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In an introduction to the catalogue of his first art exhibition in 1956, when a mere seventeen, he brashly declared his "right to be incoherent." He still lives and labors by this youthful credo, believing that today "to be" means to live in "infinite and often contradictory ways."".
Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.
An exploration of the parallel development of product and graphic design from the 18th century to the 21st. The effects of mass production and consumption, man-made industrial materials and extended lines of communication are also discussed.
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
As if mimicking Gaetano Pesce's emancipation of objects through design and thought, this monograph features a cover made of pig bristle, coconut fiber, and silicone (cut to mimic Pesce's profile--nose and all); perforated pages that the reader can tear to create a unique object; and a wide selection of the designs that have arisen from Pesce's outside-the-box thinking of the past five decades.
International scholars from architecture, design, urban planning, and interior design here reappraise modern life in the context of practices of dwelling over the span of the postwar period. Reassessing culture and the economic and political effects on civilian life, this collection looks at what role material objects, interior spaces, and architecture played in quelling or fanning the anxieties of modernism's ordinary denizens.
Continuing to put great classic and contemporary design within everyones grasp, Chronicle Books proudly delivers the next four installments of the popular Compact Design Portfolio. Written by top design critics, these books cover modern masters whose work ranges from the cozily domestic to the aggressively avant-garde: Eva Zeisel, whose elegantly democratic housewares span a 70-year career; Ingo Maurer, who raises lamp and lighting design to a high art form; Gaetano Pesce, whose rejection of traditional good taste brought about revolutionary furniture design; and George Nelson, the impresario behind the Marshmallow sofa and other Herman Miller classics. Follow-ing the introductory essay, a visual gallery exhibits selections of the designers best work in photographs and sketches. Presented in an irresistible small format, this series encapsulates the life, work, and influence of the great designers of our time.
Visionary architect, designer and artist Gaetano Pesce will have his first solo, New York exhibition in 25 years at Fred Torres Collaborations from March 21-May 25, 2013. The show focuses on issues of love and empathy, be it for ourselves, each other or the world, that have been important themes in Pesce’s work. L’ABBRACCIO, (The Hug) the name of the exhibition, refers to a cabinet designed by Pesce in 2009 of two people locked in an embrace. In addition to its “namesake” cabinet, the exhibition will feature some of Pesce’s rarely seen drawings from the 1970s, maquettes, lighting and furniture.