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Portuguese and Cape Verdean immigrants have had a significant presence in North America since the nineteenth century. Recently, Brazilians have also established vibrant communities in the U.S. This anthology brings together, for the first time in English, the writings of these diverse Portuguese-speaking, or "Luso-American" voices. Historically linked by language, colonial experience, and cultural influence, yet ethnically distinct, Luso-Americans have often been labeled an "invisible minority." This collection seeks to address this lacuna, with a broad mosaic of prose, poetry, essays, memoir, and other writings by more than fifty prominent literary figures--immigrants and their descendants, as well as exiles and sojourners. It is an unprecedented gathering of published, unpublished, forgotten, and translated writings by a transnational community that both defies the stereotypes of ethnic literature, and embodies the drama of the immigrant experience.
Within the cultural and literary context of contemporary Portugal and Western literature, 1998 was unquestionably the year that Portuguese writing gained international recognition as JosU Saramago became the first Portuguese writer ever to receive the Nobel Prize in literature. Readers who had never thought about Portuguese letters began to consume his books and, most importantly, opted for expanding their reading lists to include other important writers not only from Portugal, but from Portuguese-speaking well beyond the borders of Portugal. Global Impact of the Portuguese Language is a collection of Portuguese writing that is as rich in content and broad in scope as the diversity of its topics and writing modes of its contributors. The book is divided into three major parts. Part 1, "Different Cultural Perspectives of Portuguese Writing," contains thirteen chapters in which the first and opening one, "Portugal: The New Frontier" ably sets the stage for the book by examining from a cultural perspective how Portugal, a peripheral country in the new world system, serves as a microcosm of the problems of cultural intercommunication in today's world. Subsequent chapters are grouped in three categories: "The Voices of the Writers," "Critical Approaches to Cames," and "Fictionalizing the Nation." Part 2, "Portuguese Language and Literature Outside Portugal," comprises one section devoted to the Portuguese language in Africa, followed by studies about Portuguese discoveries as part of the historical process of remembering and forging one's identity, and finally a comprehensive historical development of Portuguese writing, both in Portuguese and English, in the United States. Part 3, "Portuguese Literature and Criticism Available in English: Suggested Readings" details the recent literary happenings which point to a possible renaissance in Portuguese literary production. The concluding part of this volume offers a short, comprehensive listing of anthologies, general studies, and the most popular translations of the best of Portuguese writing from Portugal and Africa. This lively volume constitutes a first pioneering effort to contribute to a deepening appreciation and understanding of Portuguese writing. Anyone interested in ethnic writing will find this book an invaluable education resource with which to begin an exploration of Portuguese writing in the United States. Asela Rodriguez de Laguna is associate professor of Spanish and director of the Hispanic Civilization & Language Studies Program. She is the author of Notes on Puerto Rican Literature: Images and Identities: An Introduction, and editor of Images and Identities: The Puerto Rican in Two World Contexts.
