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"This book was originally published in 1933 by the Peachtree Garden Club. Reprinted in 1976 by the Garden Club of Georgia, Inc."
Seeking Eden promotes an awareness of, and appreciation for, Georgia’s rich garden heritage. Updated and expanded here are the stories of nearly thirty designed landscapes first identified in the early twentieth-century publication Garden History of Georgia, 1733–1933. Seeking Eden records each garden’s evolution and history as well as each garden’s current early twenty-first-century appearance, as beautifully documented in photographs. Dating from the mid-eighteenth to the early twentieth centuries, these publicly and privately owned gardens include nineteenth-century parterres, Colonial Revival gardens, Country Place–era landscapes, rock gardens, historic town squares, college campuses, and an urban conservation garden. Seeking Eden explores the significant impact of the women who envisioned and nurtured many of these special places; the role of professional designers, including J. Neel Reid, Philip Trammel Shutze, William C. Pauley, Robert B. Cridland, the Olmsted Brothers, Hubert Bond Owens, and Clermont Lee; and the influence of the garden club movement in Georgia in the early twentieth century. FEATURED GARDENS: Andrew Low House and Garden | Savannah Ashland Farm | Flintstone Barnsley Gardens | Adairsville Barrington Hall and Bulloch Hall | Roswell Battersby-Hartridge Garden | Savannah Beech Haven | Athens Berry College: Oak Hill and House o’ Dreams | Mount Berry Bradley Olmsted Garden | Columbus Cator Woolford Gardens | Atlanta Coffin-Reynolds Mansion | Sapelo Island Dunaway Gardens | Newnan vicinity Governor’s Mansion | Atlanta Hills and Dales Estate | LaGrange Lullwater Conservation Garden | Atlanta Millpond Plantation | Thomasville vicinity Oakton | Marietta Rock City Gardens | Lookout Mountain Salubrity Hall | Augusta Savannah Squares | Savannah Stephenson-Adams-Land Garden | Atlanta Swan House | Atlanta University of Georgia: North Campus, the President’s House and Garden, and the Founders Memorial Garden | Athens Valley View | Cartersville vicinity Wormsloe and Wormsloe State Historic Site | Savannah vicinity Zahner-Slick Garden | Atlanta
These 145 spectacular color photographs celebrate nature's cycles in a splendid and diverse southern garden. Each month for more than six years, Carol and Hugh Nourse have explored the paths and collections of the State Botanical Garden of Georgia in Athens, capturing the kaleidoscope of its seasons. In this large-format, beautifully produced volume, we move by season and scale from detailed close-ups to atmospheric vistas. From the subdued blues of a snow-covered garden to the dazzling golden light on scarlet leaves in autumn, the Nourses' keen and affectionate eyes have captured not only the living forms, but the essence of a garden in all its changing moods. A general introduction traces the history and development of this public garden, and brief sectional essays describe the special features of the Garden in each season. The sequence begins aptly with the glorious explosion of spring and meanders joyfully through the waxing and waning of the seasons to the stark forms of winter. An "Under Glass" section showcases tropical and sub-tropical jewels in the three-story conservatory. In the foreword, Garden director Jeff Lewis points out that the Nourses' photographs enable us to "notice details we might otherwise miss--symmetry, texture, form, color." Dedicated volunteers with the Garden's Plant Conservation Program, the Nourses champion conservation in a uniquely powerful way by simply letting the beauty of nature speak for itself. As they turn our eyes to the intricate, fragile beauty of tiny wildflowers and lacy ruffles of peeling bark, we begin to see this and all gardens with new wonder.
Describes Shipman's remarkable life and fifty of her major works, including the Stan Hywet Gardens in Akron, Ohio; Longue Vue Gardens in New Orleans; and Sarah P. Duke Gardens at Duke University. Richly illustrated, this expanded edition reveals her ability to combine plants for dramatic impact and create spaces of the utmost intimacy.
"A Curious Garden of Herbs is a richly-illustrated collection of herbal fact and lore that illuminates they "why" rather than the "how" of the historical kitchen garden. Rather than offering a how-to of gardening methods, Moss and Simmons trace herbs and their uses back to earlier times and places. In addition to sixty historical illustrations, A Curious Garden of Herbs is peppered with reflections and observations from manuscripts and herbals to detail the historical uses and fascinating stories surrounding plants of documented interest in the early American South and mid-Atlantic. Practicality and necessity were the guiding theses for gardening in eighteen- and early nineteenth-century rural and frontier settlements in the Southeast. There were plants for food, for seasoning, for medicine, for dye, for insect repellency, and for scent. While many of these plants were also decorative, utility was dominated the rationale of backcountry gardeners. The gardens detailed in these pages are generally of the "middling sort"-of townspeople and farmers, of "housewives," merchants, and artisans. These are not those experimental and exotic collections of Thomas Jefferson and other wealthy gentleman botanists. In addition to including the well-known parsley, lavender, cucumber, and asparagus in its wonderfully illustrated catalog of more than a hundred plants, this book also reveals new ways to enjoy violet, rose, and nasturtium and persuades readers to invite the lesser known wild purslane, mullein, and woodsorrel into their gardens and conversations"--
Published in 1964, A History of Georgia Agriculture describes the early land and labor systems in the state. Agriculture came to Georgia with the first settlers and was largely directed toward the economic self-sufficiency of the British Empire. James C. Bonner's portrayal of the colonial cattle industry is prescient of the later open-range West. He also clearly shows how shortages of horses and implements, poor plowing techniques, and a lack of skill in tool mechanics spawned the cotton-slaves-mules trilogy of antebellum agriculture, which in turn led to land exhaustion and eventual emigration. By the 1850s the general southern desire for economic independence promoted diversification and such scientific farming techniques as crop rotation, contour plowing, and fertilization. Planting of pasture forage to improve livestock and hold soil was advocated and the teaching of agriculture in public schools was promoted. Contemporary descriptions of individual farms and plantations are interspersed to give a picture of day to day farming. Bonner presents a picture of the average Southern farmer of 1850 which is neither that of a landless hireling nor of the traditional planter, but of a practical man trying to make a living.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.