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This book unpacks the character of pornographic representations of queer Black masculinity and how these representations vary between corporate and noncorporate producers. The author argues that representations of Black men in gay porn rely on stereotypes of Black masculinity to arouse consumers, especially those which characterize Black men as "missing links" or focus excessively on their "dark phalluses." Moreover, these depictions consistently separate gay Black and white men’s sexuality into bifurcated discursive spaces, thereby essentializing sexual aspects of racial identity. Lastly, though such depictions are less prevalent in user-submitted videos, overall, both user-submitted and corporate content reify stereotypes about Black masculinity. This book is written for researchers, lecturers, and graduate courses in the social sciences and humanities, including Sociology, Social Psychology, Sexuality, African American Studies, Women and Gender Studies, LGBTQ Studies, Culture and Art Studies, Porn Studies, Social Media Studies, and Public Health.
Gay pornography, online and onscreen, is a controversial and significantly under-researched area of cultural production. In the first book of its kind, Gay Pornography: Representations of Sexuality and Masculinity explores the iconography, themes and ideals that the genre presents. Indeed, John Mercer argues that gay pornography cannot be regarded as one-dimensional, but that it offers its audience a vision of plural masculinities that are more nuanced and ambiguous than they might seem. Mercer examines how the internet has generated an exponential growth in the sheer volume and variety of this material, and facilitated far greater access to it. He uses both professional and amateur examples to explore how gay pornography has become part of a wider cultural context in which modern masculinities have become 'saturated' by their constantly evolving status and function in popular culture.
The 2000 case of Little Sisters Book and Art Emporium v. Customs Canada provided Canada’s highest court with its first opportunity to consider whether the analysis set out in R. v. Butler - in which the Supreme Court identified pornography as an issue of sex discrimination - applies to pornography intended for a lesbian or gay male audience. The Court held that it did, finding that, like heterosexual pornography, same-sex pornography also violates the sex equality interests of all Canadians. Christopher Kendall supports this finding, arguing that gay male pornography reinforces those social attitudes that create systemic inequality on the basis of sex and sexual orientation - misogyny and homophobia alike - by sexually conditioning gay men to those attitudes and practices. The author contends that as a result of litigation efforts like those brought by lesbian and gay activists in the Little Sisters case, the notion of empowerment and the rejection of those values that daily result in all that is anti-gay have been replaced with a misguided community ethic and identity politic that encourages inequality. This is best exemplified in the gay male pornography defended in Little Sisters as "liberation" and "central to sexual freedom." Gay Male Pornography rejects the equality claims of gay male pro-pornography advocates and argues that there is little to be gained from sexualized conformity. To date, no one has taken the position that gay male pornography violates the legal right to sex equality. This book does that and, as such, it will be of value to scholars of law, sociology, and gender studies, as well as to all who have an interest in equality and justice.
Open any gay lifestyle magazine (even the serious ones) or go to any gay bar, and you're likely to encounter something related to pornography, be it an image of a porn superstar or advertisements for pornographic magazines, DVDs, calendars, etc. Given that it is an omnipresent feature of gay male culture, one might assume that gay pornography has received considerable attention from academics. Yet, surprisingly, even those with a professed interest in gay studies have neglected this medium. This book addresses that omission with a series of provocative essays devoted to the topic. Contributors from the fields of history, law, media studies, psychology, and more explore the complex world of male pornography and the various ways in which it permeates gay culture.
A unique, multifaceted look at the meaning (and the specifics) of gay male pornography Open any “gay lifestyle” magazine (even the serious ones) or go to any gay bar, and you’re likely to encounter something related to pornography, be it an image of a porn “superstar” or advertisements for pornographic magazines, DVDs, calendars, etc. Eclectic Views on Gay Male Pornography Pornucopia examines this phenomenon with a series of provocative essays, in which experts in history, law, media studies, and psychology, as well as laypeople and gay porn insiders explore the complex world of male pornography and the various ways in which it has permeated gay culture—from the 1970s until today. This first-of-its-kind book examines the phenomenon of self-writing and performance for gay men in the last century, specifically looking at the lives of modern-day performance artist Tim Miller, who has received national recognition for his one-man shows portraying his struggles as a gay man; Wakefield Poole (born 1936), the first producer of gay pornography (Bijou, Boys in the Sand) in the era accompanying the emergence of the gay rights movement; gay adult film icon Scott “Spunk” O’Hara (born 1961); and Aaron Lawrence (born 1971), who worked as a gay escort, actor, and producer/director of his own sexually explicit “amateur” videos. In this groundbreaking analysis of gay men’s relationship with pornography, you’ll also learn about: gay pornography and the messages it carries about intimacy, body image, and hegemonic masculinity representations of ethnicity in gay pornography gay pornography and safer sex gay pornography and censorship viewers’ perceptions of gay pornography gay pornography and internalized homophobia, misogyny, and body fascism changes in the way gay pornography is produced and performed—from the 1970s through the 1990s the meaning of the recurring settings in American gay pornographic videos: prison, the military, and other all-male environments; and recurring themes: leather, S/M, dissatisfaction with heterosexual life, initiation into gay life, etc. In addition, Eclectic Views on Gay Male Pornography presents two fascinating chapters about the case of Little Sisters Book and Art Emporium in Vancouver. In this landmark case, the Canadian Supreme Court was asked to determine whether gay male pornography violated the sex equality protections guaranteed by the Canadian Charter of Rights and Freedoms. The court also examined the way that Canada Customs treats international shipments to gay and lesbian bookstores. In addition, the book provides a revealing insider’s perspective on the gay adult video industry that contrasts the workaday reality of making porn with the glamorous mythology of the skin trade.
