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the worldwide bestselling novel by the winner of the 2000 Nobel Prize for Literature.Soul Mountain is a picaresque novel of immense wisdom and sparse beauty, bursting with knowledge and experience and portraying a culture as vast and fascinating as the history of humankind itself.In China in the early eighties, the book's central character embarks on a cross-country journey in search of the mysterious 'Mountain'. Along the way he collects stories, lovers, spiritual wisdom and undergoes myriad experiences that are sometimes violent, sometimes frightening, sometimes funny, but always enriching. He researches the origins of humankind and Chinese culture, and explores philosophical issues such as truth, knowledge and how oneᱠchildhood affects later life. At the end of the book, he realises that all along what was important was not finding the elusive Soul Mountain, but rather the journey itself. Part love story, part fable, part philosophical treatise and part travel journal, this is one of the most challenging, rewarding and inventive works of fiction since Ulysses.
A reclusive painter living in exile in Paris, Gao Xingjian found himself instantly famous when he became the first Chinese language writer to receive the Nobel Prize for Literature (2000). The author of the novel Soul Mountain, Gao is best known in his native country not as a visual artist or novelist, but as a playwright and theater director. This important yet rarely studied figure is the focus of Sy Ren Quah’s rich account appraising his contributions to contemporary Chinese and World Theater over the past two decades. A playwright himself, Quah provides an in-depth analysis of the literary, dramatic, intellectual, and technical aspects of Gao’s plays and theatrical concepts, treating Gao’s theater not only as an art form but, with Gao himself, as a significant cultural phenomenon. The Bus Stop, Wild Man, and other early works are examined in the context of 1980s China. Influenced by Stanislavsky, Brecht, and Beckett, as well as traditional Chinese theater arts and philosophies, Gao refused to conform to the dominant realist conventions of the time and made a conscious effort to renovate Chinese theater. The young playwright sought to create a "Modern Eastern Theater" that was neither a vague generalization nor a nationalistic declaration, but a challenge to orthodox ideologies. After fleeing China, Gao was free to experiment openly with theatrical forms. Quah examines his post-exile plays in a context of performance theory and philosophical concerns, such as the real versus the unreal, and the Self versus the Other. The image conveyed of Gao is not of an activist but of an intellectual committed to maintaining his artistic independence who continues to voice his opinion on political matters.
Nobel Laureate Gao Xingjian is amongst the most challenging writers of the present era. He has probed the dynamics of Chinese and European literature and developed unique strategies for the writing of seventeen plays, two novels, a collection of short stories and a collection of poems. He has also written two collections of criticism. The present collection takes the title Aesthetics and Creation from the name of the Chinese collection from which most of these essays are drawn, but it also includes some of Gao's most recent unpublished essays. This book is both indispensable and inspiring reading for intellectuals and informed readers who regard themselves as citizen of the world. For academics, researchers and students engaged in the disciplines of literature and visual art studies, world literature studies, comparative literature studies, performance studies, theatre studies, cultural studies, narrative fiction studies, and studies in the history of literature and the visual arts in modern times, this book is essential and thought-provoking reading that will have many positive outcomes.This book is in the Cambria Sinophone World Series
Gao Xingjian is the leading Chinese dramatist of our time. He is also one of the most moving and literary writers for the contemporary stage. His plays have been performed all around the world, including China, Hong Kong, Taiwan, Japan, Australia, the Ivory Coast, the United States, France, Germany and other European countries. Born and educated in China, Gao studied French literature at the Beijing Foreign Languages Institute between 1957-1962. After the Cultural Revolution, he became a resident playwright at the Beijing People's Art Theatre. His works, including Bus Stop, Absolute Signal, and Wilderness Man, were trend-setting and have created many controversies and a wave of experimental drama in China. In 1987 he settled in Paris, France and continued to write in Chinese and in French. He was awarded the Chevalier de l'Ordre des Arts et des Lettres by the French Government in 1992. The present collection contains five of Gao Xingjian's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). One finds poetry, comedy as well as tragedy in the plays, which are graced by beautiful language and original imagery. Combining Zen philosophy and a modern worldview, they serve to illuminate the gritty realities of life, death, sex, loneliness, and exile, all essential concerns in Gao's understanding of the existence of modern man. The plays are also manifestations of the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance.