Today Portuguese is the seventh most widely spoken language in the world and Brazil is a new economic powerhouse. Both phenomena result from the Portuguese 'Discoveries' of the 15th and 16th centuries, and the Catholic missions that planted Portuguese communities in every continent. Some were part of the Portuguese empire but many survived independently under other rulers with their own Creole languages and indigenized Portuguese culture. In the 19th and 20th centuries these were joined by millions of economic migrants who established Portuguese settlements in Europe, North America, Venezuela and South Africa - and in less likely places, including Bermuda, Guyana and Hawaii. Interwoven within this global history of the diaspora are stories of the Portuguese who left mainland Portugal and the islands, the lives of the Sephardic Jews, the African slaves imported into the Atlantic Islands and Brazil and the Goans who later spread along the imperial highways of Portugal and Britain. Much of Portugal's contribution to science and the arts, as well as its influence in the modern world, can be attributed to the members of these widely scattered Portuguese communities, and these are given their due in Newitt's engrossing volume
Investigating how international market actors create market morality on a global level, this book reflects on the unresolved questions and debates regarding the relationship between business and society. The author explores how market actors in international business communication are unified in their attempts to make markets moralised. Providing detailed case studies and empirical evidence based on interviews with practitioners, Moralising Global Markets is a useful read for anyone interested in international business, and for those researching morality, ethics and corporate social responsibility.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies
"Fernando Pessoa (1888-1935) is Portugal's most celebrated poet of the twentieth century, who wrote under the guise of dozens of literary personalities, or heteronyms. As well as his poetry, however, his work is marked by a constantly inventive and innovative engagement with authors and literary traditions from an astonishing variety of sources, placing him firmly in the worldwide literary canon. The present volume brings together a number of experts at the forefront of Pessoa studies internationally, with chapters examining his literary relations with Italy, Spain, France, England and Portugal, as well as his contextualisation in relation to major philosophers such as Kant and Nietzsche. It features essays examining his work from a range of perspectives to complement the multi-faceted nature of Pessoa himself (psychoanalytical, philosophical, political and artistic) and it includes consideration of his prose masterpiece The Book of Disquiet , as well as of various aspects of his poetic oeuvre."
This issue of the Portuguese Studies Review features essays by José D’Assunção Barros, George Bryan Souza, Lorraine White, Stefan Halikowski-Smith, José Mauricio Saldanha Álvarez, Francisco Carlos Palomanes Martinho, Carlos Cordeiro and Artur Boavida Madeira†, Vanessa Ribeiro Simon Cavalcanti, Marzia Grassi, Suzy Casimiro, and Douglas Wheeler. The topics range from Galego-Portuguese troubadour poetry in the thirteenth century to Portuguese colonial administration and the Indian Ocean trade, lineage histories of sixteenth- to seventeenth-century noble families involved in imperial administrative service, (re)interpretive synopses of the Portuguese overseas expansion, art as political theater in colonial Brazil, Vargas and labour policy in Brazil in terms of multiple transitions from traditionalism to modernity, the beginnings of Azorean immigration to Canada, human rights and women's rights in Brazil, local markets in Cape Verde, Portuguese immigration to Australia, and the military historiography of Portuguese-influenced Africa.
"Este libro ofrece el caso de estudio perfecto para explorar algo que me parece crucial para la poesía contemporánea: la relación del sinsentido con la belleza del lenguaje, con la belleza descrita provisionalmente como impresiones sensoriales, emocionales, intelectuales o imaginativas, fuertes y positivas, ya sea por sí sola o en alguna de estas combinaciones. Hace tiempo que pienso que lo indecible también debe participar de alguna manera en esta relación. Lo que plantea el tema de la relación entre el sinsentido y lo indecible. ¿Es el sinsentido un intento valiente de articular lo indecible? ¿O es una especie de juego de manos que nos permite vislumbrarlo? Bitter Green está lleno de ejemplos perfectos de bello sinsentido, como los cuatro versos que abren una de sus páginas: “Un alcatraz que atraviesa el óleo no puede / y un pardillo sin siquiera un canto / el invierno salda las cuentas todas / el agua sin cauce sobre la tierra”. "This offers the perfect case study for exploring something that I feel is crucial to contemporary poetry—the relationship of nonsense to beauty in language, particularly written language, with beauty provisionally described as strong and positive sensual, emotional, intellectual, or imaginative impressions, either alone or in some combination. I’ve long thought that the unsayable must somehow also be involved in this relationship. Which raises the question of the relationship between nonsense and the unsayable. Is nonsense a valiant attempt to articulate the unsayable? Or is it a kind of sleight of hand that allows us to catch a glimpse of it? Bitter Green is full of perfect examples of beautiful nonsense, such as the four lines that open one page: “A gannet thru the oil cannot / and a linnet sans a song / the winter is of every count / the water without ground.” - COLE SWENSEN