Download Free Gender Specific Forms Of Oppression And Resistance In Harriet Jacobs S Incidents In The Life Of A Slave Girl Book in PDF and EPUB Free Download. You can read online Gender Specific Forms Of Oppression And Resistance In Harriet Jacobs S Incidents In The Life Of A Slave Girl and write the review.

Academic Paper from the year 2015 in the subject American Studies - Literature, grade: 1.0, University of Constance, language: English, abstract: “You have seen a man made a slave; you shall see how a slave was made a man.” (Douglass, Jacobs, 2004) The experiences of Frederick Douglass, one of the former slaves who escaped the horrors of slavery, became one of the most widely read slave narratives and the most influential African- American text of the antebellum era. Authors like Douglass wanted not only to expose the inhumanity of the slave system, but they also gave incontestable evidence to the humanity of the African American. The question that arises is, how representative Douglass ́s narrative is – does he speak of “man” as a representative for people in general, or is he specifically speaking for the male slave? For the last years scholars have begun to pay more attention to issues of gender in their study of slavery and claim that female slaves faced additional burdens and even more challenges than some of the male slaves. Based on the first female slave narrative, Harriet Jacobs ́s Incidents in the Life of a Slave Girl, this paper will investigate how gender influences the way in which bondage can be experienced differently: what specific forms of oppression do women face in slavery, or what forms of oppression do they encounter to a larger extent than men? Claiming that this gender specific oppression results in gender specific forms of resistance, I will furthermore focus on the ways of how female slaves made a stand against this oppression. Again, Jacobs ́s narrative will be the basis for this investigation. Incidents is the first-person account of Jacobs ́s pseudonymous narrator “Linda Brent” and presents an accurate, although selective, story of her life. This paper will not discuss the relationship between Jacobs and her narrator Brent, but will consider Brent ́s account as autobiographical for Jacobs. For over a century, the authenticity of Jacobs ́s experiences was questioned until Jean Fagan Yellin ́ s ground breaking work proved her authorship. The basis for the following investigation will be a brief introduction of the various ways of approaching Incidents. The second part of the paper will then consider two gender specific forms of oppression: patriarchal sexual oppression, and the deprival of identity by neglecting female slaves to live out the “virtues of womanhood”. With Incidents, Jacobs breaks taboos in order to present Brent ́s sexual history in slavery and to emphasize the power of self-determination, motherhood and family relationships as powerful weapons of resistance.
"Incidents in the Life of a Slave Girl" was one of the several works written by Harriet Jacobs in her lifetime and was published in 1861. This work is a powerful and revealing autobiography in which Jacobs narrates her journey from slavery to freedom, offering an intimate and profound view of her life and the conditions faced by enslaved women in the United States. Over time, various biographies have been written and continue to be written about this iconic abolitionist and writer, with increasing quality and scope. However, to understand the thoughts and character of a real person, there is nothing better than hearing the story with all its circumstances, mistakes, and successes told by the one who lived it firsthand. This is the purpose of Harriet Jacobs's autobiography: to bring to the public the determined and visionary woman who, through her perseverance and courage, became one of the most influential voices in the fight against slavery and for the rights of African Americans. This work is part of the "Voices of America" collection, which aims to highlight the life stories of important figures in American history, told by themselves.
2019 Reprint of 1861 Edition. A haunting, evocative recounting of her life as a slave in North Carolina and of her final escape and emancipation, Harriet Jacobs's classic narrative, written between 1853 and 1858 and published in 1861, tells firsthand of the horrors inflicted on female slaves. In writing this extraordinary memoir, which culminates in the seven years she spent hiding in a crawl space in her grandmother's attic, Jacobs skillfully used the literary genres of her time, presenting a thoroughly feminist narrative that portrays the evils and traumas of slavery, particularly for women and children. As an African-American novel and historical artifact, Incidents constituted a critical intervention into the early African-American literary canon and African-American historiographies of slavery by highlighting the experiences of black women under slavery. Before black feminist challenges to the African-American literary and historiographic canons in the 1970s and '80s, the former and the latter foregrounded themes of slavery, racism, social inequality, and black cultural resistance, but failed to highlight the specific exigencies faced by black women under slavery; namely, institutionalized rape and reproductive violence. Thus, Incidents, along with other black women's novels and historiographies, directed critical attention to the ways in which race and gender interacted in the lives of black bondswomen to produce gender-specific conditions of unfreedom.2019 Reprint of 1861 Edition. A haunting, evocative recounting of her life as a slave in North Carolina and of her final escape and emancipation, Harriet Jacobs's classic narrative, written between 1853 and 1858 and published in 1861, tells firsthand of the horrors inflicted on slaves. In writing this extraordinary memoir, which culminates in the seven years she spent hiding in a crawl space in her grandmother's attic, Jacobs skillfully used the literary genres of her time, presenting a thoroughly feminist narrative that portrays the evils and traumas of slavery, particularly for women and children. As an African-American novel and historical artifact, Incidents constituted a critical intervention into the early African-American literary canon and African-American historiographies of slavery by highlighting the experiences of black women under slavery. Before black feminist challenges to the African-American literary and historiographic canons in the 1970s and '80s, the former and the latter foregrounded themes of slavery, racism, social inequality, and black cultural resistance, but failed to highlight the specific exigencies faced by black women under slavery; namely, institutionalized rape and reproductive violence. Thus, Incidents, along with other black women's novels and historiographies, directed critical attention to the ways in which race and gender interacted in the lives of black bondswomen to produce gender-specific conditions of unfreedom.
