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“Lake Wobegon Days is about the way our beliefs, desires and fears tail off into abstractions--and get renewed from time to time. . . this book, unfolding Mr. Keillor's full design, is a genuine work of American history.” —The New York Times “A comic anatomy of what is small and ordinary and therefore potentially profound and universal in American life…Keillor’s strength as a writer is to make the ordinary extraordinary.” —Chicago Tribune “Keillor’s laughs come dear, not cheap, emerging from shared virtue and good character, from reassuring us of our neighborliness and strength….His true subject is how daily life is shot with grace. Keillor writes a prose that can be turned to laughter, to tears…to compassion or satire, to a hundred effects. He is a brilliant parodist.” —San Francisco Chronicle
Stories, essays, poems, and personal reminiscences from the sage of Lake Wobegon When, at thirteen, he caught on as a sportswriter for the Anoka Herald, Garrison Keillor set out to become a professional writer, and so he has done—a storyteller, sometime comedian, essayist, newspaper columnist, screenwriter, poet. Now a single volume brings together the full range of his work: monologues from A Prairie Home Companion, stories from The New Yorker and The Atlantic, excerpts from novels, newspaper columns. With an extensive introduction and headnotes, photographs, and memorabilia, The Keillor Reader also presents pieces never before published, including the essays “Cheerfulness” and “What We Have Learned So Far.” Keillor is the founder and host of A Prairie Home Companion, celebrating its fortieth anniversary in 2014. He is the author of nineteen books of fiction and humor, the editor of the Good Poems collections, and a member of the American Academy of Arts and Letters.
With the warmth and humor we've come to know, the creator and host of A Prairie Home Companion shares his own remarkable story. In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures. PHC lasted forty-two years, 1,557 shows, and enjoyed the freedom to do as it pleased for three or four million listeners every Saturday at 5 p.m. Central. He got to sing with Emmylou Harris and Renée Fleming and once sang two songs to the U.S. Supreme Court. He played a private eye and a cowboy, gave the news from his hometown, Lake Wobegon, and met Somali cabdrivers who’d learned English from listening to the show. He wrote bestselling novels, won a Grammy and a National Humanities Medal, and made a movie with Robert Altman with an alarming amount of improvisation. He says, “I was unemployable and managed to invent work for myself that I loved all my life, and on top of that I married well. That’s the secret, work and love. And I chose the right ancestors, impoverished Scots and Yorkshire farmers, good workers. I’m heading for eighty, and I still get up to write before dawn every day.”
Garrison Keillor makes his long- awaited return to Lake Wobegon with this New York Times bestseller The first new Lake Wobegon novel in seven years is a cause for celebration. And Pontoon is nothing less than a spectacular return to form-replete with a bowling ball-urn, a hot-air balloon, giant duck decoys, a flying Elvis, and, most importantly, Wally's pontoon boat. As the wedding of the decade approaches (accompanied by wheels of imported cheese and giant shrimp shish kebabs), the good-loving people of Lake Wobegon do what they do best: drive each other slightly crazy.
In the first collection of Lake Wobegon monologues, Keillor tells readers more about some of the people from Lake Wobegon Days and introduces some new faces.
Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
Clint is one of the old reliables in Lake Wobegon - the treasurer of the Lutheran church and the auto mechanic who starts your car on below-zero mornings. For six years he has run the Fourth of July parade, turning what was once a line of pickup trucks and girls pushing baby carriages that hold their cats into a dazzling spectacle that has attracted the attention of CNN and prompted the governor to put in an appearance as well. The town is dizzy with anticipation. Until, that is, they hear of Clint's ambition to run for Congress. They're embarrassed for him. They know him too well - his unfortunate episodes involving vodka sours, his rocky marriage. And then there is his friendship, or whatever it is, with the twenty-four-year-old girl who dresses up as the Statue of Liberty for the parade. It's rumoured that underneath those robes she is buck naked, and that her torch contains a quart of booze. It's Lake Wobegon as it's always been - good, loving people who drive each other crazy.
The screenplay of iconic radio host Garrison Keillor’s Robert Altman-directed major motion picture, A Prairie Home Companion, starring Meryl Streep and Lily Tomlin. The day of reckoning has come to the Fitzgerald Theater in St. Paul, home of A Prairie Home Companion. The show is closing, the theater is going dark. Station WLT has been sold to a broadcast conglomerate in Texas. The wrecking ball is poised to swing as the regulars—the Johnson Girls, Yolanda and Rhonda, and the singing cowboys, Dusty and Lefty, crooner Chuck Akers, and announcer Garrison Keillor—arrive for the last broadcast in a state of disbelief. But when the Dangerous Woman appears with her Botticellian hair and dazzling white trench coat, the final curtain catches them all by surprise. • Features a foreword by director Robert Altman and an introduction by Garrison Keillor • Contains an eight-page insert of photos from the movie set
“Keillor’s best stuff is clean (in the sense that lines are clean), down to earth, exquisitely good-hearted, highly ludicrous, and as labored as nitrous oxide…. This book will either leave you dumbfounded or happy—almost deservedly happy—to be anywhere” —The New York Times Book Review “His humor is cerebral and complex, a blend of romance and nostalgia; it sparklingly parodies the American (and human) condition…. His stories and satires glow with a sense of time and place.” —The Washington Post
RULE 12 Don't fight with younger people, even if you're right, which you probably are. When they tell you outrageous things, say, "That's very interesting, I'll have to think about it." These people will be writing your obituary, and why give them a reason to put "contentious" or "embittered" in the second paragraph or accusations of cultural appropriation or insufficient anger at power imbalance. If you enjoy dispute, go after your elders if you still have any who are of sound mind. Poke them in the stomach. This will amaze them, seeing as everyone else pities them to death, and they will relish combat and rise to the challenge and it will improve their respiration. And a day later they'll forget the whole thing.