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Includes CD "Claviers mozartiens" (Lyrinx: LYR 2251) with Pierre Goy performing excerpts from Mozart's piano works on four period keyboard instruments, accompanied by a 27 p. booklet.
"For me, a truly compelling, fact-packed read all about how guitars are made, look, sound, and play. Atkinson admirably recounts a century of history, invention, and experimentation by experts and amateurs of a revolutionary instrument. Highly recommended for anyone who has a guitar, and for anyone who wants one."—KT Tunstall, singer-songwriter and guitarist "Atkinson has put a fantastically exhaustive amount of work into this book for all of us global guitar nerds to enjoy. It’s so much fun to dive into it full immersion, and glean everything from details on iconic artist guitars to strange inventions from creatives on the fringe!"—Jennifer Batten, guitarist (Michael Jackson, Jeff Beck) “A great resource for all guitar players, tinkerers, and enthusiasts. Atkinson’s well-researched book provides essential and fascinating facts of this unique instrument’s development over the course of more than a century.”—Paul Brett, rock guitarist, journalist, guitar designer “Atkinson has dug deep into the history of the electric guitar to create a detailed view of the ways in which makers and musicians have tried—and in many cases succeeded—to move its design forward. This engaging new book will be required reading for anyone interested in the development of one of the most popular and revolutionary instruments ever created.”—Tony Bacon, guitar historian and author An in-depth look at the invention and development of the electric guitar, this book explores how the electric guitar’s design has changed and what its design over the years has meant for its sound. A heavily illustrated history with amps turned up to eleven, Amplified celebrates this beloved instrument and reveals how it has evolved through the experiments of amateur makers and part-time tinkerers. Digging deep into archives and featuring new interviews with makers and players, it will find admirers in all shredders, luthiers, and fans of electric sound.
“A moving and eye-opening account of the lives of second world war PoWs by the daughter of a man who was captured . . . a riveting collection of stories.” —The Guardian Feature films like The Bridge on the River Kwai and The Great Escape have created the stereotype of the Second World War prisoner of war. But, as Midge Gillies shows in this groundbreaking work of social history, the true experiences of nearly half a million Allied servicemen held captive during the Second World War were nothing like the Hollywood myth—and infinitely more extraordinary. The real lives of POWs saw them respond to the tedium of a German stalag or the brutality of a Japanese camp with the most amazing ingenuity and creativity. They staged glittering shows, concerts and elaborate sporting fixtures, made exquisite ornaments—even, amid the terrible privations of the Thailand-Burma railway, improvised daring surgical techniques to save their fellow men’s lives. Whatever skills or hobbies they took with them to captivity they managed to continue and adapt—to the extent of laying out a 9-hole golf course between the huts of one German camp. They took up crafts and pastimes using materials they found around them: even the string from a Red Cross food parcel was used to make cricket balls, football nets and wigs for theatrical performances. Men studied, attended lectures, learned languages, sat for qualifications and exams, on such a scale that one camp was nicknamed “The Barbed-Wire University.” Drawing on letters home, diaries and interviews with redoubtable survivors now into their nineties, Midge Gillies recreates the daily lives of a truly remarkable group of men. “Astonishing tales of improvisation, ingenuity and courage.” —The Spectator
Comprehensive and fully illustrated, this catalogue from the Museum of Fine Arts, Boston includes technical, musicological and historical essays on all 53 of the museum's keyboard instrument collection. The extensive illustrations include color portraits of the instruments and technical drawings. Also included are a complete bibliography, glossary and a set of indexes, making this book an indispensable research tool for the musical scholar.
Originally published between 1920-70, The History of Civilization was a landmark in early twentieth-century publishing. It was published at a formative time within the social sciences, and during a period of decisive historical discovery. The aim of the general editor, C.K. Ogden, was to summarize the most up to date findings and theories of historians, anthropologists, archaeologists and sociologists. This reprinted material is available as a set or in the following groupings: * Prehistory and Historical Ethnography Set of 12: 0-415-15611-4: £800.00 * Greek Civilization Set of 7: 0-415-15612-2: £450.00 * Roman Civilization Set of 6: 0-415-15613-0: £400.00 * Eastern Civilizations Set of 10: 0-415-15614-9: £650.00 * Judaeo-Christian Civilization Set of 4: 0-415-15615-7: £250.00 * European Civilization Set of 11: 0-415-15616-5: £700.00
Over the course of more than three centuries of Romanov rule in Russia, foreign visitors and residents produced a vast corpus of literature conveying their experiences and impressions of the country. The product of years of painstaking research by one of the world’s foremost authorities on Anglo-Russian relations, In the Lands of the Romanovs is the realization of a major bibliographical project that records the details of over 1200 English-language accounts of the Russian Empire. Ranging chronologically from the accession of Mikhail Fedorovich in 1613 to the abdication of Nicholas II in 1917, this is the most comprehensive bibliography of first-hand accounts of Russia ever to be published. Far more than an inventory of accounts by travellers and tourists, Anthony Cross’s ambitious and wide-ranging work includes personal records of residence in or visits to Russia by writers ranging from diplomats to merchants, physicians to clergymen, gardeners to governesses, as well as by participants in the French invasion of 1812 and in the Crimean War of 1854-56. Providing full bibliographical details and concise but informative annotation for each entry, this substantial bibliography will be an invaluable tool for anyone with an interest in contacts between Russia and the West during the centuries of Romanov rule.