Books for All Kinds of Readers Read HowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. To find more books in your format visit www.readhowyouwant.com
Reader be assured this narrative is no fiction. I am aware that some of my adventures may seem incredible; but they are, nevertheless, strictly true. I have not exaggerated the wrongs inflicted by Slavery; on the contrary, my descriptions fall far short of the facts. I have concealed the names of places, and given persons fictitious names. I had no motive for secrecy on my own account, but I deemed it kind and considerate towards others to pursue this course. I wish I were more competent to the task I have undertaken. But I trust my readers will excuse deficiencies in consideration of circumstances. I was born and reared in Slavery; and I remained in a Slave State twenty-seven years. Since I have been at the North, it has been necessary for me to work diligently for my own support, and the education of my children. This has not left me much leisure to make up for the loss of early opportunities to improve myself; and it has compelled me to write these pages at irregular intervals, whenever I could snatch an hour from household duties. When I first arrived in Philadelphia, Bishop Paine advised me to publish a sketch of my life, but I told him I was altogether incompetent to such an undertaking. Though I have improved my mind somewhat since that time, I still remain of the same opinion; but I trust my motives will excuse what might otherwise seem presumptuous. I have not written my experiences in order to attract attention to myself; on the contrary, it would have been more pleasant to me to have been silent about my own history. Neither do I care to excite sympathy for my own sufferings. But I do earnestly desire to arouse the women of the North to a realizing sense of the condition of two millions of women at the South, still in bondage, suffering what I suffered, and most of them far worse. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is.
John Jacobs' short slave narrative, "A True Tale of Slavery", published in London in 1861, adds a brother's perspective to Harriet Jacobs' autobiography. This book is the enlarged edition of the most significant and celebrated slave narrative that completes the Jacobs family saga.
Harriet Jacobs's slave narrative is remarkable for its candid exposure of the sexual abuse suffered by slaves at the hands of their owners. Her sufferings, and eventual escape to the North, are described in vivid detail. This edition also includes her brother's short memoir, A True Tale of Slavery.
This is a far-ranging study which contextualises both the historical figure of Harriet Jacobs and her autobiography as a created work of art.
Essay from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,0, Bielefeld University (Anglistik: British and American Studies), course: "It's Moe, the White Slave" - Slave and Neo-Slave Narratives, language: English, abstract: “Incidents in the Life of a Slave Girl” (1861) by Harriet Jacobs is a multilayered slave narrative, it concerns many major subjects like the violent, regardless behaviour of white middle class women towards slaves in the U.S. South during the antebellum years as well as the peculiar institution and social cohesion within the family. But in this essay I will concentrate on gender and race conventions and the protagonist’s struggle of gaining true womanhood. First I will examine what true womanhood is and how it developed. Ongoing I will also analyse these conventions in relation to Linda Brent, the protagonist of Harriet Jacobs’ autobiographical narrative, and other characters having an influence on Linda. As a last point I will examine the author’s intention to stress the ideal woman.
"Incidents in the Life of a Slave Girl" is an autobiography by a young mother and fugitive slave Harriet Ann Jacobs. Jacobs contributed to the genre of slave narrative by using the techniques of sentimental novels "to address race and gender issues." She explores the struggles and sexual abuse that female slaves faced on plantations as well as their efforts to practice motherhood and protect their children when their children might be sold away._x000D_ Harriet Ann Jacobs (1813 – 1897) was an African-American writer who escaped from slavery and was later freed. She became an abolitionist speaker and reformer.