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This book is the first systematic examination of the significance of landscape in Victorian poetry. Pauline Fletcher divides poetic landscapes into two categories: antisocial" landscapes of isolation or retreat, and "social" landscapes that reflect the life of man in community. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.
Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.
This Companion brings together specially commissioned essays by distinguished international scholars that reflect both the diversity of Victorian poetry and the variety of critical approaches that illuminate it. Approaches Victorian poetry by way of genre, production and cultural context, rather than through individual poets or poems Demonstrates how a particular poet or poem emerges from a number of overlapping cultural contexts. Explores the relationships between work by different poets Recalls attention to a considerable body of poetry that has fallen into neglect Essays are informed by recent developments in textual and cultural theory Considers Victorian women poets in every chapter
From John Smith to Tom Horton—a collection of nature writing about the mid-Atlantic region From Blue Ridge to Barrier Islands offers the first collection of nature writing to focus specifically on the attractions of the central Atlantic region. The selections draw on all the outdoor experiences that have brought people closer to the land: exploration, science, travel, country life, conservation, hunting, fishing. Here are Walt Whitman's musings on bird migrations at midnight; John Lederer's account of the first recorded expedition, with native guides, to the summit of the Blue Ridge mountains; Pendleton Kennedy's reflections on a nineteenth-century fishing trip to Blackwater River; and Tom Horton on serious dangers the Potomac continues to face. From the awe and wonder of the first explorers to cries for conservation from contemporary writers, From Blue Ridge to Barrier Islands gathers examples of our changing views of the natural world and the values we place upon it.
Southern Africa’s literatures brim with references to the natural world, its landscapes and its animals. Both fictional and non-fictional works express ongoing debates, often highly politicised, concerning its various groups’ senses of identity and belonging in relation to the land and its denizens. This often involves a pervasive tension between ‘Western’, settler societies’ conceptions of modernity and indigenous world-views, each complicating the often simplistic binarisms drawn between them. In this selection of papers from the 2006 Literature and Ecology Colloquium, held in Grahamstown, South Africa, the complexities of forging imaginative and pragmatic senses of belonging in Southern Africa are explored from a variety of disciplinary persepectives: philosophical, historical, botanical, and anthropological as well as literary. Their subject-matter ranges widely – from Bushmen testimonies to Berlin missionaries, from prehistoric cave-dwellers to Schopenhauer, from white Batswana to lion-tamers – but find themselves echoing one another in intriguing and illuminating ways. These are highly localised meditations on age-old questions: What does it mean to be human within a natural environment? Why do we appear to be so damaging to the ecology that sustains us? Is our presence inevitably ‘toxic’ to our planetary fellow-travellers? How do we forge an ecologically sound sense of belonging in this post-colonial, post-apartheid, post-modern era? If this collection has a single most prominent question binding it together, it is this: What are the limits and potentialities of human compassion towards the natural world?
"Bishop's engrossing and readable account provides us with a fascinating picture of European myths concerning the Land of the Snows and of the role these myths played in shaping perceptions of the Orient. Bishop's riveting portrait of European conceptions is an important and exceptionally well written contribution to an understanding of Western attitudes toward Tibet and all of East Asia."--Morris Rossabi, author of Khubilai Khan: His Life and Times
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Alfred Tennyson was a poet all his life, writing more than a thousand works in virtually every poetic genre. Considered by his Victorian contemporaries the pre-eminent poet of the age, he has become a canonical figure who is widely read and studied today. Consequently, his poems appear on the syllabi of both survey courses in Victorian literature as well as upper-division and graduate-level topics courses that cover Victorian studies or address subjects such as environmental studies, religion, elegiac poetry, and Arthurian literature. This companion makes Tennyson's poetry accessible to contemporary readers by identifying some of the formal elements of the poems, highlighting their relevance to Tennyson's Victorian contemporaries, and explaining their enduring appeal and value. Entries in the companion, organized alphabetically, provide essential details about Tennyson's most anthologized poems, offer suggestions for reading and interpretation, and elucidate unfamiliar historical and literary allusions. Additional entries, a biography of Tennyson, and a selected bibliography of recent criticism offer information about the people, places, events, and issues that influenced Tennyson or were important to him and his contemporaries.