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The front yard is the stepchild of landscape design, ignored in the current enthusiasm for gardening. Typically, with its high-maintenance lawn and overgrown foundation planting, the front yard doesn't enhance the house or provide useful living space for the homeowner. Yet as new properties become smaller and old ones grow shadier, the front garden may be the best place to grow vegetables or flowers, to sit outside in comfort and privacy, or even to swim or play tennis. Mary Riley Smith, a landscape designer who has often dealt with poorly planned and underused front properties, has filled this book with creative ways to make your own front garden beautiful and functional. She shows how to design paths, driveways, and parking areas and how to camouflage unattractive but necessary structures. For privacy, she describes the different virtues of fences, clipped hedges, and loose, flowing hedgerows. When it comes to planting in front of the house, the choices are surprising: instead of a lawn, you might create a colorful cottage garden, an edible landscape, a drought-tolerant meadow of regional native plants, a sea of ornamental grasses, or even a romantic orchard. All of these landscapes, and dozens more from all parts of the country, are illustrated with beautiful photographs. THE FRONT GARDEN concludes with nine case histories, including the landscape designers' plans, that will give you even more ideas for turning your front yard into a beautiful garden.
Recent critical and scholarly interest in John Keats has encouraged a resurgence of interest in his friend and mentor, the poet and journalist Leigh Hunt. This timely collection of essays by leading British and North America romanticists explores Hunt's life, writings and cultural significance over the full length of his career, arguing for the recognition of Hunt's importance to British intellectual and literary culture in the Romantic period.
The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late eighteenth century to the concerns of twenty-first-century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The Garden of Ideas is embellished with an unparalleled array of images - paintings, drawings, prints, plans, and photographs - each richly evocative of their time and most never previously published. Unearthed from around Australia, and many from overseas, these images carry the story of Australian garden style down the years, in the process criss-crossing social and cultural history across the wide extremes of our continent. Richard Aitken, whose book Botanical Riches was published in 2006 to popular and critical acclaim, brings a lifetime of experience to The Garden of Ideas. He achieves fresh insights and presents our passion for garden-making with wit and flair. The Garden of Ideas is a valuable source book for the sophisticated gardener and an indispensable companion for the garden lover.
Through close readings of individual serials and books and archival work on the publication history of the Gardener’s Magazine (1826-44) Sarah Dewis examines the significant contributions John and Jane Webb Loudon made to the gardening press and democratic discourse. Vilified during their lifetimes by some sections of the press, the Loudons were key players in the democratization of print media and the development of the printed image. Both offered women readers a cultural alternative to the predominantly literary and classical culture of the educated English elite. In addition, they were innovatory in emphasizing the value of scientific knowledge and the acquisition of taste as a means of eroding class difference. As well as the Gardener’s Magazine, Dewis focuses on the lavish eight-volume Arboretum et Fruticetum Britannicum (1838), an encyclopaedia of trees and shrubs, and On the Laying Out, Planting, and Managing of Cemeteries (1843), arguing that John Loudon was a radical activist who reconfigured gardens in the public sphere as a landscape of enlightenment and as a means of social cohesion. Her book is important in placing the Loudons’ publications in the context of the history of the book, media history, garden history, urban social history, history of education, nineteenth-century radicalism and women’s journalism.