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Remember how baffling, terrifying, and sad childhood really was? Now you can laugh at it. In this thematically and narratively linked series of one-page stories originally published in the National Lampoon’s “Funny Pages” section throughout the 1970s, the master of the macabre eschewed his usual ghouls, vampires, and end-of-the-world scenarios for a wry, pointed look at growing up normal in the real, yet endlessly weird world. This is essentially a lost Gahan Wilson graphic novel from the 1970s and '80s. Watch as our stoic, hunting-cap-wearing protagonist (known only as “The Kid”) copes with illness, disappointment, strange old relatives, the disappointment of Christmas, life-threatening escapades, death, school, the awfulness of camp, and much more ― all delineated in Wilson’s roly-poly, sensual, delicately hatched line.
Gahan Wilson is among the most popular, widely-read and beloved cartoonists in the history of the medium, whose career spans the second half of the 20th century. His work has been seen by hundreds of millions of people in the pages of Playboy, The New Yorker, Punch, The National Lampoon and many other magazines. He is revered for his playfully sinister take on childhood, adulthood, men, women - and monsters. This three-volume set contains every cartoon Wilson ever drew for Playboy, along with all his prose fiction and text-and-art features.
/Gahan Wilson Enchanted or evil, lucky or cursed, freaks have always held a special place in society. Now noted cartoonist Gahan Wison tackles this subject with uncanny expertise and insight. Inside are freaks of the past, such as the cyclops; well known freaks of recent eras, such as the Elephant Man; and potential future freaks created through genetic manipulation. Graphic novel format. Mature readers.
Gahan Wilson is probably best known for his macabre Playboy cartoons, filled with charming monsters, goofy mad scientists, and melting victims, and his cutting-edge work in the National Lampoon, but he’s also one of the most versatile cartoonists alive whose work has appeared in a wide range of media venues. Gahan Wilson Sunday Comics is Wilson’s assault from within: His little-known syndicated strip that appeared in America’s newspapers between 1974 an 1976. Readers must have been startled to find Wilson’s freaks, geeks, and weirdos nestled among family, funny-animal, and soap opera offerings. (The term “zombie strip” ― a strip that has long outlived its original creator ― takes on a whole new meaning in Wilson’s hands.) While each strip, at first glance, appears to be a standard, color Sunday strip (albeit without panel borders), each Sunday Comic is a collection of one-panel gag cartoons, delineated in Wilson’s brilliantly controlled wiggly-but-sophisticated pen line. The last gag cartoon on each Sunday is part of a recurring series, either “Future Funnies” or “The Creep.” Some Sundays are a freewheeling mélange of board meetings, monsters, and cavemen (with cameos by Wilson’s Kid character from Nuts, his gimlet-eyed view of childhood, collected last year by Fantagraphics), while others riff on a topic or subject (clocks, plants, wallpaper, etc.). As is his wont, Wilson mines the blackest of black comedy in the banal horror of human nature.
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." --H. P. LOVECRAFT, "Supernatural Horror in Literature" Howard Phillips Lovecraft forever changed the face of horror, fantasy, and science fiction with a remarkable series of stories as influential as the works of Poe, Tolkien, and Edgar Rice Burroughs. His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes--dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness--have earned him a permanent place in the history of the macabre. In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition: ¸ The Call of Cthulhu by H. P. Lovecraft: The slumbering monster-gods return to the world of mortals. ¸ Notebook Found in a Deserted House by Robert Bloch: A lone farmboy chronicles his last stand against a hungering backwoods evil. ¸ Cold Print by Ramsey Campbell: An avid reader of forbidden books finds a treasure trove of deadly volumes--available for a bloodcurdling price. ¸ The Freshman by Philip José Farmer: A student of the black arts receives an education in horror at notorious Miskatonic University. PLUS EIGHTEEN MORE SPINE-TINGLING TALES!
From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Sure to incite a quiver of laughter or a shiver, this macabre collection of the best and most hilarious examples of Wilson's jaundiced humor includes his wry, illustrated essays on such topics as childhood fears and human tourists in space.
The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.
Strange happenings occur while visiting a haunted house.
Classic novellas, never-before-published stories, essays on the history, literature, and films of Halloween, and real-life memories of October 31st-from today's best practitioners of fear: Dean Koontz * Peter Straub * Poppy Z. Brite * Rick Hautala * Steve Rasnic Tem * Elizabeth Engstrom * Thomas Ligotti * Gary A. Braunbeck * Jack Ketchum * Thomas F. Monteleone * Hugh B. Cave * Simon Clark * Christopher Golden * Ray Bradbury * Jack Ketchum * Alan M. Clark * Gahan Wilson * Paula Guran * John Shirley * Tom Piccirilli * Jack Cady * David B. Silva * Robert Morrish * William F. Nolan * Michael Cadnum * Richard Laymon * Douglas Clegg * Douglas E. Winter * Stanley Wiater * Caitlfn R. Kiernan * Lewis Shiner * Yvonne Navarro * Tim Lebbon * Kim Newman * F. Paul Wilson * Owl Goingback * Dennis Etchison * Stephen Mark Rainey * Charles L. Grant * Kelly Laymon * Dominick Cancilla * Kristine Kathryn Rusch * Michael Marshall Smith * Wayne Allen Sallee * Ramsey Campbell * Ed Gorman * Stefan Dziemianowicz * Peter Crowther