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On a spring morning in 1903, Major-General Sir Hector Macdonald, one of Britain's greatest military heroes, took his life in a hotel room in Paris. A few days later he was buried hastily in an Edinburgh cemetary as his fellow countrymen tried to come to terms with the fact that one of Scotland's most famous soldiers had ended his life rather than face charges against his character.The suicide and its aftermath created a national scandal and one which still reverberates long after those dramatic events - it is now clear that the official files dealing with his case, the papers of the Judge Advocate have been destroyed. Macdonald or 'Fighting Mac' as he was known to an adoring public, was no ordinary soldier. A crofter's son who had risen from the ranks in the Victorian army, he covered himself with glory during a long and successful military career and in 1898 was widely acknowledged as the true hero of the Battle of Omdurman, which cemented British Imperial rule in Anglo-Egyptian Sudan. Everything lay at his feet - a knighthood, honours, the respect of fellow generals such as Roberts and Kitchener - but Macdonald's career came to a shocking full stop when he stood accused of homosexuality and was ordered to face a court martial. Unable to come to terms with the disgrace, he committed suicide. That should have been the end of his story but so powerful was the myth created by Fighting Mac that people refused to believe he was dead. Soon rumours were circulating that Macdonald had faked his death and had adopted the persona of a prominent Prussian officer, the future Field Marshal August con Mackensen, one of Germany's great leaders during the First World War. FIGHTING MAC tells the true story behind his disgrace and sheds new light on the myths....
Well-loved national hero, or predatory paedophile? So Great a Crime tells the true story of "Fighting Mac" – Sir Hector MacDonald – who rose from humble beginnings as a crofter's son through the ranks of the British Army to become a knight of the realm, hero of the Battle of Omdurman and Queen Victoria’s favourite general. His active soldiering days over, he was appointed General Officer Commanding in Ceylon (now Sri Lanka),but soon finds himself in conflict with the high born elite who run the colony. Allegations of liaisons with young boys surface and MacDonald is forced to return home. Rather than face acourt martial, he shoots himself in a Paris hotel. But was he guilty? Or was he the victim of a plot fabricated by an English Establishment, motivated by jealousy and snobbery, at a Gaelic-speaking upstart who got above himself? A fascinating journey into an unsolved historical mystery...
How did a wowser become an Anzac legend? And how did a legend become a virtual unknown today? This is the first biography of Fighting Mac to sort the facts from the fiction and present McKenzie as the Christian champion that he was. William McKenzie was once one of the most famous of the Anzacs, a legend for his work on Gallipoli and France. For two decades after the war he was literally mobbed by adoring soldiers and their families. For the Anzacs, he became the man who best represented the Anzac ideal. What makes Fighting Mac's legendary reputation incredible is that he embodied almost everything that the typical digger of the Anzac legend loved to hate. McKenzie was a Salvation Army Chaplain, a species of non-combatant officer usually held in low esteem. He railed against booze, brothels, betting and bad language, and he ran frequent evangelistic campaigns for the Anzacs where he forcefully appealed to them to become Christians. Despite these apparent disadvantages he was worshipped and revered by the soldiers. Yet today, McKenzie's name is almost completely unknown outside certain religious circles. However, legends continue to be invented about him, adding to the inaccuracies told about him almost from the beginning. But his story needs no embroidering, and the exaggerations diminish the truth of his astonishing real-life achievements. This book captures McKenzie in all of his charismatic and energetic complexity with particular focus on his war years: a devout man of God who became enshrined in the hearts of thousands of men who showed little other commitment to things religious. If the original Anzacs revered him, then we who revere them should pay attention to his story.
As the literature on military-media relations grows, it is informed by antagonism either from journalists who report on wars or from ex-soldiers in their memoirs. Academics who attempt more judicious accounts rarely have any professional military or media experience. A working knowledge of the operational constraints of both professions underscores Shooting the Messenger. A veteran war correspondent and think tank director, Paul L. Moorcraft has served in the British Ministry of Defence, while historian-by-training Philip M. Taylor is a professor of international communications who has lectured widely to the U.S. military and at NATO institutions. Some of the topics they examine in this wide-ranging history of military-media relations are: – the interface between soldiers and civilian reporters covering conflicts – the sometimes grey area between reporters' right or need to know and the operational security constraints imposed by the military – the military's manipulation of journalists who accept it as a trade-off for safer battlefield access – the resultant gap between images of war and their reality – the evolving nature of media technology and the difficulties—and opportunities—this poses to the military – journalistic performance in reporting conflict as an observer or a participant Moorcraft and Taylor provide a bridge over which each side can pass and a path to mutual understanding.