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Three steampunk romance favorites from award-winning author Cindy Spencer Pape in one convenient box set Cards & Caravans Belinda Danvers isn’t a witch. But that won’t stop them from burning her at the stake. Connor McKay knows there’s no way she can be guilty of murdering village children. But telling anyone what he thinks would mean revealing his own powers—something he can’t risk without revealing a plot that’s bigger than the two of them. Ashes & Alchemy Police inspector Sebastian Brown served Queen and country in India before returning to England to investigate supernatural crimes alongside the Order of the Round Table. But when Minerva Shaw lands on Sebastian’s doorstep, desperately seeking a doctor for her young daughter, it’s he who will need protecting—from emotions he’d thought buried long ago. Dragons & Dirigibles When airship engineer Melody McKay’s dirigible explodes and plunges her into the yard of a gothic manor, she suspects foul play. She resolves to crack the mystery while in the care of Victor Arrington, the stuffy-yet-disarming Earl of Blackwell. As they navigate a treachery so deep it threatens the lives of everyone in Black Heath, the earl becomes unexpectedly attached to his fiery houseguest, and Melody discovers a softness in her heart for him. But when the enemy strikes, there’s more at risk than just their future together.
A Gaslight Chronicles Novel Sir Thomas Devere and Eleanor Hadrian have loved each other most of their lives—but sometimes love doesn't conquer all. Their chance at happiness was ruined by Tom's hasty marriage to someone else. Heartbroken, Nell left home, finding a new life as a teacher at a school for the blind. But when one of her supernaturally gifted students, Charlie, is kidnapped, Tom reappears and her worlds collide. Tom claims he hasn't seen his wife since the day of their marriage…yet he fears the missing student could be his son. The deeper they dig, the more Tom and Nell discover: a deadly alchemist, more missing gifted children and long-suppressed feelings neither of them is ready for. A race on airship across England and India may lead them to answers—including a second chance at love—but only if all of British Society isn't destroyed first. 83,160 words
Dara was born with natural power, but the aristocratic Witch Kin hold the monopoly on all things magic and Dara’s half-blood status excludes her from their ranks. Until Hugh arrives on the scene, because with his help she can brave the Kin's sneers and work at being the best of the best, travelling to Scotland and beyond to develop her abilities. She wants acceptance into the Kin, but even more than that, she needs to find her mother. This is something she can't tell Hugh, although they're growing closer than a teacher and student should. And she finds out that a little knowledge can be more dangerous than none at all.
Reprint of the original, first published in 1864.
Three steampunk romance favorites from award-winning author Cindy Spencer Pape in one convenient box set Cards & Caravans Belinda Danvers isn’t a witch. But that won’t stop them from burning her at the stake. Connor McKay knows there’s no way she can be guilty of murdering village children. But telling anyone what he thinks would mean revealing his own powers—something he can’t risk without revealing a plot that’s bigger than the two of them. Ashes & Alchemy Police inspector Sebastian Brown served Queen and country in India before returning to England to investigate supernatural crimes alongside the Order of the Round Table. But when Minerva Shaw lands on Sebastian’s doorstep, desperately seeking a doctor for her young daughter, it’s he who will need protecting—from emotions he’d thought buried long ago. Dragons & Dirigibles When airship engineer Melody McKay’s dirigible explodes and plunges her into the yard of a gothic manor, she suspects foul play. She resolves to crack the mystery while in the care of Victor Arrington, the stuffy-yet-disarming Earl of Blackwell. As they navigate a treachery so deep it threatens the lives of everyone in Black Heath, the earl becomes unexpectedly attached to his fiery houseguest, and Melody discovers a softness in her heart for him. But when the enemy strikes, there’s more at risk than just their future together.
Greil Marcus has been one of the most distinctive voices in American music criticism for over forty years. His books, including Mystery Train and The Shape of Things to Come, traverse soundscapes of folk and blues, rock and punk, attuning readers to the surprising, often hidden affinities between the music and broader streams of American politics and culture. Drawn from Marcus’s 2013 Massey Lectures at Harvard, his new work delves into three episodes in the history of American commonplace song: Bascom Lamar Lunsford’s 1928 “I Wish I Was a Mole in the Ground,” Geeshie Wiley’s 1930 “Last Kind Words Blues,” and Bob Dylan’s 1964 “Ballad of Hollis Brown.” How each of these songs manages to convey the uncanny sense that it was written by no one illuminates different aspects of the commonplace song tradition. Some songs truly did come together over time without an identifiable author. Others draw melodies and motifs from obscure sources but, in the hands of a particular artist, take a final, indelible shape. And, as in the case of Dylan’s “Hollis Brown,” there are songs that were written by a single author but that communicate as anonymous productions, as if they were folk songs passed down over many generations. In three songs that seem to be written by no one, Marcus shows, we discover not only three different ways of talking about the United States but three different nations within its formal boundaries.
This collection of original essays is in tribute to the work of Derek Scott on the occasion of his sixtieth birthday. As one of the leading lights in Critical Musicology, Scott has helped shape the epistemological direction for music research since the late 1980s. There is no doubt that the path taken by the critical musicologist has been a tricky one, leading to new conceptions, interactions, and heated debates during the past two decades. Changes in musicology during the closing decades of the twentieth century prompted the establishment of new sets of theoretical methods that probed at the social and cultural relevance of music, as much as its self-referentiality. All the scholars contributing to this book have played a role in the general paradigmatic shift that ensued in the wake of Kerman's call for change in the 1980s. Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism, ethnomusicology, history, anthropology, philosophy, cultural studies, aesthetics, media studies, film music studies, and gender studies. The volume provides music researchers and graduate students with an up-to-date authoritative reference to all matters dealing with the state of critical musicology today.