本書譯自他的寫實主義劇作絶對信號.該劇是中國劇作史上頭一部只依靠舞台燈光與音效來呈現角色情感的劇作.本書也翻譯了他早期關於劇本創作理念的文章, 譯者並以專文分析高行健的戲劇創作內涵.本書出版的目的是希望將高行健的戲劇創作, 推薦給英語世界的廣大讀者.
Snow in August is based on the life of Huineng (AD 633-713), the Sixth Patriarch of Zen Buddhism in Tang Dynasty China. Packed with the myriad sights and sounds of both the Eastern and Western theatrical traditions, the play exudes wonder and mysticism. The many koan cases and the story of Huineng's enlightenment afford the audience fascinating vignettes of Gao's vision of life and existence─an awareness of the Void and the need for a personal peace with onself. GAO Xingjian is the winner of the 2000 Nobel Prize in Literature, the first Chinese to receive the award. Best-known for his novels
"Gao Xingjian, 2000 Nobel Laureate in Literature, approaches his writing with a strong conviction of the purity of literature and its dignity as art. The result is what he calls "Cold Literature", personal, detached, apolitical and antipathetic to noisy slogan-mongering writing; yet this literature also manages to be compelling and engaging with the strongest cogency." "The present anthology contains many gems of Gao's works. It presents an all-round picture of Gao and his many talents - novelist, playwright, poet, painter, and theorist - and takes the reader into a world that is uniquely Gao's, the quest for the self and its salvation, the depth of his understanding of the tragedy of modern man and ultimately, the dignity of being human." "Cold Literature brings together for the first time two English translators of Gao Xingjian's works, Gilbert C. F. Fong and Mabel Lee. Some of the translations in this collection are newly produced, and others have been revised, so that the beauty and musicality of Gao's language are revealed in Chinese as well as in English."--BOOK JACKET.
Of Mountains and Seas is a fictional play that weaves together legendary characters from the classic Chinese text, Shanhaijing. The well-known mythical characters are presented as ordinary individuals who, despite their divine powers, struggle with the misadventures and emotional consequences of life. The gods appear innocent and childish, comically mixing up traditional social roles and behavior. Gao Xingjian infuses his play with his trademark unconventionality and esthetic flair, indulging in a considerable amount of inventive and open staging that allows directors to add their own creative stamp. The spectacular, eccentric characters make this play a colorful dramatic experience.
“Courageous … One Man’s Bible is driven by the sweeping panorama of history and the suffering and reconciliation that underlie it.”— Washington Post Book World Published to impressive critical acclaim, One Man's Bible enhances the reputation of Nobel Prize-winning Gao Xingjian, whose first novel, Soul Mountain, was a national bestseller. One Man’s Bible is a fictionalized account of Gao Xingjian’s life under the oppressive totalitarian regime of Mao Tse-tung during the period of the Cultural Revolution and its aftermath. Whether in the “beehive” offices in Beijing or in isolated rural towns, daily life everywhere is riddled with paranoia and fear, as revolutionaries, counter-revolutionaries, and government propaganda turn citizens against one another. It is a place where a single sentence spoken ten years earlier can make one an enemy of the state. Gao evokes the spiritual torture of political and intellectual repression in graphic detail, including the heartbreaking betrayals he suffers in his relationships with women and men alike. One Man’s Bible is a profound meditation on the essence of writing, on exile, on the effects of political oppression on the human spirit, and how the human spirit can triumph.
Universally known as the winner of the Nobel Prize for Literature in 2000, Gao Xingjian is also an artist whose work is exhibited all over the world. Born in China in 1940, he was introduced to the arts as a boy by his mother who was an actress. He worked as a translator while painting and writing, becoming well-known in Beijing for his avant-garde plays. During the Cultural Revolution, he was sent to a re-education camp for the radical views expressed in his theatre. After the events of Tiananmen Square, he left China for France. Today he lives in Paris and works as a painter, critic, playwright and opera librettist. His best-selling novels are Soul Mountain (1995) and One Mans Bible (2000). Aesthetics and Creation, his main work on art and literary creativity, was published in English in 2012. This stunning book showcases for the first time two decades of Gao Xingjians oeuvre. In his brilliant and instructive text.