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Gaza Writes Back is a collection of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel's siege and blockade. Their experiences, especially during and following Israel's 2008-2009 offensive known as "Operation Cast Lead", have fundamentally impacted their lives and their writing. Indeed, many of these writers saw the war as a catalyst for their writing, as they sought an outlet and a voice in its aftermath. They view the book as a means of preserving Palestinian memories and presenting their narratives to the world without filters. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world's most embattled communities. These stories are acts of resistance and defiance, proclaiming the endurance of Palestinians and the continuing resilience and creativity of their culture in the face of ongoing obstacles and attempts to silence them. Whether tackling the tragedy that surrounds missile strikes and home raids, or the everyday indignities encountered by Palestinian refugees, Gaza Writes Back brings to life the real issues that the people of Gaza face. One prominent theme in many of the stories is the wisdom of parents and grandparents. A sense of longing pervades the book, as the characters in the stories reveal desires ranging from the mundane to the complex--including, in several of the stories, a strong yearning to return to the characters' family homes and properties after many decades in exile. Social differences within Gaza are also sensitively explored. Readers will be moved by the struggles big and small that emerge from the well-crafted writing, and by the hope and courage that radiates from the authors' biographies. Five years after Operation Cast Lead, these stories remind us that the pain lingers on and the people of Gaza will be forever scarred by the attack. Yet, the call for justice remains forceful and persistent, and these young Gazan writers refuse to let the world forget about them--their land, their people, and their story.
Gaza Writes Back: Short Stories from Young Writers in Gaza, Palestine, edited by Refaat Alareer is a compelling collection of short stories from fifteen young writers in Gaza, members of a generation that has suffered immensely under Israel's siege and blockade. Their experiences, especially during and following Israel's 2008-2009 offensive known as "Operation Cast Lead", have fundamentally impacted their lives and their writing. Indeed, many of these writers saw the war as a catalyst for their writing, as they sought an outlet and a voice in its aftermath. They view the book as a means of preserving Palestinian memories and presenting their own narratives to the world without filters. Their words take us into the homes and hearts of moms, dads, students, children, and elders striving to live lives of dignity, compassion, and meaning in one of the world's most embattled communities. (Some of the stories also take us with courage and empathy into the imagined world of Israelis living just on the other side of the great barriers Israel has built in and around Gaza and the West Bank to wall the Palestinians in.)
In Black Athena Writes Back Martin Bernal responds to the passionate debates set off by the 1987 publication of his book Black Athena. Producing a shock wave of reaction from scholars, Black Athena argued that the development of Greek civilization was heavily influenced by Afroasiatic civilizations. Moreover, Bernal asserted that this knowledge had been deliberately obscured by the rampant racism of nineteenth-century Europeans who could not abide the notion that Greek society—for centuries recognized as the originating culture of Europe—had its origins in Africa and Southwest Asia. The subsequent rancor among classicists over Bernal’s theory and accusations was picked up in the popular media, and his suggestion that Greek culture had its origin in Africa was widely derided. In a report on 60 Minutes, for example, it was suggested that Bernal’s hypothesis was essentially an attempt to provide blacks with self-esteem so that they would feel included in the march of progress. In Black Athena Writes Back Bernal provides additional documentation to back up his thesis, as well as offering persuasive explanations of why traditional scholarship on the subject remains inaccurate and why specific arguments lobbed against his theories are themselves faulty. Black Athena Writes Back requires no prior familiarity with either the Black Athena hypothesis or with the arguments advanced against it. It will be essential reading for those who have been following this long-running debate, as well as for those just discovering this fascinating subject.
This collection lends a critical decolonising lens to intercultural communication research, bringing together perspectives on how forms of education embedded in the arts and humanities can open up intercultural understanding among young people in conditions of conflict and protracted crises. The book draws on case studies from a range of educational contexts in the Global South which engage in creative arts methodologies to foreground decolonising approaches to intercultural communication in which researchers question their own power in the research process. The volume offers intercultural resources that can be used by researchers and community support groups to foster active intercultural communication, dialogue, participation, and responsibility among young people in these settings and those who may be marginalised from them. The collection also highlights the reflexive accounts of researchers working in a transnational, interdisciplinary, and multilingual research network and the subsequent opportunities and challenges of working in such networks. Advocating for intercultural understanding among young people in higher education and a greater focus on social justice in intercultural communication research, this book will be of interest to students and researchers in applied linguistics, language education, intercultural education, and multilingualism.
Imagining the future of Gaza beyond the cruelties of occupation and Apartheid, Light in Gaza is a powerful contribution to understanding Palestinian experience. Gaza, home to two million people, continues to face suffocating conditions imposed by Israel. This distinctive anthology imagines what the future of Gaza could be, while reaffirming the critical role of Gaza in Palestinian identity, history, and struggle for liberation. Light in Gaza is a seminal, moving and wide-ranging anthology of Palestinian writers and artists. It constitutes a collective effort to organize and center Palestinian voices in the ongoing struggle. As political discourse shifts toward futurism as a means of reimagining a better way of living, beyond the violence and limitations of colonialism, Light in Gaza is an urgent and powerful intervention into an important political moment.
