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Struck by the beauty of every visible object in a Shaker kitchen they chanced to visit in 1923, young Edward Deming Andrews and his wife, Faith Young Andrews, embarked on a collection that became the passion of their lives. During the following decades, at a time when the art and artifacts of the Shakers were considered "low" art and unworthy of collecting or exhibiting, the Andrewses energetically collected objects, studied sources, and eventually mounted exhibits and published books on Shaker culture. This beautiful book is the first to document their unparalleled collection, presenting some 600 photographs, most never before published. In addition, the book brings to light the extraordinary story of the Andrewses' collecting and scholarship, their relationships with members of the United Society of Believers (commonly called Shakers) and with important New York City art-world figures of the 1930s, as well as their contributions toward the birth of the field of Shaker Studies. More than passionate collectors, Edward and Faith Andrews were intent on saving a distinct culture, and their accomplishment was to preserve for future generations the most comprehensive body of knowledge ever assembled about the Shakers. Exhibition Schedule: Hancock Shaker Village, Pittsfield, MA (May, 2008 - October, 2008) Fresno Metropolitan Museum, Fresno, CA (October, 2009 - December, 2009) Frist Museum, Nashville, TN (May, 2011 - August, 2011)
Heidi Neumark’s life changed when a few computer keystrokes exposed generations of family secrets, raising questions she could not answer: How did she never know of her grandfather’s murder? Or that her grandmother was a death-camp survivor? Why had the family history and faith been hidden? What did this mean for her work as a pastor, community organizer, and advocate with marginalized and oppressed communities? Seeking answers to these questions, Heidi traveled across the ocean and into the depths of her soul to encounter a family and spiritual heritage she never knew she had. For any who have had secrets, closeted identities, and silence shape their lives, Heidi’s journey is more than a spellbinding memoir. It’s also a courageous call to discover what can happen when all that has been hidden is finally brought to life.
"The Unfinished Manner examines the fragments produced by European writers and artists in the eighteenth century and earlier, fragments that were not the result of an inability to finish either texts or buildings but rather deliberate refusals to make the traditional gestures of conclusion. Most books published in the past few years on the fragment and the unfinished see it as a peculiarly "Romantic" early nineteenth-century exclusively poetic form. Elizabeth Wanning Harries argues, instead, that the fragment not only had a long history beginning with Petrarch but also played an important part in the history of the novel and other kinds of prose." "Conceptualizing the fragment as a genre, Harries sheds a new light on the practice of reading fiction and "reading" ruins in the eighteenth century, complex practices that often require oscillation between two perspectives or ways of reading. She also explores the gendering of forms in eighteenth-century aesthetics - the perception of fragments as feminine (beautiful) rather than masculine (sublime) - and speculates on the fragment's meaning within the context of eighteenth-century social mythologies as well as those of later eras. Finally, she rereads Coleridge's "Kubla Khan" to show its roots in eighteenth-century fragmentary textual practices." "The Unfinished Manner takes up the questions that arise when writers and artists treat apparently unfinished forms - fragments, ruins, torsos, sketches - as finished, both in the eighteenth century and, implicitly, today. Harries's treatments of Petrarch as the initiator of the fragment tradition, of Sterne in relation to biblical criticism, of Coleridge's "Kubla Khan" in relation to Sterne's Tristram Shandy, and of fragments in their relation to the feminine are original and revisionary contributions that seriously challenge some critical assumptions about Romanticism and its relationship to eighteenth-century texts."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Perhaps, after all, the decolonising agenda isn’t extra baggage the church needs to carry on top of everything else. Perhaps, instead, it is the very heart of what the church should be about – disrupting, uncomfortable, and bringing about a kind of ‘holy anarchy’. In Holy Anarchy, Graham Adams points to a realm in which all dynamics of domination, not least in the church, are subverted. It cuts across the loyalties and boundaries of religion and fosters the greatest possible solidarity amongst the different. Urgent and timely, the book weaves together themes around Empire, liberation and decolonial practice with an exploration of the nature and scope of church community, interreligious engagement, mission, and worship.
What happens when “the rubber meets the road” for Catholic evangelization? Motown evangelization—an evangelization with wheels, an evangelization on the go, an evangelization with soul! Featuring contributions by several of the leading scholars on Catholic evangelization in the twenty-first century, Motown Evangelization: Sharing the Gospel of Jesus in a Detroit Style invites the reader to contemplate the meaning of the New Evangelization within the disorienting context of the postmodern and post-pandemic world of today. Numerous central themes are treated throughout the book’s potent chapters: the charity of Christ, the urgency of evangelization, redemptive suffering, liturgical sacrifice, the Black Catholic experience, parish life, the communion of saints, contemplative prayer, and practical suggestions for sharing the gospel of Jesus with friends and strangers alike. Tracing the contours of evangelization as at once merciful, urgent, sacrificial, diverse, and sanctifying, this book opens to the world with hope and healing. While oftentimes evangelization can stagnate in wishful thinking with little follow-through, Motown Evangelization encourages the reader to press on toward the finish line of faith wherein the end is the beginning, and the beginning is the end. It is because of the paradoxical twists that flood the life and teachings of Jesus that evangelization is ever old and ever new. Motown Evangelization will help to empower its reader to share the gospel of Jesus with renewed vigor and vitality.