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A Collection of stories originally published in the Galveston County Daily News
In sixty-seven exquisite watercolors and drawings, nationally famous architect Eugene Aubry captures on paper the sensibilities, the memories, and the grace that evokes Galveston, especially for those who are BOI (“born on the island”). Commissioned by the Galveston Historical Foundation, these works of art are intended to enhance the visual record of the buildings and the unique local architectural style that so many have appreciated over the years.? In the aftermath of Hurricane Ike, Galvestonians became more aware than ever of the treasure of the island’s historical architecture and the vulnerability of this heritage to forces beyond human control. Aubry’s art captures the almost palpable sense of past glories these buildings bring to mind. Aubry—himself BOI—has fashioned these pieces in a way that resonates with those who love the island’s ethos. With a fine eye to the artist’s intent and a mastery of detail, architectural historian Stephen Fox expertly and eloquently introduces the work as a whole and, in discursive captions that accompany each image, informs the reader’s appreciation of Aubry’s art. So much more than a tribute, Born on the Island: The Galveston We Remember stands as a loving homage to Galveston—one that will call its readers home to the island, even if they have never ventured there before.
A galloping romp through the memories and stories of a man who has held a colorful relationship with Galveston Island since his very early years. From first-hand stories told to him by the direct descendant of an enslaved woman bought and sold in Galveston, and the heart-wrenching memories of a 1900 storm survivor, to the hilarious adventures he and his brother shared while spending summers on the island with paternal grandparents. Raconteur Riggs has woven a rich tapestry of tales and memories of the magical island, including early history, pirates, slavery, gambling, natural history, hurricanes, love, loss, ghosts and a myriad of other topics. Sharing from his personal adventures, Riggs takes the reader on a roller coaster journey through emotions that run the gamut of human experiences, and all associated with the tiny island in the Gulf of Mexico. A must read for those who enjoy adventure, romance and pure fun, as told through the memories of a young boy, adolescent and adult who has held strong to every piece of a Galveston story that became part of his life.
For nearly 200 years, a permanent settlement at the mouth of Galveston Bay has welcomed pirates, sailors, immigrants, and visitors from around the world. As Galveston grew, its buildings were visible signs of the city's prosperity and the talent of its craftsmen. For many, this city was a gateway to America and an inspiration of what other communities in Texas and the Southwest would become. Although Galveston has thousands of historic buildings remaining, many have been lost to the elements and development over the years. Buildings such as the ones found within these pages define the character of our city and its culture.
Currently living in Ohio, Rich Browne has been something of a gypsy. He has lived in 12 states, visited 49 of the 50, two U.S. territories and 18 foreign countries. He was a journalist. He worked for nearly 30-some odd years for a variety of daily and non-daily newspapers in a wide range of positions, He also has been a "war correspondent" during Operation Just Cause in 1989 and a teacher and instructor. In addition he also won many journalistic awards. Rich served in the U.S. Navy and the U.S. Naval Reserve in the Vietnam Era (but not in Vietnam); and was in the Army National Guard when he was called up for service in the Persian Gulf War, during both Operation Desert Shield/Desert Storm where he served as an Army public affairs specialist in Saudi Arabia and Kuwait. Rich now is medically retired from the U.S. Army where he was a civilian public affairs officer.
Sea-Arama Marineworld, a marine animal park in Galveston, Texas, was the first such park of its kind between the east and west coasts of the U.S. From 1965, when Sea-Arama Marineworld opened, to 1990, when it closed its doors, the park presented more than twenty-five different shows and exhibits. Visitors could enjoy viewing orcas, dolphins, sea lions, alligators, tigers, snakes, bears, sharks, and exotic birds, along with daring water skiing performances. Relive the glory days of Sea-Arama Marineworld, with more than 350 pictures and year-by-year documentation of the park's history. This book contains all black and white photographs.
This book tries to trace the authors family history through a collection of poems and letters among its members as well as friends. They recall the most salient events in their lives. A very short story is also included.
For nearly three decades, the 1877 sailing ship Elissa has been widely recognized as one of the finest maritime preservation projects in the world. Unlike some tall ships of today, the Elissa is not a replica but a survivor. Over her century-long commercial history, she carried cargoes to ports around the world for a succession of owners. Her working life as a freighter came to an end in Piraeus, Greece, where she was rescued from the salvage yard by a variety of ship preservationists who refused to let her die. The story of Elissa's discovery and restoration by the Galveston Historical Foundation is nothing short of miraculous.
The USAF "Thunderbirds" flew the McDonnell Douglas F-4E Phantom II aircraft from 1969 through 1973. This aircraft, arguably the best fighter aircraft of its time, was used extensively in the Vietnam War. The Thunderbirds used eleven of these machines. Two of them were lost to crashes, but nine remained for posterity. All but two are on display throughout the country. This book chronicles an exciting motorcycle trip by the author, a Thunderbird who flew in these aircraft during 1970-1972, to visit all of the remaining nine phantoms. His coast-to-coast journey covered nearly 8,000 miles and provided an endless array of wonder and a bottomless well of memories. Filled with scores of color images, it details the vistas, events and thoughts that constantly bombarded the authors senses as he pursued his quest to visit old friends from the past.
People of African descent were some of Galveston's earliest residents, and although they came to the island enslaved, they retained mastery of their culinary traditions. As Galveston's port prospered and became the "Wall Street of the South," better job opportunities were available for African Americans who lived in Galveston and for those who migrated to the island city after emancipation, with owner-operated restaurants being one of the most popular enterprises. Staples like Fease's Jambalaya Café, Rose's Confectionery and the Squeeze Inn anchored the island community and elevated its cuisine. From Gus Allen's business savvy to Eliza Gipson's oxtail artistry, the Galveston Historical Foundation's African American Heritage Committee has gathered together the stories and recipes that preserve this culinary history for the enjoyment and enrichment of generations, and kitchens, to come.