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If you try to control all the secrets, they may end up controlling you. ,
Restores Gawain of Camelot to his true role as the foremost representative and servant of the Goddess. • The full story of Gawain of Camelot that restores a lost piece of the great Arthurian tapestry. • Traces the historical trends that demoted Gawain from the foremost knight of the Round Table to a villain and womanizer. • The result of more than 20 years of research by one of the world's leading scholars of Arthurian mythology. Sir Gawain, the nephew of King Arthur, was once the most important knight at Arthur's court, a shining example of all that was best in chivalry. He even outranked the famous Lancelot. Yet as the popularity of the Arthurian romances grew, the character of Gawain became increasingly diminished in popular literature. John Matthews explores the phenomenon that influenced the recasting of Gawain from hero to womanizing villain, providing a scholarly context through which Gawain's role as the representative of the Goddess upon Earth--the real Green Knight of Camelot and Sovereignty's Champion--may be restored. In addition, the author presents a unique view of the mythology of Britain and its connections with the historical changes that took place over many hundreds of years in the religious and mystical traditions of the country.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from A Study of Gawain and the Green Knight Thirteen years ago this volume was announced, in a foot note to Arthur and Carlagan, as something that the writer hoped to publish in a few months. It was then practically finished, but procrastination has deferred its appearance beyond all accounting. However, the world has somehow got along without it, and meantime the manuscript has undergone revision from year to year, and has submitted to a final overhauling at the last moment, with the printer at the door. Such as it is, the book has two objects to trace the history of a great romance, and to illustrate certain topics in folk-lore and mediaeval literature. Accordingly it is divided into two parts. The first eschews footnotes; the second accumulates them without scruple. Those friendly readers, therefore, who find such things distasteful may profitably leave the volume unopened, or close it at the hundred and forty-third page. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.