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"McNicoll has a keen eye for lurid detail, and her narratives moves along with compelling force" - Canadian Book Review Annual Who were the gangster women who risked everything to stay with the men of the underworld? This gripping account chronicles the history of gangsters' molls and mob queens, from harbouring criminals to life on the run. Susan McNicoll investigates these intriguing unions from the heady days of the 1930s flapper era and beyond. Had they abandoned everything for love, or did the idea of being with these hardened criminals seem glamorous and exciting? Covers the life stories of: • Bonnie Parker, from the infamous Bonnie and Clyde double act • Virginia Hill, the glamorous girlfriend of Bugsy Siegel who died mysteriously • Evelyn Frechette, who was charged with harbouring murderous mobster John Dillinger • Vi Mathis, the partner of Kansas City massacre gunman Verne Miller With photographs to accompany these shocking tales, Gangster Women is an honest and gritty account of these "gun molls" and their criminal lovers.
Ceazia Devereaux, obsessed with the finer things in life, starts her own escort service where she meets Virginia druglord Vegas and enters into a dangerous world of fast money, which she finds hard to escape.
The insightful essays in this book shine a new light on the roles of women within criminal networks, roles that in reality are often less traditional than researchers used to think. The book seeks to answer questions from a wide range of academic disciplines and traces the portrait of women tied to organized crime in Italy and around the world. The book offers up accounts of mafia women, and also tales of severe abuse and violence against women.
Broken-hearted, scorned Ceazia is home back in Virginia up to her old ways. With her road dawg, Diamond, by her side she's unstoppable, until the attention she's used to falls on the new booty and envy rears its ugly head. Trust no one without knowing their agenda in the scheme of things or be ready to find out who's game is tighter??
From the Pulitzer Prize-winning reporter and author of Missing Beauty comes a fascinating inside look at the mafia. Growing up among racketeers on the Lower East Side of New York City, Arlyne Brickman associated with mobsters. Drawn to the glamorous and flashy lifestyle, she was soon dating "wiseguys" and running errands for them; but after years as a mob girlfriend, Arlyne began to get in on the action herself—eventually becoming a police informant and major witness in the government's case against the Colombo crime family.
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
Twenty years ago, Chunichi penned the tale of Cezia, the good girl gone bad at the center of this hood classic. This will introduce new audiences to the Essence® bestseller's debut novel, along with a new collectible cover for longtime fans. Meet Ceazia, a very attractive, very good girl who has just left the safety of her parents' home and entered into the world of bad boys and fast money. Ceazia thinks the world belongs to her when she meets Vegas, one of the Tidewater, Virginia area's most notorious drug dealers. Even though a relationship with Vegas goes against everything her parents taught her, she still can't resist his bad-boy persona. He's fine, sexy, and ready to give her anything her heart desires--just what the doctor ordered for a broke, wannabe diva. This might just end up being the biggest mistake of her life.
Smuggling, gun-running, drugs, terrorism for many decades, Mumbai has lived under the shadow of the Underworld. Dawood Ibrahim, Karim Lala, Varadara- jan Mudaliar: these are names that any Indian would recognise. Analysed in print, immortalised on film, their lives, their gangs, More ... their 'businesses' are out there for anyone who wants the information. But there have been women, too, who have been part of this murky side of the city, walking along side, sometimes leading and manipulating men in the Underworld to run their own illegal businesses. Here, for the first time, crime journal- ists S. Hussain Zaidi and Jane Borges explore the lives of some of these women, and how, in cold blood, they were able to make their way up in what was certainly a man's world. From Kamathipura to Dongri, from assassins to molls, this is a collection that tells the stories of women who have become legend in Mumbai's streets, lanes and back-alleys. Absorbingly told, impeccably researched, Mafia Queens of Mumbai reveals a side of Mumbai's Underworld that has never been seen before.
Albert Fried recalls the rise and fail of an underworld culture that bred some of America's most infamous racketeers, bootleggers, gamblers, and professional killers, spawned by a culture of vice and criminality on New York's Lower East Side and similar environments in Chicago, Cleveland, Boston, Detroit, Newark, and Philadelphia. The author adds an important dimension to this story as he discusses the Italian gangs that teamed up with their Jewish counterparts to form multicultural syndicates. The careers of such high-profile figures as Meyer Lansky, Benjamin "Bugsy" Siegel, and "Dutch" Schultz demonstrate how these gangsters passed from early manhood to old age, marketed illicit goods and services after the repeal of Prohibition, improved their system of mutual cooperation and self-governance, and grew to resemble modern business entrepreneurs. A new afterword brings to a close the careers of the Jewish gangsters and discusses how their image is addressed in selected books since the 1980s. Fried also examines the impact of films such as The Godfather series, Once Upon a Time in America, and Bugsy.
'This book is an extremely important part of women's social history. Read it!' - Maxine Peake Robin Hood, Dick Turpin, Ronnie Biggs, the Krays ... All have become folk heroes, glamorised and romanticised, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the seventeenth century to the present. From Moll Cutpurse to the Black Boy Alley Ladies, from jewel thief Emily Lawrence to bandit leader Elsie Carey and burglar Zoe Progl, these were charismatic women at the top of their game. But female criminals have long been dismissed as either not 'real women' or not 'real criminals', and in the process their stories have been lost. Caitlin Davies unravels the myths, confronts the lies and tracks down modern-day descendants in order to tell the truth about their lives for the first time.