On July 8, 2014, Israel launched air strikes on Hamas-controlled Gaza, followed by a ground invasion. The ensuing fifty-one days of war left more than 2,200 people dead, the vast majority of whom were Palestinian civilians, including over 500 children. During the assault, at least 10,000 homes were destroyed and, according to the United Nations, nearly 300,000 Palestinians were displaced. Max Blumenthal was in Gaza and throughout Israel-Palestine during what he argues was an entirely avoidable catastrophe. In this explosive work of intimate reportage, Blumenthal reveals the harrowing conditions and cynical deceptions that led to the ruinous war -- and tells the human stories. Blumenthal brings the battles in Gaza to life, detailing the ferocious clashes that took place when Israel's military invaded the besieged strip. He radically shifts the discussion around a number of highly contentious issues: the use of civilians as human shields by Israeli forces, the arbitrary targeting of Palestinian civilians, and the radicalization of Israeli public officials and top military personnel. Amid the rubble of Gaza's border regions, Blumenthal recorded the testimonies from scores of residents, documenting potential war crimes committed by the Israeli armed forces while carefully examining the military doctrine that led to them. More than a chronicle of war and devastation, The 51 Day War is an urgent warning that the aftermath of the conflict has made another military assault on Gaza almost inevitable. And while the people of Gaza will once again prove their resilience, the world can no longer just stand aside and watch.
June 17, 2008, is the fiftieth anniversary of the publication of Chinua Achebe’s Things Fall Apart by Heinemann. This publication provided the impetus for the foundation of the African Writers Series in 1962 with Chinua Achebe as the editorial adviser. Africa Writes Back: The African Writers Series and the Launch of African Literature captures the energy of literary publishing in a new and undefined field. Portraits of the leading characters and the many consultants and readers providing reports and advice to new and established writers make Africa Writes Back a stand-out book. James Currey’s voice and insights are an added bonus. CONTENTS Publishing and selling the African Writers Series The African Writers Series Portfolio & George Hallett’s covers Main dates for the African Writers Series INTRODUCTION: The establishment of African Literature Publishing Chinua Achebe 1. WRITERS FROM WEST AFRICA Nigeria: The country where so much started Negritude from Senegal to Cameroun Magic & realism from Ghana, The Gambia & Sierra Leone 2. WRITERS FROM EASTERN AFRICA Towards the oral & the popular in Kenya, Uganda & Tanzania Publishing Ngugi 3. WRITERS FROM THE HORN & NORTH-EASTERN AFRICA Emperors in Ethiopia Publishing Nuruddin Farah Arab authors in Egypt & Sudan 4. WRITERS FROM SOUTH AFRICA Resistance in South Africa Publishing Alex la Guma Publishing Dennis Brutus Publishing Bessie Head Publishing Masizi Kunene 5. WRITERS FROM SOUTHERN AFRICAN Guns & Guerrillas in Mozambique &Angola Zambia Shall be Free Death & detention in Malawi The struggle to become Zimbabwe Publishing Dambudzo Marechera CONCLUSION: Is there still a role for the African Writers Series?
This book identifies water as a crucial new topic of literary and cultural analysis at a critical moment for the world's water resources, focusing on the urgent context of Israel/Palestine.
Due to the enormous—and ever-growing—interest in Palestinian plays around the world, Inside/Outside brings together six dynamic Palestinian playwrights from both Occupied Palestine and the Diaspora, making it the very first collection of its kind. These plays take on Palestinian history and culture with irreverence, humor, and, above all, an electrifying creativity. This anthology will be a vital contribution to world theater, introducing six political, social, and culturally relevant plays by Palestinian authors living inside the country, and those of descent living outside: Handala adapted by Abdelfattah Abusrour; 603 by Imad Farajin; Keffiyeh/Made in China by Dalia Taha; Plan D by Hannah Khalil; Tennis in Nablus by Ismail Khalidi; and Territories by Betty Shamieh. Naomi Wallace's award-winning plays, which include One Flea Spare and The Fever Chart, are produced in the United States and around the world. Wallace is a recipient of an Obie Award, the MacArthur Fellowship, and the inaugural Windham Campbell prize for drama in 2013. Ismail Khalidi is a playwright and poet. His plays include Tennis in Nablus, Truth Serum Blues, and Sabra Falling.
Under the crushing weight of the siege of Gaza, Laila and Nasser are members of the Palestinian resistance fighting desperately to free their people. Together, they learn of a plan to unite the disparate Palestinian factions and break Israel’s siege. Unknown to them, Ari, a brilliant Israeli spy, has decided that his conscience can no longer allow him to participate in the starvation of Gaza. A double agent whose every move is under mounting suspicion, Ari reaches out to the American contractors who trained him with a secret plan. As they all struggle to break the siege, they face the wrath of the Israeli military machine.