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Italian Views is a continuation of Gail Albert Halaban's series Out My Window, featuring intimate domestic portraits against the cinematic backdrop of the city. In this new chapter, the artist shifts her focus from Paris to Italy--steadying her gaze through the windows of others in communities throughout Florence, Milan, Venice, Palermo, Naples, Lucca, and Rome. Albert Halaban works with local residents to stage and collaborate on each portrait, and through her lens, the viewer is welcomed into the private lives of ordinary Italian people. Her photographs explore the conventions and tensions of urban lifestyles, feelings of isolation in the city, and the intimacies of home and daily life. Paired with the photographs are short vignettes by Albert Halaban, imagining what the neighbors might see of her subjects on a daily basis, and Francine Prose contributes a meditative essay discussing the curious thrill of being a viewer. This invitation to envision the lives of neighbors through windows renders the characters and settings of Italy personal and mysterious.
Alfred Hitchcock's Rear Window comes to mind when looking at Gail Albert Halaban's book of photographers of city dwellers peering into their neighbours' windows, Out My Window. The photographs are views across streets, alleyways and airshafts, peering through windows to reveal intimate portraits. These beautiful voyeuristic pictures capture both the intimacy and remoteness of living in proximity to so many strangers. Out My Window can be seen as an exploration of the contradictory impulses of metropolitan life: the desire to connect and the desire to be left alone.
Gail Albert Halaban: Paris Views is a continuation of Halaban's 2012 series Out My Window. In this new set of images, Halaban shifts her focus from New York to Paris--while continuing to steady her gaze through the windows of her neighbors and others in the community. The photographs, taken between 2012 and 2013, feature cinematic atmospheres and intimate domestic stills. Through Halaban's lens, the viewer is welcomed into the private worlds of ordinary people. The photographs in Paris Views explore the conventions and tensions of urban lifestyles, the blurring between reality and fantasy, feelings of isolation in the city and the intimacies of home and daily life. In these meticulously directed, window-framed versions of reality, Halaban allows the viewer to create his or her own fictions about the characters, activities and interiors illuminated within. This invitation to imagine renders the characters and settings both personal and mysterious. Gail Albert Halaban (born 1970) received a MFA in photography from Yale. She has taught at the Pasadena Art Center, the International Center of Photography and Yale, among other notable institutions. She has been included in group shows and featured in solo exhibitions internationally and received a Lucie award in 2007. Her most recent book, Out My Window, was published by PowerHouse in 2012. She is represented by Edwynn Houk Gallery in New York.
A celebration of the timeless act of reading - as seen through the lens of one of the world's most beloved photographers Young or old, rich or poor, engaged in the sacred or the secular, people everywhere read. This homage to the beauty and seductiveness of reading brings together a collection of photographs taken by Steve McCurry over his nearly four decades of travel and is introduced by award-winning writer, Paul Theroux. McCurry's mesmerizing images of the universal human act of reading are an acknowledgement of - and a tribute to - the overwhelming power of the written word.
Following the successes of both Beaches and Escape, Gray Malin turns his unique eye to the coasts, beaches, and landscapes of Italy. From the sparkling blue waters of the Amalfi Coast to the dramatic coastal scenery of Cinque Terre, Gray Malin: Italy captures and celebrates many of the country’s most famous and beloved destinations. Inspired by Malin’s bestselling photographic series “La Dolce Vita,” Gray Malin: Italy highlights timeless details of the Italian Riviera: happy beachgoers, retro beach umbrellas, luxury motorboats, and of course, the sun-soaked water. Featuring never-before-seen, -published, or -privately-sold images, Gray Malin: Italy beautifully depicts the incomparable scenery and enviable lifestyle that the Italian coastline has to offer.
Glamorous fashions, personalities, and places captured by iconic photographer Slim Aarons Slim Aarons, at least according to the man himself, did not photograph fashion: “I didn’t do fashion. I did the people in their clothes that became the fashion.” But despite what he claimed, Aarons’s work is indelibly tied to fashion. Aarons’s incredibly influential photographs of high society and socialites being unambiguously themselves are still a source of inspiration for modern day style icons. Slim Aarons: Style showcases the photographs that both recorded and influenced the luminaries of the fashion world. This volume features early black-and-white fashion photography, as well as portraits of the fashionable elite—like Jacqueline de Ribes, C.Z. Guest, Nan Kempner, and Marisa Berenson—and those that designed the clothes, such as Oscar de la Renta, Emilio Pucci, Mary McFadden, and Lilly Pulitzer. Featuring some never-before-seen images and detailed captions written by fashion historians, Slim Aarons: Style is a collection of the photographer's most stylish work.
A stunning and unique collection of satellite images of Earth that offer an unexpected look at humanity, derived from the wildly popular Daily Overview Instagram project. Inspired by the “Overview Effect”—a sensation that astronauts experience when given the opportunity to look down and view the Earth as a whole—the breathtaking, high definition satellite photographs in OVERVIEW offer a new way to look at the landscape that we have shaped. More than 200 images of industry, agriculture, architecture, and nature highlight incredible patterns while also revealing a deeper story about human impact. This extraordinary photographic journey around our planet captures the sense of wonder gained from a new, aerial vantage point and creates a perspective of Earth as it has never been seen before.
A mighty new play about the Nazi High Command based on Gitta Sereny's book.
The Principles and Practice of Narrative Medicine articulates the ideas, methods, and practices of narrative medicine. Written by the originators of the field, this book provides the authoritative starting place for any clinicians or scholars committed to learning of and eventually teaching or practicing narrative medicine.
Despite being institutionalized for schizophrenia at age thirty-one, Adolf Wölfli (1864-1930) achieved artistic greatness in his cell at Waldau Mental Asylum near his native Bern, Switzerland. He has had a profound influence on modern art ever since; André Breton described his work as "one of the three or four most important oeuvres of the twentieth century." The Art of Adolf Wölfli offers a fresh vantage point on the artist's remarkably intricate drawings and astonishing collages, as well as his newly translated writings, which are justly celebrated for their dizzying blend of mythology and humor. Also included are illuminating essays by leading specialists on his art and life. Wölfli's youth was one of deprivation. His alcoholic father ran off when Wölfli was five, and his mother died soon after. Despite these travails, he managed to complete his education, acquiring the sophisticated literacy so evident in his later work. However, beginning at age twenty-six, his repeated attempts to molest young girls landed him first in jail and, in 1894, in the asylum. Though violent at first, by 1899 he calmed down--and began to draw. Working primarily in pencil on newsprint, Wölfli created a dense, stunningly detailed medley of wildly imaginative prose texts interwoven with poems, musical compositions, color illustrations, and collages. His five-part magnum opus, "St. Adolf-Giant-Creation," comprises 45 large volumes and 16 notebooks--25,000 pages in all--containing 1,620 drawings and 1,640 collages. Sure to be the authoritative resource for this remarkable oeuvre, this striking book represents compelling testimony that great torment does not preclude great art. EXHIBITION SCHEDULE American Folk Art Museum, New York February 25 - May 18, 2003 Milwaukee Art Museum September 18 - December 12, 2004