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The only performer to earn 5 stars on the Hollywood Walk of Fame, Gene Autry was the singing cowboy king of American entertainment. Now, in Public Cowboy No.1, Holly George-Warren offers the first serious biography of this singular individual, in a fascinating narrative that traces Autry's climb from small-town farm boy to multimillionaire. Here for the first time Autry the legend becomes a flesh-and-blood man--with all the passions, triumphs, and tragedies of a flawed icon. George-Warren recounts stories never before told, including revelations about Autry's impoverished boyhood, his adventures as an up-and-coming singer, and the impact his unbelievable success had on his personal life. The book provides equally colorful details of Autry's lengthy radio and recording career, which included such classics as "Back in the Saddle Again" and "Rudolph the Red-Nosed Reindeer"; his movie career, where he breathed new life into the Western genre; and his role in early television. And along the way, we see how he invested shrewdly in radio, real-estate, and television, becoming the only entertainer listed among 1990's Fortune 400. Based on exclusive access to Gene Autry's personal papers, as well as interviews with more than 100 relatives, employees, colleagues, and friends, this engaging biography brings to life a major Hollywood star--a man who, more than anyone else, put Western music and style on the American cultural map.
Gene Autry's autobiography follows him from his Oklahoma childhood, through his enormous success as Hollywood's first singing cowboy, to his current life as head of a business empire
Best known to Americans as the “singing cowboy,” beloved entertainer Gene Autry (1907–1998) appeared in countless films, radio broadcasts, television shows, and other venues. While Autry’s name and a few of his hit songs are still widely known today, his commitment to political causes and public diplomacy deserves greater appreciation. In this innovative examination of Autry’s influence on public opinion, Michael Duchemin explores the various platforms this cowboy crooner used to support important causes, notably Franklin D. Roosevelt’s New Deal and foreign policy initiatives leading up to World War II. As a prolific performer of western folk songs and country-western music, Autry gained popularity in the 1930s by developing a persona that appealed to rural, small-town, and newly urban fans. It was during this same time, Duchemin explains, that Autry threw his support behind the thirty-second president of the United States. Drawing on a wealth of primary sources, Duchemin demonstrates how Autry popularized Roosevelt’s New Deal policies and made them more attractive to the American public. In turn, the president used the emerging motion picture industry as an instrument of public diplomacy to enhance his policy agendas, which Autry’s films, backed by Republic Pictures, unabashedly endorsed. As the United States inched toward entry into World War II, the president’s focus shifted toward foreign policy. Autry responded by promoting Americanism, war preparedness, and friendly relations with Latin America. As a result, Duchemin argues, “Sergeant Gene Autry” played a unique role in making FDR’s internationalist policies more palatable for American citizens reluctant to engage in another foreign war. New Deal Cowboy enhances our understanding of Gene Autry as a western folk hero who, during critical times of economic recovery and international crisis, readily assumed the role of public diplomat, skillfully using his talents to persuade a marginalized populace to embrace a nationalist agenda. By drawing connections between western popular culture and American political history, the book also offers valuable insight concerning the development of leisure and western tourism, the information industry, public diplomacy, and foreign policy in twentieth-century America.
"This biography takes the reader from Gene Autry's childhood in Oklahoma through his career as a singer and actor, and covers his later triumphs in business and sports. Of particular interest is the book's detailed day-to-day treatment of Autry's performing career, with information on each recording session and film shoot, including key personnel and interesting anecdotes"--Provided by publisher.
Gene Autry meets the Ghost Riders in this 1955 in this young adult novel, originally published in 1955. [Facsimile Reprint Edition]
This is a new release of the original 1946 edition.
A fascinating look at more than 100 of the Martin Guitar Company's custom guitars, created for the world's most famous musicians, including Sting, Eric Clapton, and Elvis-along with the inside stories behind each design. From the infamous 'Elvi' guitar owned by Elvis Presley (his original D-18 missing the 's' from his name) to customized instruments belonging to Bob Dylan, Willie Nelson, Joan Baez, Sting, and Eric Clapton, the Martin Guitar company has made a guitar for nearly every notable musician who's ever held a six-string. Now, MARTIN GUITAR MASTERPIECES revisits more than 100 of the company's most desirable guitars, ranging from those belonging to Stephen Stills, David Crosby, Paul Simon, and Johnny Cash to guitars owned by newer artists like Beck, Babyface, and Jonny Lang. Dick Boak, head of Artist Relations and Publicity at C. F. Martin, acts as the artist liaison in these collaborations and now, for the first time, enthusiastically outlines his experiences. Readers also get a sneak preview of Martin's millionth instrument, due in 2004.