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In Meaning and Speech Acts Daniel Vanderveken further develops the logic of speech acts and the logic of propositions to construct a general semantic theory of natural languages.
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This book offers a unique perspective on meaning in language, broadening the scope of existing understanding of meaning by introducing a comprehensive and cohesive account of meaning that draws on a wide range of linguistic approaches. The volume seeks to build up a complete picture of what meaning is, different types of meaning, and different ways of structuring the same meaning across myriad forms and varieties of language across such domains, such as everyday speech, advertising, humour, and academic writing. Supported by data from psycholinguistic and neurolinguistic research, the book combines different approaches from scholarship in semantics, including formalist, structuralist, cognitive, functionalist, and semiotics to demonstrate the ways in which meaning is expressed in words but also in word order and intonation. The book argues for a revised conceptualisation of meaning toward presenting a new perspective on semantics and its wider study in language and linguistic research. This book will appeal to scholars interested in meaning in language in such fields as linguistics, semantics, and semiotics. The Open Access version of this book, available at http://www.taylorfrancis.com has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
In these newly edited, annotated, and contextualized foundational linguistic works, many previously unpublished, the late William Diver of Columbia University radically analyzes language as a structure shaped by communicative function and by characteristics of its human users.
In this investigation, creative writing and philosophy are shown to be specific types of language games, distinct from speech as used in communicative interaction between individuals. The author deals with thinking, speech and systems, respectively. (I) Thinking is understood as a soliloquy preceding any kind of creative activity and any kind of writing. The author analyses thinking as a subject's listening to its own voice, with a split between "I" and "me", close to Derrida's notion of "difference" as a condition for the production of meaning. (II) Analyzing - with reference to Benveniste, Austin and Searle - what speech is, the author deduces the so-called "pragmatic subject" (in contrast to the first section's reflective). In its elementary speech act the pragmatic subject does constitute itself in rudimentary ways. (III) In dealing with the product of reflective activity, the author finds the so-called textual inconsistence or logical aporias inherent in any logical or pseudo-logical system to be in line with Goedel's incompleteness theorems, and he rejects the tendency to use deconstruction to understand these aporias, as is usual in Western metaphysics. - The author's philosophical position is closest to that of Paul Ricoeur and Jacques Derrida, but on crucial issues he advances his own ideas on the relationship between speech and writing, also establishing a criticism of metaphysics that may be more radical than what has previously been developed.
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