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Chiaki falls into a funk after seeing Subaru on the job and realizing what a different world he's entered, but she knows she can't keep running from her feelings. She decides to keep her chin up and give him her best shot, but with how Subaru acts when it's just the two of them, Chiaki's emotions just might overflow…
Subaru kisses Chiaki, but only to give her a reason to “back off.” Wounded, Chiaki agrees to a spontaneous day trip with her workmate, Takahashi-kun. Will Subaru's true feelings ever come out?
Chiaki is a pretty normal teenage girl. Since they were kids, she's had a thing for her best friend Subaru-who's fast becoming the hottest young actor in Japan! With Subaru threatening to slip away, Chiaki has a decision to make: Will she finally take her shot, or give Subaru up to his adoring public?
Despite her best efforts, Chiaki continues to find herself teetering on the edge of telling Subaru how she really feels. A particularly close call at their seaside photoshoot has Chiaki in knots. Meanwhile, Subaru continues his climb up the stardom ladder, and his latest role could very well tip the scale of Chiaki's delicately balanced patience…
Having unexpectedly landed a role in a movie being shot at her high school, Jessie discovers that movie stars and the film industry are not as glamorous as she once thought.
The house next door to the Kennedy's is haunted by an all pervasive evil-an evil that takes away whatever the occupants hold dearest. They are about to become witnesses to an overwhelming force that will strip away the veneer of civilization that protects them.
In Bulawayo, Zimbabwe, there is a tragedy in the house next door to Lindiwe Bishop -- her neighbor has been burned alive. The victim's stepson, Ian McKenzie, is the prime suspect but is soon released. Lindiwe can't hide her fascination with this young, boisterous and mysterious white man, and they soon forge an unlikely closeness even as the country starts to deteriorate. Years after circumstances split them apart, Ian returns to a much-changed Zimbabwe to see Lindiwe, now a sophisticated, impassioned young woman, and discovers a devastating secret that will alter both of their futures, and draw them closer together even as the world seems bent on keeping them apart. The Boy Next Door is a moving and powerful debut about two people finding themselves and each other in a time of national upheaval.
The house next door to the Kennedys appears to be haunted by an all-pervasive evil, and the couple watches as a succession of owners becomes engulfed by the sinister force, until the Kennedys set out to destroy the house themselves.
How the immigration policies and popular culture of the 1980's fused to shape modern views on democracy In the 1980s, amid increasing immigration from Latin America, the Caribbean, and Asia, the circle of who was considered American seemed to broaden, reflecting the democratic gains made by racial minorities and women. Although this expanded circle was increasingly visible in the daily lives of Americans through TV shows, films, and popular news media, these gains were circumscribed by the discourse that certain immigrants, for instance single and working mothers, were feared, censured, or welcomed exclusively as laborers. In The Cultural Politics of U.S. Immigration, Leah Perry argues that 1980s immigration discourse in law and popular media was a crucial ingredient in the cohesion of the neoliberal idea of democracy. Blending critical legal analysis with a feminist media studies methodology over a range of sources, including legal documents, congressional debates, and popular media, such as Golden Girls, Who’s the Boss?, Scarface, and Mi Vida Loca, Perry shows how even while “multicultural” immigrants were embraced, they were at the same time disciplined through gendered discourses of respectability. Examining the relationship between law and culture, this book weaves questions of legal status and gender into existing discussions about race and ethnicity to revise our understanding of both neoliberalism and immigration.
A gorgeous debut about family, friendship, first romance, and how to be true to one person you love without betraying another The Garretts are everything the Reeds are not. Loud, numerous, messy, affectionate. And every day from her balcony perch, seventeen-year-old Samantha Reed wishes she was one of them . . . until one summer evening, Jase Garrett climbs her terrace and changes everything. As the two fall fiercely in love, Jase's family makes Samantha one of their own. Then in an instant, the bottom drops out of her world and she is suddenly faced with an impossible decision. Which perfect family will save her? Or is it time she saved herself? A dreamy summer read, full of characters who stay with you long after the story is over. "A summer romance with depth." —The Boston Sunday Globe "Fitzpatrick's excellent first novel movingly captures the intensity of first love." —Publishers Weekly, starred review "An almost perfect summer romance." —Kirkus Reviews "On par with authors such as Sarah Dessen and Deb Caletti." —SLJ