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"Bob Whiting came to the city as a stranger in a strange land in 1962 and stayed for five decades—he knows the dark alleys, the good whisky bars, the crooked politicians and the crooks, the baseball players, the bookies…better than anyone alive." —Jake Adelstein, author of Tokyo Vice Critically acclaimed author and longtime Japan resident Robert Whiting turns his attention to the fascinating stories of foreigners who made waves and achieved notoriety in post-World War II Japan. In this rare insider's look at Japan through the eyes of foreigners, this book covers a fascinating swathe of Japanese history, from the immediate postwar period up to the 2022 assassination of Prime Minister Shinzo Abe. The fascinating stories of the gamblers, dreamers, and other chancers who made their mark in modern Japan include US servicemen running Vegas-style gambling dens; baseball managers Like Bobby Valentine; hostesses, bar managers and wannabe yakuza gangsters; religious fanatics such as Members of the Moonies, and businessmen like disgraced Nissan CEO Carlos Ghosn. This fascinating book provides an unvarnished look at the post-war history of Japan and offers cautionary tales about how welcoming Japan really is towards outsiders. It is based on original research and reporting by the author, a 60-year resident of Tokyo.
Tokyo Junkie is a memoir that plays out over the dramatic 60-year growth of the megacity Tokyo, once a dark, fetid backwater and now the most populous, sophisticated, and safe urban capital in the world. Follow author Robert Whiting (The Chrysanthemum and the Bat, You Gotta Have Wa, Tokyo Underworld) as he watches Tokyo transform during the 1964 Olympics, rubs shoulders with the Yakuza and comes face to face with the city’s dark underbelly, interviews Japan’s baseball elite after publishing his first best-selling book on the subject, and learns how politics and sports collide to produce a cultural landscape unlike any other, even as a new Olympics is postponed and the COVID virus ravages the nation. A colorful social history of what Anthony Bourdain dubbed, “the greatest city in the world,” Tokyo Junkie is a revealing account by an accomplished journalist who witnessed it all firsthand and, in the process, had his own dramatic personal transformation.
"A fascinating look at some fascinating people who show how democracy advances hand in hand with crime in Japan."--Mario Puzo In this unorthodox chronicle of the rise of Japan, Inc., Robert Whiting, author of You Gotta Have Wa, gives us a fresh perspective on the economic miracle and near disaster that is modern Japan. Through the eyes of Nick Zappetti, a former GI, former black marketer, failed professional wrestler, bungling diamond thief who turned himself into "the Mafia boss of Tokyo and the king of Rappongi," we meet the players and the losers in the high-stakes game of postwar finance, politics, and criminal corruption in which he thrived. Here's the story of the Imperial Hotel diamond robbers, who attempted (and may have accomplished) the biggest heist in Tokyo's history. Here is Rikidozan, the professional wrestler who almost single-handedly revived Japanese pride, but whose own ethnicity had to be kept secret. And here is the story of the intimate relationships shared by Japan's ruling party, its financial combines, its ruthless criminal gangs, the CIA, American Big Business, and perhaps at least one presidential relative. Here is the underside of postwar Japan, which is only now coming to light.
In Kanazawa, the first literary novel in English to be set in this storied Japanese city, Emmitt’s future plans collapse when his wife, Mirai, suddenly backs out of negotiations to purchase their dream home. Disappointed, he’s surprised to discover Mirai’s subtle pursuit of a life and career in Tokyo, a city he dislikes. Harmony is further disrupted when Emmitt’s search for a more meaningful life in Japan leads him to quit an unsatisfying job at a local university. In the fallout, he finds himself helping his mother-in-law translate Kanazawa’s most famous author, Izumi Kyoka, into English. While continually resisting Mirai’s efforts to move to Tokyo, Emmitt becomes drawn into the mysterious death thirty years prior of a mutual friend of Mirai’s parents. It is only when he and his father-in-law climb the mountain where the man died that he learns the somber truth, and in turn discovers what the future holds for him and his wife. Packed with subtle literary allusion and closely observed nuance, with an intimacy of emotion inexorably tied both to the cityscape and Japan’s mountainous terrain, Kanazawa reflects the mood of Japanese fiction in a fresh, modern incarnation.
"The new nonfiction from #1 bestselling author and popular radio and television host Glenn Beck"--
This book is an eyewitness report of what happened in Japan and Korea during the Occupation years from December 1945 to May 1948. It is also meant to be some other things. It is the story of that extraordinary figure General Douglas MacArthur, and the men around him. It is the story of the way American foreign polity operated in one segment of the globe and of the plot and counterplot that went on behind the Japanese throne in the years of war and of the subsequent conspiracy to thwart the Allied purposes. It is the story of the common people in two Oriental lands. It is, finally, the record of the author's education, and not a few readers will find it controversial. But it is an absorbing book nonetheless, and the years that have passed since its first publication have not diminished its value as the chronicle of a highly observant reporter. It is indeed an intriguing panorama that Gayn presents, and whether the reader agrees with him in all of his observations, he can hardly accuse him of being unexciting.
According to Roger Caillois, play is an occasion of pure waste. In spite of this - or because of it - play constitutes an essential element of human social and spiritual development. In this study, the author defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life.
Let me have good proof of your greediness to devour my labours, and I will dish up such a meal for you in my next volume, as shall go nigh to produce extermination by surfeit. One favour, alone, I crave—give me abuse enough; let no squeamish pretences of respect for my bookseller, or disguised qualms of apprehension for your own sacred persons, deter the natural inclination of your hearts. The slightest deviation from your usual course to independent writers—or one step towards commendation from your gang, might induce the public to believe I had abandoned my character, and become one of yourhonourable fraternity-the very suspicion of which would (to me) produce irretrievable ruin. Your masters, the trading brotherhood, will (as usual) direct you in the course you should pursue; whether to approve or condemn, as their 'peculiar interests may dictate. Most sapient sirs of the secret bandit' of the screen, inquisitors of literature, raise all your arms and heels, your daggers, masks, and hatchets, to revenge the daring of an open foe, who thus boldly defies your base and selfish views; for, basking at his ease in the sunshine of public patronage, he feels that his heart is rendered invulnerable to yourpoisoned shafts. Read, and you shall find I have not been parsimonious of the means to grant you foodand pleasure: errors there are, no doubt, and plenty of them, grammatical and typographical, all of which I might have corrected by an errata at the end of my volume; but I disdain the wish to rob you of your office, and have therefore left them just where I made them, without a single note to mark them out; for if all the thistles were rooted up, what would become of the asses? or of those "Who pin their easy faith on critic's sleeve, And, knowing nothing, ev'ry thing believe?" Fully satisfied that swarms of literary blow flies will pounce upon the errors with delight, and, buzzing with the ecstasy of infernal joy, endeavour to hum their readers into a belief of the profundity of their critic erudition;—I shall nevertheless, with Churchill, laughingly exclaim—"Perish my muse"
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.