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AN INSTANT #1 NEW YORK TIMES BESTSELLER A USA TODAY BESTSELLER A NATIONAL INDIE BESTSELLER “A bone-chilling standalone . . . which fuses Shirley Jackson’s gothic horror sensibilities with the warmth and dark whimsy of Neil Gaiman.”—Publishers Weekly, starred review “Gripping worldbuilding, well-rounded characters, and fantastic horror.”—Kirkus Reviews, starred review “Unsettling and intriguing.”—Bulletin of the Center for Children's Books, starred review Everything casts a shadow. Even the world we live in. And as with every shadow, there is a place where it must touch. A seam, where the shadow meets its source. #1 New York Times–bestselling author V. E. Schwab weaves a dark and original tale about the place where the world meets its shadow, and the young woman beckoned by both sides. The Secret Garden meets Crimson Peak in this stand-alone novel perfect for readers of Holly Black and Neil Gaiman. Olivia Prior has grown up in Merilance School for Girls, and all she has of her past is her mother’s journal—which seems to unravel into madness. Then, a letter invites Olivia to come home to Gallant. Yet when Olivia arrives, no one is expecting her. But Olivia is not about to leave the first place that feels like home; it doesn’t matter if her cousin Matthew is hostile, or if she sees half-formed ghouls haunting the hallways. Olivia knows that Gallant is hiding secrets, and she is determined to uncover them. When she crosses a ruined wall at just the right moment, Olivia finds herself in a place that is Gallant—but not. The manor is crumbling, the ghouls are solid, and a mysterious figure rules over all. Now Olivia sees what has unraveled generations of her family, and where her father may have come from. Olivia has always wanted to belong somewhere, but will she take her place as a Prior, protecting our world against the Master of the House? Or will she take her place beside him? New York Times–bestselling author V. E. Schwab crafts a vivid and lush novel that grapples with the demons that are often locked behind closed doors. An eerie, stand-alone saga about life, death, and the young woman beckoned by both. Readers of Neil Gaiman, Holly Black, Melissa Albert, and Garth Nix will quickly lose themselves in this novel with crossover appeal for all ages.
Goofus and Gallant from Highlights Magazine for Children demonstrate good and bad manners.
The New York Times bestselling memoir of survival and heroism at Pearl Harbor “An unforgettable story of unfathomable courage.” —Reader’s Digest In this, the first memoir by a USS Arizona sailor, Donald Stratton delivers an inspiring and unforgettable eyewitness account of the Pearl Harbor attack and his remarkable return to the fight. At 8:10 a.m. on December 7, 1941, Seaman First Class Donald Stratton was consumed by an inferno. A million pounds of explosives had detonated beneath his battle station aboard the USS Arizona, barely fifteen minutes into Japan’s surprise attack on American forces at Pearl Harbor. Near death and burned across two thirds of his body, Don, a nineteen-year-old Nebraskan who had been steeled by the Great Depression and Dust Bowl, summoned the will to haul himself hand over hand across a rope tethered to a neighboring vessel. Forty-five feet below, the harbor’s flaming, oil-slick water boiled with enemy bullets; all around him the world tore itself apart. In this extraordinary, never-before-told eyewitness account of the Pearl Harbor attack—the only memoir ever written by a survivor of the USS Arizona—ninety-four-year-old veteran Donald Stratton finally shares his unforgettable personal tale of bravery and survival on December 7, 1941, his harrowing recovery, and his inspiring determination to return to the fight. Don and four other sailors made it safely across the same line that morning, a small miracle on a day that claimed the lives of 1,177 of their Arizona shipmates—approximately half the American fatalaties at Pearl Harbor. Sent to military hospitals for a year, Don refused doctors’ advice to amputate his limbs and battled to relearn how to walk. The U.S. Navy gave him a medical discharge, believing he would never again be fit for service, but Don had unfinished business. In June 1944, he sailed back into the teeth of the Pacific War on a destroyer, destined for combat in the crucial battles of Leyte Gulf, Luzon, and Okinawa, thus earning the distinction of having been present for the opening shots and the final major battle of America’s Second World War. As the seventy-fifth anniversary of the Pearl Harbor attack approaches, Don, a great-grandfather of five and one of six living survivors of the Arizona, offers an unprecedentedly intimate reflection on the tragedy that drew America into the greatest armed conflict in history. All the Gallant Men is a book for the ages, one of the most remarkable—and remarkably inspiring—memoirs of any kind to appear in recent years. *Library Journal
Mavis Gallant is the modern master of what Henry James called the international story, the fine-grained evocation of the quandaries of people who must make their way in the world without any place to call their own. The irreducible complexity of the very idea of home is especially at issue in the stories Gallant has written about Montreal, where she was born, although she has lived in Paris for more than half a century. Varieties of Exile, Russell Banks's extensive new selection from Gallant's work, demonstrates anew the remarkable reach of this writer's singular art. Among its contents are three previously uncollected stories, as well as the celebrated semi-autobiographical sequence about Linnet Muir—stories that are wise, funny, and full of insight into the perils and promise of growing up and breaking loose.
