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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 27 MAY, 1962 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 64 VOLUME NUMBER: Vol. XXVII. No. 21 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 11-64 ARTICLE: 1. Culture and National Integration 2. A Declaration of Rights 3. My Seven Wonders of the World 4. A Sportsman looks Back 5. Book Reviewed AUTHOR: 1. K. Santhanam 2. W. V. Venkata Rao 3. Khushwant Singh 4. A. Ramaswamy Iyer KEYWORDS : 1. New Indian Culture,Fading of caste distinction,In the feild of language and literature.Rivival Sanskrit 2. Three R'S,Object of Education,Right to choose the kind of education,Duties to the communities,Universities Are Like the Eye 3. Seven Wonders of the World 4. Biggest Problem,Hockey career,Uncrowned King,Keen Competition Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 9 MAY, 1976 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XLI. No. 19 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-54 ARTICLE: 1. Achievements in Agriculture 2. Indian Painting 3. Indian Painting Today 4. Academic Freedom 5. The Theater of the Absurd:Samuel Beckett AUTHOR: 1. M. S. Swaminathan 2. K. C. S. Panikkar 3. A. Ranganathan 4. Prof. Samuel Mathai 5. K. R. Hayagrivachar KEYWORDS : 1. Bamboo tube-well,primary considerations, irrigation and nutrients, significance of new technology 2. Ravi Varma, the bengal school, pertinence to the present 3. Amrita Sher-Gil, the madras school 4. The teacher, dangers of inflexibility 5. Man— a stranger, search for freedom, dupe of tomorrow, gut of nothingness,the final game, eternal waiting, changing self, inconsequential language Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 08-10-1950 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XV. No. 41. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 16-43 ARTICLE: 1. Utilising Our Natural Resources 2. Juvenile Delinquency 3. Fighting Hunger 4. An Article of Faith AUTHOR: 1. Dr. D. N. Wadia 2. M. S. Srinivasa Sarma 3. B. K. Ramachar 4. M. A. Amin KEYWORDS: 1. Mineral resources of India, Mineral technology in India 2. Juvenile crime and mentality, Anti-social tendencies in children 3. Food self-sufficiency, Import of food-grains 4. India and Pakistan, Inter-Dominion Agreement of 1948 Document ID: INL-1950 (J-D) Vol-III (17)
Recent years have seen a sea change in the way history is written and also in the way our conceptions of the past are being rewritten. In traditional historiography, women’s articulation is often marginalized and dominated by male voices. Through centuries of patriarchal control, women negotiated many layers and levels of existence working out different forms of resistance which have often gone unnoticed. Bhakti was one such medium. Religion provided the space in the medieval period and women saints embraced bhakti to define their own truths in voices that question society, family and relationships. For all these women bhaktas, the rejection of the male power that they were tied to in subordinate relationship became the terrain for struggle, self assertion and alternative seeking. Most of these women lived during the period from 12th to 17th Century. While the dominant mode of worship in bhakti was prostration to a deity like a feudal lord, the women bhaktas’ idea of God as a lover, a husband and a friend came as a breath of fresh air. The individual outpourings and the voices of these women, who had the courage to sing unfettered in their own voices, refused to melt in the din of the feudal scene which was largely patriarchal. This book will be useful to scholars interested in Feminist History, Comparative Religion and Asian Studies. The sensitive and rigorous research will be of great help to young scholars interested in embarking on a journey to discover religious history, especially with regards to women’s history in the South Asian context.
Indian Saints and Sages presents in short the celestial power, and miraculous and supernatural wonders by numerous Saints who were enlightened and brilliant persons with blissful souls. Their appearance was divine and the departure sublime. Most of them took SamĠdhi alive and in the presence of many; some entered the caves and never returned back, some changed into blazing light and some became flowers. The book tells how the God came to eat from the hands of devotees, played with them, listened to their discourses and hymns and fulfilled their simple, general, esoteric and extraordinary desires. This work describes wonderful and mind-boggling sacrifices. It shows and establishes that man is man only when he achieves distinction in all the four pursuits, PurushĠrth: Dharma, Artha, KĠma and Moksha. Kindness, Charity, Help, Contentment, and Sacrifices are the ways to Salvation, Freedom from the cycle of Birth and Death, and entry to Heavenly Abode. ‘Indian Saints and Sages’ shows the ways and means to all round prosperity, health, happiness, and full and complete living. It shows how to accumulate and spread Sweetness, Light, Delight and Fragrance, ensuring continuity to life and making the earth a better place to live and grow.
On Indian society and culture during the Mogul rule, 1526-1761.