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Lady Ottoline Morrell was the foremost host of the Bloomsbury set, offering sustenance and friendship to Virginia Woolf, Vanessa Bell, TS Eliot, DH Lawrence, Duncan Grant and her lover Bertrand Russell, to name but a few. This book is a revised and updated edition of the author's original biography of Ottoline first published in 1975 worldwide. It has been updated, with vignettes about her sources, including lunch at ?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" / Charleston with Duncan Grant, and a ship's tumbler of sherry with David Garnett as a prelude to discussing "skeletons in Ottoline's cupboard"). Her sources in Texas where she read more than 8,000 letters to Ottoline including 2,500 letters from Bertrand Russell, can now be located in new footnotes. Darroch remains as impressed as ever by Ottoline's courage and determination to forgo the comfortable life of an aristocrat to mix with – and champion – some of the 20th century's leading artists and writers. The definitive biography.
As traditional social hierarchies fall away, ever steeper levels of economic inequality and the entrenchment of new class distinctions lend a new glamor to the idea of aristocracy: witness the worldwide popularity of Downton Abbey, or the seemingly insatiable public fascination with the private lives of the British royal family. This collection of new essays investigates the enduring attraction to the icon of the aristocrat and the spectacle of aristocratic society. It traces the ambivalent reactions the aristocracy provokes and the needs (political, ideological, psychological, and otherwise) it caters to in modern times when the economic power of the landed classes have been eroded and their political role curtailed. In this interdisciplinary collection, aristocracy is considered from multiple viewpoints, including British and American literature, European history and politics, cultural studies, linguistics, visual arts, music, and media studies.
The story of F. Scott Fitzgerald's creation of Jay Gatsby—war hero and Oxford man—at the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot. A diverse group of Americans came to Oxford in the first quarter of the twentieth century—the Jazz Age—when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character—Jay Gatsby—shortly after his and Zelda’s visit to Oxford. Fitzgerald’s creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford. Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War to the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. Archival material covering Scholars who came to Oxford during Trinity Term 1919—when Jay Gatsby claims he studied at Oxford—enables the narrative to illuminate a detailed portrait of what a “historical Gatsby” would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford—an impressive array of artists including W.B. Yeats, Virginia Woolf, Aldous Huxley, and C.S. Lewis.
In the wake of the Coronavirus COVID-19 pandemic, the world learned some big lessons. But not enough. Life eventually returned to normal, affluence and profligate activity increased - it was The Best of Times. But then the gap between the Haves and the Have-Nots grew. Finally, halfway through the 21st century urban riots, drone warfare and nuclear war, followed by the Ultimate Virus, wiped out the world's population - save a little colony on Australia's Bondi Beach, which sets about rebuilding a new world. Written before the COVID-19 pandemic, in response to the conjecture of Australian Professor Huw Price, Head of the Centre for the Study of Existential Risk at Cambridge University, that a mega virus was one of the major existential threats facing our society, this is a story of a great love affair, political intrigue, danger and heroic - and mock-heroic - endeavour, as well as a warning of what could be in store for us all.
Bertrand Russell’s research on logic is believed, alongside Wittgenstein’s and Moore’s works, to have fuelled the linguistic turn that characterized much of twentieth-century philosophy. This process originated in the refutation of British idealism and monism, providing a new interpretation of empiricism. But while his debt to traditional British empiricism has been the subject of study (including by Russell himself) and extensively investigated, the assumption that the British neo-idealist legacy was merely a polemical target of Russell and Moore’s realist pluralism has hindered a proper assessment of its influence – which, on the contrary, proves to be of theoretical significance. This essay attempts a documentary reconstruction – in part relying on the Bertrand Russell Archives – to better understand Russell’s relationship with the thought of F. H. Bradley and, indirectly but consequently, with the English idealist tradition.
Gender and warfare in the twentieth century is a collection of exciting, accessible and very readable essays that span the twentieth century, exploring the ways in which men and women have both represented warfare, and represented themselves as participants in warfare. A range of contributors from different disciplines explore these representations by examining a wide variety of sources: fiction, film, personal diaries, memoirs, non-fiction, letters, oral testimonies and more. The collection ranges from the trenches of the Western Front, through the shell-shocked inter-war years, the civil war in Spain and the disparate battle fronts of World War Two, to the complexities of Vietnam and the late century Hollywood workings and re-workings of these conflicts. The focus on gendered readings provides a thread that binds these essays together to create a comprehensive and interesting picture of the legacy of twentieth-century warfare at the beginning of the new millennium.
"Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Bertrand Russell has played a central role in the development of modern western philosophy, especially analytic philosophy. An appreciation of the main themes and arguments of the thinkers who contributed to this modern movement in philosophy must include references to and analyses of Russellâ (TM)s important contributions. It would seem that many do recognize the significance of his thought and have shown this in a somewhat dramatic manner. Russellâ (TM)s Google number, for instance, is about 2.35 million. If the number of entries listed in this search engine is any indication of the level of interest online in Russell, we can surely conclude that the thought and life of this aristocratic English philosopher, logician and humanist still captures the imagination of tens of thousands, if not millions around the globe â " even some thirty-seven years after his death. How do we account for this abiding interest in Russell? In a word it is accessibility. Whether it is the complex epistemological issue of the veracity of sense-data, the conundrums associated with the possibility of non-existent objects, the intricacies of the debates on the nature of language or the interminable search of a clear understanding of happiness, Russell inevitably has something profound and clear to say on the matter. Readers of Russell Revisited: Critical Reflections on the Thought of Bertrand Russell will be reminded of this fact time and time again as they explore the analyses here. Representing some of the best of the most recent scholarship on Russell, the articles gathered in this collection serve as a testament to the value of Russellâ (TM)s diverse contributions to a wide range of challenging philosophical issues.