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Martin Luther's relationship to music has been largely downplayed, yet music played a vital role in Luther's life -- and he in turn had a deep and lasting effect on Christian hymnody. In Luther's Liturgical Music Robin Leaver comprehensively explores these connections. Replete with tables, figures, and musical examples, this volume is the most extensive study on Luther and music ever published. Leaver's work makes a formidable contribution to Reformation studies, but worship leaders, musicians, and others will also find it an invaluable, very readable resource.
Philip Schaff almost needs no introduction. He wrote one of the finest histories of the church. His work, the History of the Christian Church, has become a benchmark on the subject. In his eight volume set he covers just about every issue concerning the church from the time of the Apostles through the Reformation. He incorporates discussion of ideas and principles throughout the history of the church. In this eBook all eight volumes are present and there is also a linked table of contents for every section. We have also labeled every section and chapter so that it will be easier to navigate through the volumes. This material has been carefully compared, corrected, and amended, according to the 1910 edition of Charles Scribner's Sons. Here are the general titles of each of the volumes: Volume One THE FIRST PERIOD APOSTLIC CHRISTIANITY A.D. 1-100. Volume II SECOND PERIOD ANTE-NICENE CHRISTIANITY A.D. 100-311 (325). Volume III THIRD PERIOD THE CHURCH IN UNION WITH THE ROMAN EMPIRE FROM CONSTANTINE THE GREAT TO GREGORY THE GREAT. A.D. 311-590. Volume IV MEDIAEVAL CHRISTIANITY From Gregory I to Gregory VII A.D. 590-1073 Volume V FROM GREGORY VII. TO BONIFACE VIII. A. D. 1049-1294. Volume VI FROM BONIFACE VIII. TO MARTIN LUTHER. A.D. 1294-1517. THE SIXTH PERIOD OF CHURCH HISTORY. Volume VII HISTORY OF THE REFORMATION. 1517 - 1648. Volume VIII SECOND BOOK. THE SWISS REFORMATION. THIRD BOOK. THE REFORMATION IN FRENCH SWITZERLAND, OR THE CALVINISTIC MOVEMENT.
This volume presents a novel and distinct contribution to previous research on the rich Lutheran heritage of music. It builds upon a current surge of interest in the field, which resonates with a wider interest in connections between music and religion, as well as with cultural and aesthetic dimensions of faith at large. The book situates the topic in relation to recent developments within historical and cultural studies that have developed a more nuanced and positive view of the interplay between theologians and other cultural agents in the evolution of Western modernity during post Reformation processes of ‘confessionalization’. It combines conceptual discussions of key terms relevant to the study of the development and significance of an Early Modern Lutheran Music Culture with theological readings of central texts on music, analytic approaches to historical repertoires and material perspectives on its dissemination.
Singing the Gospel offers a new appraisal of the Reformation and its popular appeal, based on the place of German hymns in the sixteenth-century press and in the lives of early Lutherans. The Bohemian mining town of Joachimsthal--where pastors, musicians, and laity forged an enduring and influential union of Lutheranism, music, and culture--is at the center of the story. The Lutheran hymns, sung in the streets and homes as well as in the churches and schools of Joachimsthal, were central instruments of a Lutheran pedagogy that sought to convey the Gospel to lay men and women in a form that they could remember and apply for themselves. Townspeople and miners sang the hymns at home, as they taught their children, counseled one another, and consoled themselves when death came near. Shaped and nourished by the theology of the hymns, the laity of Joachimsthal maintained this Lutheran piety in their homes for a generation after Evangelical pastors had been expelled, finally choosing emigration over submission to the Counter-Reformation. Singing the Gospel challenges the prevailing view that Lutheranism failed to transform the homes and hearts of sixteenth-century Germany.