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Is time gendered? This international, interdisciplinary anthology studies the early modern era to analyse how material objects express, shape, complicate, and extend human concepts of time and how people commemorate time differently. It examines conceptual aspects of time, such as the categories women and men use to define it, and the somatic, lived experiences of time ranging between an instant and the course of family life. Drawing on a wide array of textual and material primary sources, this book assesses the ways that gender and other categories of difference affect understandings of time.
Is time gendered? This international, interdisciplinary anthology studies the early modern era to analyse how material objects express, shape, complicate, and extend human concepts of time and how people commemorate time differently. It examines conceptual aspects of time, such as the categories women and men use to define it, and the somatic, lived experiences of time ranging between an instant and the course of family life. Drawing on a wide array of textual and material primary sources, this book assesses the ways that gender and other categories of difference affect understandings of time. Bron: Flaptekst, uitgeversinformatie.
Explores the importance of heterosexual masculine identity in Renaissance literature and culture.
This book examines the lives of women whose gender impeded the exercise of their personal, political, and religious agency, especially when they were expected to occupy the spheres society believed their gender should.
What is Early Modern History? offers a concise guide to investigations of the era from the fifteenth to eighteenth centuries and an entry-point to larger questions about how we divide and organize the past and how the discipline of history has evolved. Merry Wiesner-Hanks showcases the new research and innovative methods that have altered our understanding of this fascinating period. She examines various subfields and approaches in early modern history, and the marks of modernity that scholars have highlighted in these, from individualism to the Little Ice Age. Moving beyond Europe, she surveys the growth of the Atlantic World and global history, exploring key topics such as the Columbian Exchange, the slave trade, cultural interactions and blending, and the environment. She also considers popular and public representations of the early modern period, which are often how students – and others – first become curious. Elegantly written and passionately argued, What is Early Modern History? provides an essential invitation to the field for both students and scholars.
Household anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both.
Embracing a multiconfessional and transnational approach that stretches from central Europe, to Scotland and England, from Iberia to Africa and Asia, this volume explores the lives, work, and experiences of women and men during the tumultuous fifteenth to seventeenth centuries. The authors, all leading experts in their fields, utilize a broad range of methodologies from cultural history to women’s history, from masculinity studies to digital mapping, to explore the dynamics and power of constructed gender roles. Ranging from intellectual representations of virginity to the plight of refugees, from the sea journeys of Jesuit missionaries to the impact of Transatlantic economies on women’s work, from nuns discovering new ways to tolerate different religious expressions to bleeding corpses used in criminal trials, these essays address the wide diversity and historical complexity of identity, gender, and the body in the early modern age. With its diversity of topics, fields, and interests of its authors, this volume is a valuable source for students and scholars of the history of women, gender, and sexuality as well as social and cultural history in the early modern world.
Cover -- Halftitle -- Title Page -- Copyright -- Dedication -- Table of Contents -- List of Illustrations -- Acknowledgments -- Introduction: Unveiling the Manuscript -- Chapter One. Toledo to Cadiz -- Chapter Two. Cadiz to Mexico -- Chapter Three. The Manila Galleon -- Chapter Four. The Convent in Manila -- Chapter Five: Literacy and Inspirational Role Models -- Epilogue -- Notes -- Bibliography -- Index
By foregrounding bodily pleasure in the experience of time and its representation in queer literature, film, video, and art, Elizabeth Freeman challenges queer theorys recent emphasis on loss and trauma.