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The Sanskrit Mahabharata is one of the most important texts to emerge from the Indian cultural tradition. At almost 75,000 verses it is the longest poem in the world, and throughout Indian history it has been hugely influential in shaping gender and social norms. In the context of ancient India, it is the definitive cultural narrative in the construction of masculine, feminine and alternative gender roles. This book brings together many of the most respected scholars in the field of Mahabharata studies, as well as some of its most promising young scholars. By focusing specifically on gender constructions, some of the most innovative aspects of the Mahabharata are highlighted. Whilst taking account of feminist scholarship, the contributors see the Mahabharata as providing an opportunity to frame discussion of gender in literature not just in terms of the socio-historical roles of men and women. Instead they analyze the text in terms of the wider poetic and philosophical possibilities thrown up by the semiotics of gendering. Consequently, the book bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Gender and Narrative in the Mahabharata will be appreciated by readers interested in South Asian studies, Hinduism, religious studies and gender studies.
The Sanskrit Mahabharata is one of the most important texts to emerge from the Indian cultural tradition. At almost 75,000 verses it is the longest poem in the world, and throughout Indian history it has been hugely influential in shaping gender and social norms. In the context of ancient India, it is the definitive cultural narrative in the construction of masculine, feminine and alternative gender roles. This book brings together many of the most respected scholars in the field of Mahabharata studies, as well as some of its most promising young scholars. By focusing specifically on gender constructions, some of the most innovative aspects of the Mahabharata are highlighted. Whilst taking account of feminist scholarship, the contributors see the Mahabharata as providing an opportunity to frame discussion of gender in literature not just in terms of the socio-historical roles of men and women. Instead they analyze the text in terms of the wider poetic and philosophical possibilities thrown up by the semiotics of gendering. Consequently, the book bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Gender and Narrative in the Mahabharata will be appreciated by readers interested in South Asian studies, Hinduism, religious studies and gender studies.
The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family. The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.
Among the many characters who inhabit the Mahabharata, the world's greatest epic and the oldest, sometimes other stories unravelled from it, such as Shilavati, who cannot be king because she is a woman.
In Until the Lions, Karthika Nair retells the Mahabharata through multiple voices. Her poems capture the epic through the lenses of nameless soldiers, outcast warriors and handmaidens but also abducted princesses, tribal queens and a gender-shifting god. As peripheral figures and silent catalysts take centre stage, we get a glimpse of lives and stories buried beneath the edifices of god and nation, heroes and victory; a glimpse of the price paid for myth and history--all too often interchangeable.
Explores ideas on women and sexuality presented in the great Hindu epic, the Mahabharata.
Sanskrit narrative is the lifeblood of Indian culture, encapsulating and perpetuating insights and values central to Indian thought and practice. This volume brings together eighteen of the foremost scholars across the globe, who, in an unprecedented collaboration, accord these texts the integrity and dignity they deserve. The last time this was attempted, on a much smaller scale, was a generation ago, with Purāṇa Perennis (1993). The pre-eminent contributors to this landmark collection use novel methods and theory to meaningfully engage Sanskrit narrative texts, showcasing the state of contemporary scholarship on the Sanskrit epics and purāṇas.
The first volume of the New York Times–bestselling author’s monumental and unprecedented history: “Consistently thought-provoking” (The New York Review of Books). The internationally celebrated author of The Women’s Room, Marilyn French spent over fifteen years with a team of researchers and prominent historians examining women’s lives and activities in civilizations and societies spanning the ages. Beginning in prehistory, Origins moves on to examine women’s lives in ancient Egypt, China, India, Peru, Mexico, Greece, and Rome. In her reconstruction of wars, laws, and other activities affecting both women and men, French also traces the worldviews underpinning them. She also depicts how women’s relationship to Judaism, Christianity, and Islam changed for good and bad over the centuries. “She backs up even her more controversial theories with an impressive accumulation of academically accepted historical, anthropological and sociological sources . . . Written in concise, understated language, this is a significant addition to literature on women’s studies and history.” —Publishers Weekly
The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family.The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.
RAMAYANA MAHABHARATA Also available as an e-book Non-fiction/Philosophy RAMAYANA vs DEVDUTT PATTANAIK MAHAB HARATA