Award-winning author and artist Mike Curato draws on his own experiences in Flamer, his debut graphic novel, telling a difficult story with humor, compassion, and love. "This book will save lives." —Jarrett J. Krosoczka, author of National Book Award Finalist Hey, Kiddo I know I’m not gay. Gay boys like other boys. I hate boys. They’re mean, and scary, and they’re always destroying something or saying something dumb or both. I hate that word. Gay. It makes me feel . . . unsafe. It's the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone's going through changes—but for Aiden, the stakes feel higher. As he navigates friendships, deals with bullies, and spends time with Elias (a boy he can't stop thinking about), he finds himself on a path of self-discovery and acceptance.
Debates over pornography tend to be heated and deeply polarized--as with other topics that have to do with sex, pornography cuts to the core of our values and convictions. Philosophical debates concerning pornography are fraught with difficult questions: What is pornography? What does pornography do (if anything at all)? Is the consumption of pornography a harmless private matter, or does pornography violate women's civil rights? What, if anything, should legally be done about pornography? Can there be a genuinely feminist pro-pornography stance? Answering these questions is complicated by widespread confusion over the conceptual and political commitments of different anti- and pro-pornography positions, and whether these positions are even in tension with one another. For a start, different people understand pornography differently and can easily end up talking past one another. In order to clarify the debate and make genuine philosophical headway in discussing the topic of pornography, Mari Mikkola here provides an accessible introduction to contemporary philosophical debates conducted from a feminist philosophical perspective. The starting point of the book's examination is morally neutral, and the book provides a comprehensive discussion of various philosophical positions on pornography that are found in ethics, aesthetics, feminist philosophy, political philosophy, epistemology, and social ontology. The book clarifies different stances in the debate, thus clarifying and helping readers to understand what exactly is as stake. In addition, although the book does not argue for a single outlook, it puts forward substantive philosophical views on different aspects of philosophical debates about pornography. Mikkola ultimately offers readers important methodological insights about doing philosophical work on something as ubiquitous as pornography.
A unique, multifaceted look at the meaning (and the specifics) of gay male pornography Open any “gay lifestyle” magazine (even the serious ones) or go to any gay bar, and you’re likely to encounter something related to pornography, be it an image of a porn “superstar” or advertisements for pornographic magazines, DVDs, calendars, etc. Eclectic Views on Gay Male Pornography Pornucopia examines this phenomenon with a series of provocative essays, in which experts in history, law, media studies, and psychology, as well as laypeople and gay porn insiders explore the complex world of male pornography and the various ways in which it has permeated gay culture—from the 1970s until today. This first-of-its-kind book examines the phenomenon of self-writing and performance for gay men in the last century, specifically looking at the lives of modern-day performance artist Tim Miller, who has received national recognition for his one-man shows portraying his struggles as a gay man; Wakefield Poole (born 1936), the first producer of gay pornography (Bijou, Boys in the Sand) in the era accompanying the emergence of the gay rights movement; gay adult film icon Scott “Spunk” O’Hara (born 1961); and Aaron Lawrence (born 1971), who worked as a gay escort, actor, and producer/director of his own sexually explicit “amateur” videos. In this groundbreaking analysis of gay men’s relationship with pornography, you’ll also learn about: gay pornography and the messages it carries about intimacy, body image, and hegemonic masculinity representations of ethnicity in gay pornography gay pornography and safer sex gay pornography and censorship viewers’ perceptions of gay pornography gay pornography and internalized homophobia, misogyny, and body fascism changes in the way gay pornography is produced and performed—from the 1970s through the 1990s the meaning of the recurring settings in American gay pornographic videos: prison, the military, and other all-male environments; and recurring themes: leather, S/M, dissatisfaction with heterosexual life, initiation into gay life, etc. In addition, Eclectic Views on Gay Male Pornography presents two fascinating chapters about the case of Little Sisters Book and Art Emporium in Vancouver. In this landmark case, the Canadian Supreme Court was asked to determine whether gay male pornography violated the sex equality protections guaranteed by the Canadian Charter of Rights and Freedoms. The court also examined the way that Canada Customs treats international shipments to gay and lesbian bookstores. In addition, the book provides a revealing insider’s perspective on the gay adult video industry that contrasts the workaday reality of making porn with the glamorous mythology of the skin trade.
Hipster Porn examines models of gay hipster masculinity through the lens of the gay fanzine Butt. The book reconstructs an important chapter of recent gay and queer history in order to make sense of the cultural shifts of the last 20 years in the contemporary gay world. Butt exemplifies the changing nature of gay contemporary masculinity as it marked the beginning of a new era of queer fanzines such as They Shoot Homos Don't They?, Kink, Kaiserin, and Meat reflecting a specific cosmopolitan gay lifestyle in the West of the 2000s. The new forms of masculinity and sexuality demanded new ways of thinking about gender and desire. Hipster Porn takes the aesthetics of Butt to find a way of critiquing and rearticulating key concepts from gender, queer and affect theory, and delivers new accounts of subjectivity and sociality as they apply to queer media culture. This book is suitable for researchers in gender studies, queer and masculinity studies, cultural studies, media studies, and sociology.
Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity 'reality' TV (I’m a Celebrity ... Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture. The collection is organized into four themed sections: Fame Now broadly examines the contemporary contours of fame as they course through new media sites (such as 'reality' TV and the internet) and different social, cultural and political spaces. Fame Body attempts to situate the star or celebrity body at the centre of the production, circulation and consumption of contemporary fame. Fame Simulation considers the increasingly strained relationship between celebrity and artifice and ‘authenticity’. Fame Damage looks at the way the representation of fame is bound up with auto-destructive tendencies or dissolution.