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A clear and easy-to-understand look at some of the most profound questions we face, such as what happens when we die, is it possible to have the divine within, what are the causes of suffering, and how can spiritual realities be personally explored-with a powerful message about the potential each of us has to discover the purpose of existence.
Gazing Into Glory reveals the Lord's intent for spiritual manifestations to become your normal Christian experience. This book rests on solid biblical support and is built on modern-day, real-life supernatural experiences. You too will discover the true essence of the glory of God. There has been a growing hunger and passion in the hearts of God's people-- birthed by the Holy Spirit-- to more fully walk in the spirit and access in a more specific way all that the Word indicates is yours. You are encouraged to use Gazing Into Glory as a roadmap as you journey into the lifestyle and mindset that God destined for you to enjoy. By expounding upon the power and benefits of the Glory of God, the scriptural manifestations of God's glory become more than parables-- they embrace you. Walking in the supernatural is not promised only to a select mystical few. The experience belongs to all believers who choose to pursue the promises of God for themsleves--it belongs to you.
Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.
Quest for Eternal Sunshine chronicles the triumphant, true story of Mendek Rubin, a brilliant inventor who overcame both the trauma of the Holocaust and decades of unrelenting depression to live a life of deep peace and boundless joy. Born into a Hassidic Jewish family in Poland in 1924, Mendek grew up surrounded by extreme anti-Semitism. Armed with an ingenious mind, he survived three horrific years in Nazi slave-labor concentration camps while virtually his entire family was murdered in Auschwitz. After arriving in America in 1946—despite having no money or professional skills—his inventions helped revolutionize both the jewelry and packaged-salad industries. Remarkably, Mendek also applied his ingenuity to his own psyche, developing innovative ways to heal his heart and end his emotional suffering. After Mendek died in 2012, his daughter, Myra Goodman, found an unfinished manuscript in which he’d revealed the intimate details of his healing journey. Quest for Eternal Sunshine—the extraordinary result of a posthumous father-daughter collaboration—tells Mendek’s whole story and is filled with eye-opening revelations, effective self-healing techniques, and profound wisdom that have the power to transform the way we live our lives. An inspirational biography of a Holocaust survivor overcoming depression and PTSD. An essential new addition to Jewish Holocaust history.
A groundbreaking academic treatment of Fellini, provides new, expansive, and diverse perspectives on his films and influence The Wiley Blackwell Companion to Federico Fellini presents new methodologies and fresh insights for encountering, appreciating, and contextualizing the director’s films in the 21st century. A milestone in Fellini scholarship, this volume provides contributions by leading scholars, intellectuals, and filmmakers, as well as insights from collaborators and associates of the Italian director. Scholarly yet readable essays explore the fundamental aspects of Fellini’s works while addressing their contemporary relevance in contexts ranging from politics and the environment to gender, race, and sexual orientation. As the centennial of Federico Fellini’s birth in approaches in 2020, this timely work provides new readings of Fellini’s films and illustrates Fellini’s importance as a filmmaker, artist,and major cultural figure. The text explores topics such as Fellini’s early cinematic experience, recurring themes and patterns in his films, his collaborations and influences, and his unique forms of cinematic expression. In a series of “Short Takes” sections, contributors look at specific films that have particular significance or personal relevance. Destined to become the standard research tool for Fellini studies, this volume: Offers new theoretical frameworks, encounters, critiques, and interpretations of Fellini’s work Discusses Fellini’s creativity outside of filmmaking, such as his graphic art and his Book of Dreams published after his death. Examines Fellini’s influence on artists not only in the English-speaking world but in places such as Turkey, Japan, South Asia, Russia, Cuba, North Africa. Demonstrates the interrelationship between Fellini’s work and visual art, literature, fashion, marketing, and many other dimensions of both popular and high culture. Features personal testimonies from family, friends and associates of Fellini such as Francesca Fabbri Fellini, Gianfranco Angelucci, Valeria Ciangottini, and Lina Wertmüller Includes an extensive appendix of freely accessible archival resources on Fellini’s work The Wiley Blackwell Companion to Federico Fellini is an indispensable resource for students, instructors, and scholars of Fellini, Italian cinema, cinema and art history, and all areas of film and media studies.
Vinod Acharya presents a new existential interpretation of Nietzsche's philosophy. He contends that Nietzsche's peculiar form of existentialism can be understood only by undertaking a thorough analysis of his characterization and critique of metaphysics. This reading remedies the shortcomings of previous existential interpretations of Nietzsche, which typically view existentialism as concerned primarily with the meaning of individual existence, and therefore necessarily at odds with the abstraction and objectivity of metaphysical thought. Acharya argues that the approach of Nietzsche's philosophy, especially in his mature works, is to make the typical existential position foundational, and then to develop to the fullest the implications of this position. This meta-existential approach necessarily yields an ambiguous and open-ended critique of metaphysics. Taking issue with the Heideggerian, the poststructuralist, and the naturalistic interpretations, this book contends that Nietzsche neither simply overcomes metaphysics nor remains trapped within its confines. Acharya argues that an ever-renewed encounter with and critique of metaphysics is an essential aspect of Nietzsche's meta-existentialism.
Ananzul was almost destroyed by the Dark Ladys right hand a rouge mage from the Eastern Barrons, now the dragons are scarce and hardly ever seen anymore along with most of the mystical creatures that were once abundant throughout the realms of this once beautiful world. Many of them returned to their daily lives and some went back into hiding amongst the very people that feared them; though not out of shame but for something more valuable, their survival. Some were summoned away to work with the Luna Order and those whos paths had once crossed now led them in different directions and on a search for purpose, in a land that will once again be ruled by darkness should their paths not cross again. The lands of Ananzul now lay divided by borders. Clans scout searching for any scraps they can find this will reveal the true meaning of survival and most of all the dark side of the creatures of a once beautiful but now savage world, when there is power to be gained the primitive and savage side takes over and with the quest for power comes with a high price higher than most are willing to pay....death
A Comprehensive History Of Vaishnavism In Orissa.
It is no secret that C. S. Lewis's imagination was shaped by his beloved medieval and Renaissance literature. Here, Marsha Daigle-Williamson demonstrates that Lewis used Dante's Divine Comedy throughout his writing career, from The Pilgrim's Regress to The Chronicles of Narnia and Till We Have Faces. Book jacket.