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Watch this fake relationship become more in this Victorian romance A game to fool the ton… And win a husband! American heiress Maddie DeVries is aware that most people think she’s too tall and ungainly to find a match. And that’s before any gentleman learns of her unladylike interest in manufacturing! So she enlists her friend’s brother Cameron, the Earl of Balfour, in a game of pretend courtship to win suitors. It works like a charm…but why is a man who’s sworn off love—Cameron—the only one she craves? From Harlequin Historical: Your romantic escape to the past.
The bold games of passion play out with delicious consequences in this fourth novel of Nicole Jordan’s seductive new series, The Courtship Wars. Two years ago, lively beauty Eleanor Pierce spied her dashing betrothed, Damon Stafford, Viscount Wrexham, with his former mistress and furiously ended their engagement. Now the charming rake is back in London, meddling in Eleanor’s affairs, bent on thwarting her new suitor. And when Damon’s intoxicating kisses rekindle her deepest longing, Eleanor loses her heart . . . again. But as she has no intention of allowing history to repeat itself, she embarks on a plan of tantalizing seduction, vowing to tame the rogue before she surrenders to his wicked, willful desires. Determined to stop another man from wooing and winning the woman he loves, Damon knows that claiming Eleanor’s heart is all that matters. But this scandalously bold beauty means to beat him at his own game of romance–a game he is ready and willing to lose.
Will he secure his future by ruining hers, or will she ruin his plans by securing him? A new twist on the old fortune hunter plot puts an impoverished earl in a position to gain his fortune only by ruining an innocent's reputation without offering marriage. The innocent he's selected, however, has no plans to settle for anything less than marriage and will go to almost any length to secure him. With no other means for an income, the impoverished Andrew Black, Earl of Townson, makes an agreement that will put a definite end his eight year poverty streak. But, in order to gain his fortune he must do only one simple thing: ruin an innocent young lady’s reputation enough to make her flee to America. Brooke Banks isn’t interested in marriage, or so she thinks. She came to London to have a good time, and that’s exactly what she’s doing. Widely known for her tendency to flout the rules, she suspects nothing when a handsome stranger appears on her doorstep. Thirteen days, a handful of kisses and one scandalous situation later, Andrew and Brooke will have to choose to stick to their original plans, or decide if a life together is worth the risk.
Passion ignites in Nicole Jordan’s delectable, dazzling conclusion to The Courtship Wars. Two years after losing her beloved fiancé to war, Tess Blanchard feels ready to chance love again. Thus she’s aghast when a threatening scandal forces her to wed her longtime nemesis, Ian Sutherland, Duke of Rotham. The impossibly arrogant, irresistibly seductive nobleman is the last man Tess could ever imagine loving. Making matters worse, she discovers secrets in Rotham’s wicked past that send her fleeing London for his remote castle in Cornwall. Having long desired Tess, Ian is exasperated that the ton thinks he’s driven his reluctant new bride from their marriage bed and follows hard on her heels. Naturally, their spirited rivalry leads to glorious, pleasure-filled nights—complicated by a mysterious ghost who haunts Ian’s castle and Tess’s vexing insistence that he play matchmaker to her friends. But can blazing desire between two warring hearts turn into wedded bliss and timeless love?
Nicole Jordan spins a delectable tale of wit and exquisite sensuality in this mesmerizing Regency romance, the captivating first in a dazzling new trilogy, The Courtship Wars. Marcus Pierce, a strikingly handsome aristocrat with a wicked reputation, inherits guardianship of Arabella Loring and her two younger sisters–and immediately declares his intention to marry them off. But gorgeously defiant Arabella sparks frustration– and something deeply erotic–in Marcus. After matching both wits and swords with her, Marcus concludes that this beautiful and formidable foe must be his. Having sworn off marriage and men, Arabella wishes to be left alone to run her finishing school for young ladies. To that end, she boldly accepts Marcus’s intimate challenge: If he can woo and win her within two weeks, she’ll take her place in his bed as his wife. However, if she can resist his considerable charms, the Loring sisters will be granted their independence. Thus an extraordinary game of seduction begins. . . .
Dangerously sexy nobleman and former spymaster Rayne Kenyon, Earl of Haviland, has no interest in love. He merely desires an heir to carry on his title and therefore must have a wife. Rayne makes a surprising choice of brides by settling on the plain spinster daughter of a fellow spy who once saved his life. Yet spirited, witty Madeline Ellis proves much more than he bargained for... But who could imagine that a simple marriage of convenience can suddenly be flooded with danger, desire, and unexpected love?
Daring Games. Dangerously Delicious Consequences. Lovely Eve Reynolds plays the role of a naive young debutante, but her demure appearance hides an experienced cardplayer who, at her uncle's instigation, is engaged in fleecing London aristocrats in the high-stakes card games favored by society. Only London's most notorious rake, Julian Clay, the Earl of Westleigh, sees through her wiles, for he recognizes a fellow gambler when he sees one. Lured by the passion in Eve's stormy eyes, so at odds with her reserved elegance, Julian lays impassioned siege to her. And Eve responds with a rising fire of desire that leaves behind all sensible caution, until both Julian and Eve can think of nothing but the searing hours they spend in each other's arms. But Eve's uncle wants her to play for the highest stakes by making a respectable match with a wealthy lord...and Eve has her own secret reason for following his plan. Although Julian began to play recklessly to seduce a clever young lady, now he wants much more from Eve, and no one will stop him from risking everything on one final game that might win him Eve's heart and soul forever.
"St. Martin's Paperbacks historical romance"--Spine.
Ella Quinn's bachelors are quite sure of what they want in life and love until the right woman opens their eyes After a painful heartbreak, Rupert, the handsome young Earl of Stanstead, has decided that when it comes to love, avoidance is best. Until he meets a woman who makes him forget his plan and remember his longing for a wife and family. Yet he senses that she too has been hurt, though she attempts to hide her feelings. Intrigued, Rupert is willing to play along, if winning her is the prize. Crushed by her late husband's scorn, Vivian, Countess of Beresford, believes she is monstrously undesirable. Sadly childless, she has moved to London resigned to a solitary life. Still, when she encounters Rupert at a masquerade ball, her disguise as Cleopatra emboldens her. Convinced he doesn't recognize her, she begins an after-hours affair with him, always in costume while allowing him to innocently court the real her by day.
Courtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.