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The female body has been an object of oppression and control throughout history. 'Gender and Apocalyptic Desire' exposes the often-hidden links between the struggles of women and the conflict of good versus evil. The essays examine the collisions between feminist and apocalyptic thought, the ways in which apocalyptic belief functions as bodily discipline and cultural practice, and how some currents of apocalyptic desire can enable women's equality. A wide range of issues are examined, from anti-abortion terrorism to the stigmata of Christ and visions of Mary.
In a time when struggles over the place of women are paralleled by struggles over Good versus Evil, this volume exposes the often-veiled links between these two systems of meaning. The essays collected here highlight the intertwining desires of gender stability and apocalyptic truth even as they show that these desires are often internally combustible, a clearing out of the old to make way for new forms. Contributors explore both collusion and collisions between feminist and apocalyptic thought, the various ways in which apocalyptic belief functions as bodily discipline and cultural practice, and finally, the means by which some currents of apocalyptic desire can enable women's equality.
This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse—death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse’s ambiguous representation of women.
Examining fictional purgatorial worlds in contemporary literature, film and video games, this book examines the way in which the female characters trapped within them construct identity positions of resistance and change. With the rise of populism, the Alt. Right, and isolationism in world politics in the second decade of the 21st Century, parallel, purgatorial worlds seem to currently proliferate within popular culture across all media, including television shows and films such as The Handmaids Tale, Us, Watchmen, and Margaret Atwood's The Testaments among many others. These texts depict alternate worlds that express the darkness and violence of our own, arguably none more so than for women. Featuring essays from a broad range of international contributors on topics as wide-ranging as mental health in the Silent Hill franchise and liminal spaces in the work of David Mitchell, this book is an original, timely and hope-filled analysis about overcoming the confines of a patriarchal, fundamentalist world where the female imaginative might just be the last, best hope.
Millennial movements have had a significant impact on history and lie behind many artistic and scientific views of the world. 'The End that Does' tracks the interplay of the arts, sciences, and millennial imagination across 3000 years. The volume presents essays ranging across the study of ancient ritualistic sacrifice, utopian technology and the American millennial dream, science fiction, and the apocalypse of the tabloids. The End that Does will be invaluable to any student or scholar interested in the history of millennialism.
An examination of New Testament Apocalyptic literature through the categories of post-colonial thought, deconstruction, ethics, Roman social discourse, masculinisation, virginity, and violence.
Displays of devout religious faith are very much in evidence in nineteenth-century sentimental novels such as Uncle Tom's Cabin and Little Women, but the precise theological nature of this piety has been little examined. In the first dedicated study of the religious contents of sentimental literature, Claudia Stokes counters the long-standing characterization of sentimental piety as blandly nondescript and demonstrates that these works were in fact groundbreaking, assertive, and highly specific in their theological recommendations and endorsements. The Altar at Home explores the many religious contexts and contents of sentimental literature of the American nineteenth century, from the growth of Methodism in the Second Great Awakening and popular millennialism to the developing theologies of Mormonism and Christian Science. Through analysis of numerous contemporary religious debates, Stokes demonstrates how sentimental writers, rather than offering simple depictions of domesticity, instead manipulated these scenes to advocate for divergent new beliefs and bolster their own religious authority. On the one hand, the comforting rhetoric of domesticity provided a subtle cover for sentimental writers to advance controversial new beliefs, practices, and causes such as Methodism, revivalism, feminist theology, and even the legitimacy of female clergy. On the other hand, sentimentality enabled women writers to bolster and affirm their own suitability for positions of public religious leadership, thereby violating the same domestic enclosure lauded by the texts. The Altar at Home offers a fascinating new historical perspective on the dynamic role sentimental literature played in the development of innumerable new religious movements and practices, many of which remain popular today.
This study examines the relationship between Catholicism and homosexuality and between historical homophobia and contemporary struggles between the Church and the homosexual? Moving from the Gothic to the late Twentieth-century, from Europe to America, it interrogates what is queer about Catholicism and what is modern about homosexuality.
A call for “trans literacy” within biblical scholarship In this volume Hornsby and Guest introduce readers to terms for the various identities of trans people and how the Bible can be an affirmation of those deemed sexually other by communities. This book offers readings of well known (e.g., Gen 1; Revelation) and not so well known (2 Sam 6; Jer 38) narratives to illustrate that the Bible has been translated and interpreted with a bias that makes heterosexuality and a two sex, two gender system natural, and thus divinely ordained. The authors present examples that show gender was never a binary, and in the Bible gender and sex are always dynamic categories that do, and must, transition. Features: Definitions of key terms, including transsexual, transgender, cissexism, heterosexism, intersex, eunuch Critique of how biblical texts are used in Christian positional statements on transsexuality Statistics concerning rates of violence against trans persons
Contemporary Christian critique often talks about postmodernism apocalyptically, in terms of cultural crisis and decline; instead, the contributors to this volume believe that there is a new place for Christian entrées on the academic Smorgasbord of postmodernity, and they see the postmodern turn as an opportunity for fresh perspectives on the spiritual dimensions of reading literature. These twenty scholars are an eclectic group, differing in theological and theoretical commitments, but all identifying as Christian. In this collection they enter into dialogue with a wide range of contemporary literary theorists and theoretical perspectives, and offer new readings of primary texts informed by both these theoretical constructs and their Christian faith. "The manuscript strikes out in important new directions in its sympathetic reading of postmodern theory from a Christian perspective, and, even more significantly, in its careful and measured dialogic approach to the relationship of Christian thought and contemporary literary theory." Daniel Coleman, Canada Research Chair in Critical Ethnicity and Race Studies, Department of English and Cultural Studies, McMaster University "Too often Christian literary critics and theologians have preemptively dismissed postmodern theory, even as secular critics have been equally dismissive about the contributions that the Christian faith tradition makes to the study of literature. This volume successfully brings these two worlds together in innovative, at times challenging, and always rich ways. I do not know of a similar volume in existence, a work that gathers in one convenient publication a wide-ranging set of discussions of contemporary literary theory by Christian scholars. The editor has gathered an impressive and important set of papers here, and I believe the volume will raise much interest and provoke a good deal of constructive debate." Susan VanZanten Gallagher, Professor of English, Director, Center for Scholarship and Faculty Development, Seattle Pacific University