Download Free Gales Tales Book in PDF and EPUB Free Download. You can read online Gales Tales and write the review.

You'll want to add this one to your Wes collection, his latest tells true stories of ghosts and gales!
Herman Melville’s The Piazza Tales is the only collection of short fiction that he published in his lifetime, and it includes his two most famous short stories, “Bartleby, the Scrivener” and “Benito Cereno,” along with the less well-known but deeply engaging sketches of the Galapagos Islands that make up “The Encantadas,” as well as three more short stories: “The Piazza,” “The Bell-Tower,” and “The Lightning-Rod Man.” This new edition places these stories in the context of nineteenth-century debates over slavery, free will and determinism, science and technology, and the nature and value of literary artistry. The stories in The Piazza Tales demonstrate the global range of Melville’s cultural and aesthetic concerns, as Melville set his stories in locales ranging from rural western Massachusetts and Wall Street in the United States to the Pacific coast of South America and southern Europe. This edition is especially concerned with Melville’s engagement with both political questions related to slavery and imperialism and aesthetic questions germane to the short-story tradition as developed by his near-contemporaries Nathaniel Hawthorne and Edgar Allan Poe.
"With fairest flowers, Whilst summer lasts, and I live here, Fidele-" When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza-a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sun-burnt painters painting there. A very paradise of painters. The circle of the stars cut by the circle of the mountains. At least, so looks it from the house; though, once upon the mountains, no circle of them can you see. Had the site been chosen five rods off, this charmed ring would not have been. The house is old. Seventy years since, from the heart of the Hearth Stone Hills, they quarried the Kaaba, or Holy Stone, to which, each Thanksgiving, the social pilgrims used to come. So long ago, that, in digging for the foundation, the workmen used both spade and axe, fighting the Troglodytes of those subterranean parts-sturdy roots of a sturdy wood, encamped upon what is now a long land-slide of sleeping meadow, sloping away off from my poppy-bed. Of that knit wood, but one survivor stands-an elm, lonely through steadfastness.
A collection of six short stories first published in 1856. This was Melville's only short story collection, and it consisted of the following tales: The Piazza; Bartleby; Benito Cereno; The Lightning-rod Man; The Encantadas or, Enchanted Isles; and, The Bell-tower.
※ Google Play 圖書不支援多媒體播放 ※
The shore-bound Great Lakes observer may be lucky enough to see the silhouette of one of the giant modern oreboats snailing upon the distant horizon. The courses and routes that these contemporary monsters follow have been well traveled by countless mariners for more than a century and a half. In the mid 1800s, it was often difficult to look toward the lakes from any single spot and see less than a half dozen distant boats at any time. Each of these vessels had a crew and each crewperson had a job to do and sometimes while just doing their jobs, these ordinary people found themselves cast into adventures that deserve telling. This book will attempt to do just that.
Vampires or the undead: mythical creatures who subsist by feeding on the life essence or blood of humans. Lycans or werewolves: creatures who have the ability to shapeshift into a wolf or wolf-human hybrid. The nameless ones: demons/deities composed of shapeshifting blobs and tentacles. They walk among us, malevolent creatures who have banded together to rid this world of humankind so they could take over. But not if Cruiser, a human-turned vampire; Allison, a battle-ready controller; and Julie, a brave human, can help it. These three will try everything in their power to thwart the evil—known only as “pale man”—that plans to take over a mortal and trigger the end of the world as we know it. Helping Cruiser, Allison, and Julie are tactical teams created by the Department of Homeland Security, teams composed of leaders, readers, mechs, controllers, and mages. But are they enough to defeat the forces of evil and save us all?
The 'KING ARTHUR - Ultimate Collection: 10 Books of Myths, Tales & The History Behind The Legendary King' is a rich tapestry of narrative adventure and literary exploration, bringing together an eclectic mix of tales about the iconic British leader and the chivalric order of the Round Table. This anthology showcases a remarkable diversity in storytelling, with works ranging from classic Arthurian legends to reinterpretations that breathe new life into ancient narratives. The compilation illuminates the enduring appeal of King Arthurs saga, spotlighting its influence on various literary styles and epochs, and the extraordinary depth with which these authors delve into the legends moral and ethical quandaries stands as a testament to its thematic richness and complexity. The contributing authors and editors, including figures like Howard Pyle and Alfred Tennyson, are rooted in dramatically different historical and cultural backgrounds, offering readers a panoramic view of the Arthurian legends evolution across time. Their collective works underscore significant movements within literature, from medieval romance to Victorian poetry, revealing how each period reimagined the Arthurian world to reflect contemporary concerns and values. This anthology is not just a collection of stories; it is a dialogue across centuries, showcasing the adaptability and resilience of the Arthurian legends. 'Readers seeking a comprehensive yet deeply nuanced exploration of the King Arthur mythos will find this collection invaluable. It is an enlightening journey through the ages, offering a unique opportunity to experience the myriad ways in which these timeless stories have been told and retold. By encompassing a broad spectrum of perspectives, styles, and themes, this anthology enriches our understanding of King Arthur's legend, inviting us to reconsider our notions of heroism, leadership, and morality. This collection is indispensable for enthusiasts of mythic literature, providing both an educational resource and a wellspring of inspiration that rekindles the magic and mystery of Arthur's world for a new generation.'
Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: "Bartelby, the Scrivener", a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and "The Bell Tower", a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: "The Lightning-Rod Man", a satire showcasing his talent for Dickensian comedy, and "The Piazza", the title story of the collection, which anticipates the author's later absorption with poetry.
From short masterpieces like “Bartleby the Scrivener” and “Billy Budd” to more obscure, even completely unknown works like the epic poem “Clarel,” Melville’s stories and poems rank among his greatest and most gripping work. This unique anthology–the first of its kind in fifty years–gathers together all of Melville’s tales, as well as a judiciously edited array of his prose poems, literary criticism, letters, lectures, and poetry. Though few realize it today, poetry was Melville’s abiding passion; yet his poetry has never received the recognition it deserves, until now. Containing many writings available nowhere else, and edited by leading Melville scholar John Bryant, Tales, Poems, and Other Writings includes a comprehensive introductory essay and extensive, in many cases groundbreaking, editorial commentary. It opens a window onto Melville’s writing process–he was a ceaseless reviser and experimenter–and reveals his career-long evolution as a writer as well as the full breadth of his literary achievement. And it marks a new stage in our ability to appreciate not only the work of one of our greatest writers, but the immense dedication that lay behind it. John Bryant is a professor of English at Hofstra University. He has published five books and numerous articles on Melville, and is the editor of the Penguin Classics edition of Typee and the Modern Library edition of The Confidence-Man. He has been the general editor of the Melville Society, one of the oldest and largest single-author societies in America, since 1990.