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Heartstoppingly romantic, dangerously sensual, and filled with the vivid details that bring an era to life, Suzanne Robinson's captivating novels have made her one of the reigning stars of historical romance. In this spellbinding love story Suzanne Robinson offers one of her most unforgettable heroes ever . . . The ladies of the palace called Nora Becket “mouse.” But beneath her shy, artless ways hid the heart of a lioness. A daring spy in Queen Mary's court, she risked her life to rescue the innocent from a terrible fate. Yet it was Nora who needed rescuing when cutthroats attacked her—and when Christian de Rivers, a lusty, sword-wielding rogue, swept her out of harm's way . . . and into his arms. As magnificent and mesermizing as a hawk, Christian both frightened and excited Nora, even as he pursued her with a single-minded passion that left her longing to be caught. Yet soon she would discover that she had reason to be frightened. For the dashing nobleman had his own secrets to keep, his own enemies to rout—and his own brand of vengeance for a wide-eyed beauty whom he loved only too well. . . .
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A NEW YORK REVIEW BOOKS ORIGINAL Mavis Gallant is a contemporary legend, a frequent contributor to The New Yorkerfor close to fifty years who has, in the words of The New York Times, "radically reshaped the short story for decade after decade." Michael Ondaatje's new selection of Gallant's work gathers some of the most memorable of her stories set in Europe and Paris, where Gallant has long lived. Mysterious, funny, insightful, and heartbreaking, these are tales of expatriates and exiles, wise children and straying saints. Together they compose a secret history, at once intimate and panoramic, of modern times.
Edited and with text by David Wills. Foreword by Anjelica Huston.
With a confidante’s insights, Marta Dvořák sets up an innovative connection between Mavis Gallant’s dazzling writing and the whole spectrum of the arts. She simultaneously engages with the feats of art making and the adventures of reading, looking, and listening. Drawing on private correspondence and conversations with the Gallant she repositions as a late modernist, Dvořák investigates the relationships between the Paris-based master of the short story and visual and sound culture. Through the filter of philosophical aesthetics, she identifies the painterly, cinematic, and musical dynamics which light up Gallant’s craft. At the same time, she opens a dialogue between Gallant and other international modernists and with those they were reading, watching, and listening to, from the moving pictures which shaped Gallant’s generation to the rhythm and dissonance of, say, Stravinsky and jazz, which − like the Cubist rupture with spatial perspective − spearheaded modernity’s aesthetics of breakage. How does Gallant’s work work? Dvořák’s hands-on rhetorical analyses of Gallant’s stories and lesser-known, recently reissued novels illuminate the superb stylist’s language and vision via an emphasis on both image and rhythm. Providing keys to Gallant’s famous sleights-of-hand and tonal shifts, the discussions reveal a fictional world as multidimensional as a Cubist picture or a symphony − depending on whether we lean towards the eye or the ear.