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Between 1890 and 1930, Arts and Crafts architecture proliferated within the Cotswolds. The range and quality of the buildings was exceptional as the region provided the perfect environment for the Movement's ideals and principles. Arts and Crafts architects relished the robust vernacular precedent as it channelled their ideas and stimulated their imaginations. Its rational basis and dependence on craft skills had lasting value, and it was no coincidence that the most influential aspect of their work was its emphasis on conservation. The Arts and Crafts Movement in the Cotswolds has attracted much interest in recent decades, the appeal of the simple life and of traditional values detached from the pressures of modern society having as much allure now as it did a century ago. Most of these studies have referred to the work of architects in the region, but the subject has not received the specialist attention it deserves. Until now. This book examines the impact of the Movement on the Cotswold landscape, on the survival of its building traditions and on modern attitudes to building conservation. After an introductory section which outlines the Movement's origins and beliefs and its architectural principles, the main part of the book provides a guide to the general characteristics associated with Arts and Crafts building in the Cotswolds. There are separate chapters on the various types of new commission that were undertaken, from small and large country houses and cottages to village halls and almshouses, not to mention the numerous repair and remodelling jobs on existing buildings that had become derelict following the social and economic upheavals of industrialisation. The final chapter looks at the late flowering of architectural work in the region during the interwar period and beyond, and the legacy of this important body of work at a local and national level.
Following a brief introduction to the Arts and Crafts Movement, this text chronicles the arrival of a succession of artists, architects, craftsmen and designers in the Cotswolds during the second half of the 19th century. Having come under the influence of William Morris, they sought to realize in the Cotswolds the ideals of the Arts and Crafts Movement, with its emphasis on the importance of creative manual work and the breakdown of the barrier between designer and maker, looking for inspiration to the English countryside.
This publication is the first to document the exceptional collection of Arts and Crafts furniture held in Cheltenham: from William Morris and his circle right up to the present day. Each item is fully catalogued and illustrated alongside its entry.
The British country house has long been regarded as the jewel in the nation's heritage crown. But the country house is also an expression of wealth and power, and as scholars reconsider the nation's colonial past, new questions are being posed about these great houses and their links to Atlantic slavery.This book, authored by a range of academics and heritage professionals, grew out of a 2009 conference on 'Slavery and the British Country house: mapping the current research' organised by English Heritage in partnership with the University of the West of England, the National Trust and the Economic History Society. It asks what links might be established between the wealth derived from slavery and the British country house and what implications such links should have for the way such properties are represented to the public today.Lavishly illustrated and based on the latest scholarship, this wide-ranging and innovative volume provides in-depth examinations of individual houses, regional studies and critical reconsiderations of existing heritage sites, including two studies specially commissioned by English Heritage and one sponsored by the National Trust.