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Creative Music Composition is designed to be an introductory textbook for music students. "Creative composition"-composing in your own style, rather than in the style of a composer of the past-is embraced by music educators not only for composition students, but for beginning performers and music educators, and is often offered to all music students and non-music majors who wish to enhance their musical creativity. With 25 years of experience teaching fledgling composers, the author tackles the key ingredients that make for successful composition, including: stimulus to the musical imagination; discussion of a variety of current musical languages; analysis of many examples from contemporary scores; technical exercises; suggestions as to how to start a composition; structures; and examinations of works from particular genres. Wilkins covers several musical languages, from folk and popular to serialism; analyses various rhythmic forms; suggests approaches for composing for a variety of instruments, from traditional to electronic ones, as well as for the human voice; addresses the nuts and bolts of score preparation; and offers career advice. For all composition students-and for music students in general-Creative Music Composition offers a clear and concise introduction that will enable them to reach their personal goals.
First published in 1998, the aim of this catalogue is to help students, researchers and librarians determine the UK locations of over 2,000 music periodical titles held in public, academic and national libraries. Over 220 libraries in the UK have been surveyed, from St. Austell to Aberdeen, Aberystwyth to Brighton. Each catalogue entry provides detailed information on library holdings, and full bibliographic details of periodical titles, including ISSNs. The main catalogue is preceded by an address list, and by a preface outlining the history of music periodicals in Britain, together with statistical tables.
The range of jobs and careers that make use of an interest in music is very broad. Careers in Music explains the variety of posts available and how to get started, covering everything from performer to sound engineer and offering tips for getting on in a competitive field.
This book constitutes the refereed proceedings of the 21th International Conference on Information and Software Technologies, ICIST 2015, held in Druskininkai, Lithuania, in October 2015. The 51 papers presented were carefully reviewed and selected from 125 submissions. The papers are organized in topical sections on information systems; business intelligence for information and software systems; software engineering; information technology applications.
Shatter the line between fiction and fantasy... The life of an award-winning novelist probably bears more resemblance to "normal" than most fans would want to believe. But every once in awhile, strange things are bound to erupt around those most equipped to document them... so imagine what renowned science fiction writer John Barnes might do when he finds himself in one of the wildest, most rollicking hard-SF adventures to hit print in years. Barnes' college friend Travis Bismark always brought back plenty of great stories from his job as an industrial spy. This time, over a few beer- and coffee-fueled chat sessions, Travis unravels a tale about his current case too tall for even an SF author to believe: a Gaudeamus machine that bends physics in order to make possible both teleportation and time travel, and how it gets stolen--twice; a grad student-cum-prostitute who deals in telepathy-inducing drugs that let her "download" top-secret documents from her client's brains, a romp through Colorado and New Mexico during which each episode and character is more bizarre than the last; and the internet meme that seems to tie it all together. Barnes' playful commentary on Travis' story and his own life as a SF writer and drama teacher, interspersed with their everyday interactions with a group of funny, compelling friends, is related in a surprising and non-traditional narrative that blurs the line between fact, fiction, and metafiction.
The Routledge Companion to Global Internet Histories brings together research on the diverse Internet histories that have evolved in different regions, language cultures and social contexts across the globe. While the Internet is now in its fifth decade, the understanding and formulation of its histories outside of an anglophone framework is still very much in its infancy. From Tunisia to Taiwan, this volume emphasizes the importance of understanding and formulating Internet histories outside of the anglophone case studies and theoretical paradigms that have thus far dominated academic scholarship on Internet history. Interdisciplinary in scope, the collection offers a variety of historical lenses on the development of the Internet: as a new communication technology seen in the context of older technologies; as a new form of sociality read alongside previous technologically mediated means of relating; and as a new media "vehicle" for the communication of content.