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Gamboa’s World examines the changing legal landscape of eighteenth-century Mexico through the lens of the jurist Francisco Xavier de Gamboa (1717–1794). Gamboa was both a representative of legal professionals in the Spanish world and a central protagonist in major legal controversies in Mexico. Of Basque descent, Gamboa rose from an impoverished childhood in Guadalajara to the top of the judicial hierarchy in New Spain. He practiced law in Mexico City in the 1740s, represented Mexican merchants in Madrid in the late 1750s, published an authoritative commentary on mining law in 1761, and served for three decades as an Audiencia magistrate. In 1788 he became the first locally born regent, or chief justice, of the High Court of New Spain. In this important work, Christopher Albi shows how Gamboa’s forgotten career path illuminates the evolution of colonial legal culture and how his arguments about law and justice remain relevant today as Mexico debates how to strengthen the rule of law.
A study of the bracero program during World War II. It describes the labor history of Mexican and Chicano workers in Oregon, Washington, and Idaho. It analyses the ways in which Braceros were active agents of their own lives. It also describes the living and working conditions in migrant farm camps.
Two Colombian siblings struggle to reunite as the clock ticks down in this emotional thriller from an author praised for his “masterful suspense” (Publishers Weekly). As a boy, Manuel was a dreamer, a lover of literature, and a tagger. His sister, Juana, made a promise to do everything in her power to protect him from the drug- and violence-infested streets of Bogotá. She decided to take him as far from Colombia as possible, and in order to raise the money to do so, she went to work as a high-priced escort and entered into contact with the dangerous world of corrupt politicians—and when things spun out of control she was forced to flee, leaving her beloved brother behind. Now Manuel, a philosophy student, has been arrested in Bangkok and accused of drug trafficking. Unless he enters a guilty plea he will almost certainly be sentenced to death. But it is not this prospect that weighs most heavily on him—it is the longing for his sister, Juana, whom he hasn’t seen for years. Before he dies he wants nothing more than to be with her again. Finally, one man learns of Manuel’s situation and decides to find Juana—now married to a rich man in Tokyo—and reunite the siblings. But it is a feat that may be beyond his power . . . With the style that has earned him a reputation as one of “the most important Colombian writers” (Manuel Vázquez Montalbán), Santiago Gamboa presents a compelling and moving story about the mean streets of Bogotá, the sordid bordellos of Thailand, and a love between siblings that knows no end.
Addresses the topic of prostitution and "easy women" in Mexican literature. The figure of the prostitute or sexually liberated woman not only permeates Mexican folk songs and popular movies but stands at the crossroads of its national literary culture. In Easy Women, Debra A. Castillo focuses on the prostitute, or the woman perceived as such, in order to ask why this character exerts such a hold on the Mexican imagination. Combining early twentieth-century novels, current best-selling pulp fiction, and testimonial narratives, Castillo explores how Mexican writers have positioned the "easy woman" in their works. In each example the transgressive woman -- marked by an active sexuality -- serves a crucial narrative function, one that both promotes and challenges myths about women on the continuum of sexual promiscuity. Ending with a discussion based on a series of in-depth interviews with sex workers in Tijuana, Castillo highlights the complexities and ambiguities of these women's professional and personal lives. Bridging Latin American literary and cultural criticism, gender studies, and studies of Mexican society, Easy Women provides a sophisticated and groundbreaking examination of the place of the sexually liberated woman in contemporary Mexican culture.
“Fans of Roberto Bolaño will feel right at home in this globetrotting tale of misfit poets and ultraviolent drug lords . . . A page turner” (Miami Rail). Manuela is a woman haunted by a troubled childhood that she tries to escape through books and poetry. Tertullian is an Argentine preacher who claims to be the Pope’s son, ready to resort to extreme methods to create a harmonious society. Ferdinand Palacios is a Colombian priest with a dark paramilitary past, now confronted with his guilt. Rimbaud was the precocious, brilliant poet whose life was incessant exploration. Along with Juana and the consul, these are the central characters in Santiago Gamboa’s “complex, challenging story that speaks to the terror and dislocation of the age” (Kirkus Reviews). “Action-packed plotting . . . examines the movement of people across the shifting geopolitical landscape, the impossibility of returning and the potential redemptive power of poetry.” —The New York Times Book Review “An unsettling and brilliant document of contemporary life; highly recommended.” —Library Journal (starred review) “Gamboa possesses considerable talent at creating energetic scenes that spiral off in intriguing directions.” —San Francisco Chronicle
Viceroy Güemes’s Mexico: Rituals, Religion, and Revenue examines the career of Juan Francisco Güemes y Horcasitas, viceroy of New Spain from 1746 to 1755. It provides the best account yet of how the colonial reform process most commonly known as the Bourbon Reforms did not commence with the arrival of José de Gálvez, the visitador general to New Spain appointed in 1765. Rather, Güemes, ennobled as the conde de Revillagigedo in 1749, pushed through substantial reforms in the late 1740s and early 1750s, most notably the secularization of the doctrinas (turning parishes administering to Natives over to diocesan priests) and the state takeover of the administration of the alcabala tax in Mexico City. Both measures served to strengthen royal authority and increase fiscal revenues, the twin goals historians have long identified as central to the Bourbon reform project. Güemes also managed to implement these reforms without stirring up the storm of protest that attended the Gálvez visita. The book thus recasts how historians view eighteenth-century colonial reform in New Spain and the Spanish empire generally. Christoph Rosenmüller’s study of Güemes is the first in English-language scholarship that draws on significant research in a family archive. Using these rarely consulted sources allows for a deeper understanding of daily life and politics. Whereas most scholars have relied on the official communications in the great archives to emphasize tightly choreographed rituals, for instance, Rosenmüller’s work shows that much interaction in the viceregal palace was rather informal—a fact that scholars have overlooked. The sources throw light on meeting and greeting people, ongoing squabbles over hierarchy and ceremony, walks on the Alameda square, the role of the vicereine and their children, and working hours in the offices. Such insights are drawn from a rare family archive harboring a trove of personal communications. The resulting book paints a vivid portrait of a society undergoing change earlier than many historians have believed.
Tom Gamboa played baseball professionally, coached, scouted, managed in the minors and in Puerto Rico and coached in the majors with the Cubs and Royals. Scouring the country for talent, he discovered Jesse Orosco and helped develop Doug Glanville and Jose Hernandez in Puerto Rico and in the Cubs organization. Before Jim "The Rookie" Morris made it to the majors, Gamboa coached him on a title team in the Brewers organization. Sammy Sosa promised him a fist-bump for each home run Sosa hit--Tom didn't suspect he was due 60 of them over each of the next two seasons. With a lot of humor, Gamboa takes his readers well inside the dugouts and clubhouses.
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.