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Washington, D.C.-based rock 'n' roll antihero Ian F. Svenonius provides an unparalleled and exquisitely provocative how-to guide for rock bands.
Trying to understand how “civilized” people could embrace fascism, Hannah Arendt searched for a precedent in modern Western history. She found it in nineteenth-century colonialism, with its mix of bureaucratic rule, racial superiority, and appeals to rationality. Modern Inquisitions takes Arendt’s insights into the barbaric underside of Western civilization and moves them back to the sixteenth century and seventeenth, when Spanish colonialism dominated the globe. Irene Silverblatt describes how the modern world developed in tandem with Spanish imperialism and argues that key characteristics of the modern state are evident in the workings of the Inquisition. Her analysis of the tribunal’s persecution of women and men in colonial Peru illuminates modernity’s intricate “dance of bureaucracy and race.” Drawing on extensive research in Peruvian and Spanish archives, Silverblatt uses church records, evangelizing sermons, and missionary guides to explore how the emerging modern world was built, experienced, and understood by colonists, native peoples, and Inquisition officials: Early missionaries preached about world history and about the races and nations that inhabited the globe; Inquisitors, able bureaucrats, defined who was a legitimate Spaniard as they executed heretics for “reasons of state”; the “stained blood” of Indians, blacks, and descendants of Jews and Moors was said to cause their deficient character; and native Peruvians began to call themselves Indian. In dialogue with Arendt and other theorists of modernity, Silverblatt shows that the modern world’s underside is tied to its origins in colonialism and to its capacity to rationalize violence. Modern Inquisitions forces the reader to confront the idea that the Inquisition was not only a product of the modern world of the sixteenth and seventeenth centuries, but party to the creation of the civilized world we know today.
“Reminiscent of Toni Morrison’s The Bluest Eye.” —The New York Times “One of the best books I have ever read…will live in the hearts of readers for the rest of their lives.” —Colby Sharp, founder of Nerdy Book Club “An emotional, painful, yet still hopeful adolescent journey…one that needed telling.” —Kirkus Reviews (starred review) “I really loved this.” —Sharon M. Draper, author of the New York Times bestseller Out of My Mind This deeply sensitive and “compelling” (BCCB) debut novel tells the story of a thirteen-year-old who must overcome internalized racism and a verbally abusive family to finally learn to love herself. There are ninety-six reasons why thirteen-year-old Genesis dislikes herself. She knows the exact number because she keeps a list: -Because her family is always being put out of their house. -Because her dad has a gambling problem. And maybe a drinking problem too. -Because Genesis knows this is all her fault. -Because she wasn’t born looking like Mama. -Because she is too black. Genesis is determined to fix her family, and she’s willing to try anything to do so…even if it means harming herself in the process. But when Genesis starts to find a thing or two she actually likes about herself, she discovers that changing her own attitude is the first step in helping change others.
Shows how shifting views on race caused the American conservative movement to surrender highbrow fiction to to progressive liberals.
Travel Writing.
Can Darwinian evolution actually prove that we are alone in the Universe? This book illustrates that Darwinian evolution is not an empirically predictable or testable scientific paradigm. Also shows that ancient artifacts on Mars and the Moon are evidence of Game Wardens in our own solar system. Could the Earth be a controlled DNA repository for the ongoing creation and dissemination of life forms, including humans? The author puts forth compelling evidence in this well researched work.
Today the Choctaws are remembered as one of the Five Civilized Tribes, removed to Oklahoma in the early nineteenth century; a large band remains in Mississippi, quietly and effectively refusing to be assimilated. The Choctaws are a Muskogean people, in historical times residing in southern Mississippi and Alabama; they were agriculturalists as well as hunters, and a force to be reckoned with in the eighteenth century. Patricia Galloway, armed with evidence from a variety of disciplines, counters the commonly held belief that these same people had long exercised power in the region. She argues that the turmoil set in motion by European exploration led to realignments and regroupings, and ultimately to the formation of a powerful new Indian nation. Through a close examination of the physical evidence and historical sources, the author provides an ethnohistorical account of the proto-Choctaw and Choctaw peoples from the eve of contact with Euro-Americans through the following two centuries. Starting with the basic archaeological evidence and the written records of early Spanish and English visitors, Galloway traces the likely origin of the Choctaw people, their movements and interactions with other native groups in the South, and Choctaw response to these contacts. She thereby creates the first careful and complete history of the tribe in the early modern period. This rich and detailed work will not only provides much new information on the Choctaws but illuminates the entire field of colonial-era southeastern history and will provide a model for ethnographic studies.
Genesis P-Oridge, the legendary musician and artist from Manchester, opens his files to show the world never before seen texts, photos, artwork and magic. P-Orridge, whose Throbbing Gristle and Psychic TV set the stage for modern industrial, punk and alternative music, comes clean on many of the issues surrounding his life, work and mystique. From the 1960s, when his art group the COUM Transmission set England on its ear, to his long career in music to the creation of his religion-as-a-joke-as-a-religion, Thee Temple Ov Psychic Youth, this book covers it all.
At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.