic, Doig-looking ahead as much as back for inspiration-forged a new painterly language: an ironic mix of Romanticism and post-impressionism to create haunting and sometimes dreamlike landscape vistas. In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist's rich and varied work. Doig's landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. This handsome slipcased volume is designed in close collaboration with the artist, with Doig specially creating the cover and various elements of the interior. Every facet of the painter's singular vision is explored, from his earliest paintings of the early 1990s to the most recent series of works. Published in association with Michael Werner Gallery
As an art student in 1993, Michael De Feo drew a simple bloom that became a familiar and welcome presence in New York after he spent countless nights pasting hundreds of versions of it all over the city’s building walls. Twenty-five years later, these flowers have been sighted in more than 60 international cities. His street works took a new direction in 2015 when a guerrilla art collective provided him access to the cases that protect bus-shelter ads, enabling him to launch a beautiful campaign of his blossoms on top of fashion ads. His art has taken many forms, including a substantial body of studio work inspired by Dutch 17th-century paintings and another series which married floral themes with Pre-Raphaelite and Victorian portraiture. De Feo’s colorful and lively book reproduces more than 200 of his flower-inspired images and features commentary from a diverse group of people who have supported his often-clandestine work.
Like a well-made playlist, the album covers in this volume combine to create a portrait of cool and culture desired by art, music, and record lovers alike. Art Sleeves is a time capsule of visual art and music culture as shown through the most important record covers designed by visual artists and graphic designers in the past forty years. This tightly curated collection of covers chosen includes works with significant cultural impact as well as collaborations that themselves created cultural fascination. The eclectic roster of visual artist-musician collaborations presented spans art and musical genres as well as generations, including Ryan McGinley for Sigur Rós, Kara Walker for Arto Lindsay, Peter Saville for Joy Division, Barbara Kruger for Growing Up Skipper, Jeff Koons for Lady Gaga, Tauba Auerbach for Glasser, and Stanley Donwood for Radiohead, to name a few. From postmodernist paintings and minimalism to collage and photography, as well as New Wave, emo, pop, and punk, the albums chosen present a bright and rich visual and cultural history. This inspiring volume celebrates this long creative tradition of visual artist-musician collaborations and, just like a perfect album, it will be treasured by art, music, and record lovers alike.
This monograph, published to accompany Housley s solo exhibition of paintings at the Reg Vardy Gallery, 2005, is the result of a year-long residency at Durham Cathedral. Painting, for Housley, is a "dumb muse": a medium which, whilst only able to offer still, silent and hand-made single images, is also able to offer the most complex, nuanced and double-edged forms of visual experience. Working on an intimate scale, Housley's images elicit an unlikely poignancy and tenderness from subject matter that might initially seem to offer slight returns.
Instant New York Times bestseller The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the “readymade.” Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it’s never been told before.
Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker