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In Making Gaybies Jaya Keaney explores queer family making as a site of racialized intimacy. Drawing on interviews with queer families in Australia, Keaney traces the lived experiences of choice and constraint as these families seek to craft likeness with their future children and tell stories of chosen family made through love. Queer family building often involves multiracial and multicultural encounters, as intending parents take part in the global fertility industry. Keaney follows queer family making through reproductive technologies and highlights the confines of varied transnational reproductive markets and policies as well as changing formations of race, gender, sexuality, and kinship. Whether sharing the story of white gay men choosing Indian and Thai egg donors to make their surrogate-born children’s ethnicities visually distinct from their own or that of an Aboriginal lesbian and her white partner choosing a Cherokee donor from the United States to articulate a global Indigeneity, Keaney foregrounds the entwinement of reproduction, race, and affect. By focusing on queer family making, Keaney demonstrates how reproduction fosters a queer multiracial imaginary of kinship.
There's more to being queer than coming out and getting married. This exciting and contemporary collection contains stories that are as diverse as the LGBTQIA+ community from which they're drawn. From hilarious anecdotes of an awkward adolescence, to heartwarming stories of family acceptance and self-discovery, the LGBTQIA+ community has been sharing stories for centuries, creating their own histories, disrupting and reinventing conventional ideas about narrative, family, love and community. Curated from the hugely popular Queerstories storytelling event this important collection features stories from Benjamin Law, Jen Cloher, Nayuka Gorrie, Peter Polites, Candy Royalle, Rebecca Shaw, Simon 'Pauline Pantsdown' Hunt, Steven Lindsay Ross, Amy Coopes, Paul van Reyk, Mama Alto, Liz Duck-Chong, Maxine Kauter, David Cunningham, Peter Taggart, Ben McLeay, Jax Jacki Brown, Ginger Valentine, Candy Bowers, Simon Copland, Kelly Azizi, Nic Holas, Quinn Eades, Vicki Melson, Tim Bishop and Maeve Marsden.
Spawning Generations is a collection of stories by queerspawn (people with LGBTQ+ parents) spanning six decades, three continents, and five countries. Curated by queerspawn, this anthology is about carving out a space for queerspawn to tell their own stories. The contributors in this volume break away from the pressures to be perfect, the demands to be well adjusted, and the need to prove that they turned out “all right.” These are queerspawn stories, airbrushed for no one, and told on their own terms
Humanity Is Consumed by Relentless Transformation Like a thief in the night, artificial intelligence has inserted itself into our lives. It makes important decisions for us every day. Often, we barely notice. As Joe Allen writes in this groundbreaking book, “Transhumanism is the great merger of humankind with the Machine. At this stage in history, it consists of billions using smartphones. Going forward, we’ll be hardwiring our brains to artificial intelligence systems.” The world-famous robot, Sophia, symbolizes a rising techno-religion. She takes her name from the goddess—or Aeon—whose fall from grace is described in the Gnostic Gospels. With an academic background in both science and theology, Allen confronts the paradox of what he calls “good people constructing a digital abomination.” Dark Aeon is nothing less than a cri de coeur for humanity itself. He takes us on a roller coaster ride through history and the emergence of Scientism, and from government-mandated mRNA vaccines to the weird visions of cyborg billionaires like Elon Musk. From Silicon Valley to China, these globalists’ visions of humanity’s future, exposed and described in Dark Aeon, are dire and terrifying. But Joe Allen argues that humanity’s salvation is within our grasp. Only if we refuse to avert our eyes from the impending twilight before us.
Transnational movements are more intricate than diasporic conflicts of ‘home and away’. They operate not only as international connections but also transect and disturb national formations. What are the spaces (both physical and temporal) in and around which transnational exchanges occur? Much discussion of the transnational focuses on international movements of law, politics and economics as they relate to Europe and the Americas. This book extends the focus to dynamics across the humanities and social sciences and concentrates on the historical and now growing interactions between India and Australia. Studies come from scholars in both countries, who combine academic depth for students and researchers and writing that is clear and engaging for the general reader.
