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Book examines relationship between love, gaze and the sexes
In this innovative and important study, Heather Tilley examines the huge shifts that took place in the experience and conceptualisation of blindness during the nineteenth century, and demonstrates how new writing technologies for blind people had transformative effects on literary culture. Considering the ways in which visually-impaired people used textual means to shape their own identities, the book argues that blindness was also a significant trope through which writers reflected on the act of crafting literary form. Supported by an illuminating range of archival material (including unpublished letters from Wordsworth's circle, early ophthalmologic texts, embossed books, and autobiographies) this is a rich account of blind people's experience, and reveals the close, and often surprising personal engagement that canonical writers had with visual impairment. Drawing on the insights of disability studies and cultural phenomenology, Tilley highlights the importance of attending to embodied experience in the production and consumption of texts.
Selected by Choice magazine as an Outstanding Academic Title Between 1990 and 1996, the U.S. Congress passed market-based reforms in the areas of civil rights, welfare, and immigration in a series of major legislative initiatives. These were announced as curbs on excessive rights and as correctives to a culture of dependency among the urban poor—stock images of racial and cultural minorities that circulated well beyond Congress. But those images did not circulate unchallenged, even after congressional opposition failed. In The Paradox of Relevance, Carol J. Greenhouse provides a political and literary history of the anthropology of U.S. cities in the 1990s, where—below the radar—New Deal liberalism, with its iconic bond between society and security, continued to thrive. The Paradox of Relevance opens in the midst of anthropology's so-called postmodern crisis and the appeal to relevance as a basis for reconciliation and renewal. The search for relevance leads outward to the major federal legislation of the 1990s and the galvanic political tensions between rights- and market-based reforms. Anthropologists' efforts to inform those debates through "relevant" ethnography were highly patterned, revealing the imprint of political tensions in shaping their works' central questions and themes, as well as their organization, narrative techniques, and descriptive practices. In that sense, federal discourse dominates the works' demonstrations of ethnography's relevance; however, the authors simultaneously resist that dominance through innovations in their own literariness—in particular, drawing on diasporic fiction and sociolegal studies where these articulate more agentive meanings of identity and difference. The paradox of relevance emerges with the realization that in the context of the times, affirming the relevance of ethnography as value-neutral science required the textual practices of advocacy and art.
Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
Goodman traces connections between Georgic verse and developments in other spheres from the late seventeenth to the early nineteenth centuries.
This groundbreaking volume highlights the continuing relevance of Jacques Lacan (1901-1981), a French psychiatrist and psychoanalyst whose linguistic reworking of Freudian analysis radicalised both psychoanalysis and its approach to theology. The book's fi rst section, Part I: Lacan, Religion, and Others, explores the application of Lacan's thought to the development and phenomena of religion. Part II: Theology and the Other Lacan moves through the physical world and into the metaphysical, probing theological issues and ideas of today's world with curiosity and in the light of Lacan. In both parts I and II, a central place is given to Lacan's exposition of the real, thereby refl ecting the impact of his later work. Topics traverse culture,art, philosophy and politics, as well as providing critical exegesis of Lacan's most gnomic utterances on theology, including The Triumph of Religion. Contributors include some of the most renowned readers and influential academics in their respective fields: Tina Beattie, Lorenzo Chiesa, Clayton Crockett, Creston Davis, Adrian Johnston, Katerina Kolozova, Thomas Lynch, Marcus Pound, Carl Raschke, Kenneth Reinhard, Mario D'Amato, Noelle Vahanian and Slavoj Zizek.
Contemporary Photography and Theory offers an essential overview of some of the key critical debates in fine art photography today. Building on a foundational understanding of photography, it offers an in-depth discussion of five topic areas: identity, landscape and place, the politics of representation, psychoanalysis and the event. Written in an accessible style, it introduces the critical literature relevant to photography that has emerged over recent decades. Moving beyond seminal works by writers such as Walter Benjamin, Roland Barthes, and Susan Sontag, it enables readers to explore an extended canon of theorists including Jacques Lacan, Judith Butler and Giorgio Agamben. The book is illustrated throughout and analyses a range of works by established and emergent artists in order to show how these theoretical concepts are central to understanding contemporary photography. These 15 short essays encourage readers to apply critical thinking to both their own work and that of others. They are the perfect starting point for essays as well being of suitable length for assigned readings, making this the ideal resource for learning about contemporary photography and theory.
Psychoanalytic Perspectives on the Films of Ingmar Bergman presents a contemporary Freudian-Lacanian assessment of this classic director. This collection is the first to bring together this unique psychological perspective on Bergman’s work. While Bergman and his films have been written about throughout the decades, until now there has not been a collection anthologizing Freudian-Lacanian perspectives on his work. Vanessa Sinclair brings together an international community of scholars and practicing psychoanalysts – some of whom are also filmmakers – to reflect on Bergman’s films, life, and work in philosophical, historical, and cultural contexts. They assess individual films in depth, compare multiple films, and focus on Bergman’s life and work in a cultural context. This book includes chapters on seminal films including Persona and The Silence. Psychoanalytic Perspectives on the Films of Ingmar Bergman will be essential reading for academics and students of film studies, psychoanalytic theory, and Lacan, and of great interest to psychoanalysts and psychotherapists.
With its innovative narrative structure and its controversial explorations of race, gender and empire, Joseph Conrad's Heart of Darkness is a landmark of 20th century literature that continues to resonate to this day. This book brings together leading scholars to explore the full range of contemporary philosophical and critical responses to the text. Conrad's Heart of Darkness and Contemporary Thought includes the first publication in English of philosopher Philippe Lacoue-Labarthe's essay, 'The Horror of the West', described by J. Hillis Miller as 'a major essay on Conrad's novel, one of the best ever written'. In the company of Lacoue-Labarthe, leading scholars explore new readings of Conrad's text from a full range of theoretical perspectives, including deconstructive, psychoanalytic, narratological and postcolonial approaches. Drawing on the very latest insights of contemporary thought, this is an essential study of one of the most important literary texts of the 20th century.
Focusing on three entertainers who have become national icons Martin Stokes offers a portrait of Turkish identity that is very different from the official version of anthems and flags. In particular, he discusses how a Turkish concept of love has been developed through the work of the singers and the public reaction to them.