"ReView is an anthology of plays committed to social justice and grounded in socially-based research. These plays-as-research aim to provide a space for readers to imaginatively engage with multi-layered social issues in cultural, political and historical contexts; or to re-view personal and social assumptions in these contexts. The characters within the anthology’s pages struggle through complex relationships and differing needs related to ageing, sexuality, homophobia, race, gender, class, bullying, discrimination, as well as hope, joy and humour. This unique anthology assembles strong cross-disciplinary projects moving beyond the attempt to explore complex social issues from the standpoint of a single discipline. Collaborators range from education, equity studies, theatre and performance studies, public health, nursing, sociology, recreation therapy, and health studies, as well as being both academics and practicing artists. Each play includes an academic introduction and each artist-researcher team poses thoughtful, open-ended discussion questions to help guide readers and support reflection. This collection can be read purely for pleasure, or used in courses that address education, sociology, women and gender studies, equity studies, cultural studies, communication studies, performance and theatre studies, language and literature studies, disability studies and health studies.“This is a stunning text ... a gift for educators.” Jane Gaskell, Ph.D., Ontario Institute for Studies in Education, University of Toronto“What lies at the core of the plays in this anthology is a quest towards social justice, honesty, and valuing one another for who we are.” George Belliveau, Ph.D., University of British Columbia“ReView manages the difficult balance of multidisciplinary collaboration, tackling sensitive topics professionally and delivering great theatre.” Valerie Lipscomb, Ph.D., University of South Florida Sarasota Manatee“I fully recommend ReView to teachers and students seeking a lively and powerful entry point into social justice issues.” Gavin Andrews, Ph.D., McMaster University Julia Gray is a playwright, theatre director, physical theatre creator and artist-researcher based in Toronto, Canada."
Could you plan the Fall Formal with your (hot) nemesis? Whit Rivera is about to find out. Frenemies Whit and Zay have been at odds for years (ever since he broke up with her in, like, the most embarrassing way imaginable), so when they’re forced to organize the fall formal together, it's a literal disaster. Sparks fly as Whitney—type-A, passionate, a perfectionist, and a certified sweater-weather fanatic—butts heads with Zay, a dry, relaxed skater boy who takes everything in stride. But not all of those sparks are bad. . . . Has their feud been a big misunderstanding all along? Blisteringly funny and profoundly well-observed, The Fall of Whit Rivera is a snug and cozy autumn romcom that also tackles weightier topics like PCOS, chronic illness, sexuality, fatphobia, Latine identity, and class. Funny, honest, insightful, romantic, and poignant, it is classic Crystal Maldonado—and it will have her legion of fans absolutely swooning. A New York Public Library Best Book of the Year A Kirkus Reviews Best Young Adult Book of the Year A Junior Library Guild Gold Standard Selection "Meaningful. . . Multidimensional. . . An important addition to YA literature."—Kirkus Reviews, starred review "A celebration of love in all its forms—family, friends, romance, and (especially!) self."—Monica Gomez-Hira, author of Once Upon a Quinceañera "Satisfying and delightful... Maldonado shines!"—Kelly Jensen, editor and author of (Don't) Call Me Crazy, Body Talk, and Here We Are: Feminism for the Real World
Zoe wanted a baby more than anything. But her dreams will come at a price. An explosive and moving motherhood drama from the author of More Than Us. After years of struggling to conceive, Zoe and her husband face the prospect of never having a family. When Zoe’s stepsister, Nadia, offers to be a surrogate it presents the perfect solution. A healthy girl, Louise, is born. But no one imagined just how hard it would be to know someone else was also mother to your child. As the pressure on Zoe and Nadia mounts, they make choices that will change their lives forever. Years later, Louise is in desperate need of her family’s help. Can they put their painful history aside to save the child they love so much?
They called him “pale faced or mixed race.” They called him “light, bright, almost white.” But most of the time his family called him “high yella.” Steve Majors was the white passing, youngest son growing up in an all-Black family that struggled with poverty, abuse, and generational trauma. High Yella is the poignant account of how he tried to leave his troubled childhood and family behind to create a new identity, only to discover he ultimately needed to return home to truly find himself. And after he and his husband adopt two Black daughters, he must set them on their own path to finding their place in the world by understanding the importance of where they come from. In his remarkable and moving memoir, Majors gathers the shards of a broken past to piece together a portrait of a man on an extraordinary journey toward Blackness, queerness, and parenthood. High Yella delivers its hard-won lessons on love, life, and family with exceptional grace.
Today all politics are reproductive politics, argues esteemed feminist critic Laura Briggs. From longer work hours to the election of Donald Trump, our current political crisis is above all about reproduction. Households are where we face our economic realities as social safety nets get cut and wages decline. Briggs brilliantly outlines how politicians’ racist accounts of reproduction—stories of Black “welfare queens” and Latina “breeding machines"—were the leading wedge in the government and business disinvestment in families. With decreasing wages, rising McJobs, and no resources for family care, our households have grown ever more precarious over the past forty years in sharply race-and class-stratified ways. This crisis, argues Briggs, fuels all others—from immigration to gay marriage, anti-feminism to the rise of the Tea Party.