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In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez. Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.
Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.
A beautifully packaged edition of one of García Márquez's most beloved novels, with never-before-seen color illustrations by the Chilean artist Luisa Rivera and an interior design created by the author's son, Gonzalo García Barcha. In their youth, Florentino Ariza and Fermina Daza fall passionately in love. When Fermina eventually chooses to marry a wealthy, well-born doctor, Florentino is devastated, but he is a romantic. As he rises in his business career he whiles away the years in 622 affairs—yet he reserves his heart for Fermina. Her husband dies at last, and Florentino purposefully attends the funeral. Fifty years, nine months, and four days after he first declared his love for Fermina, he will do so again.
“The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start . . . He’s among those rare great fiction writers whose ancillary work is almost always worth finding . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.” --Dwight Garner, The New York Times From one of the titans of twentieth-century literature, collected here for the first time: a selection of his journalism from the late 1940s to the mid-1980s--work that he considered even more important to his legacy than his universally acclaimed works of fiction. "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world."
These interviews start with the years of Marquez's early phenomenal success and continue through his most recent, turn-of-the-century exchanges, including some conversations translated into English for the first time.
Gabriel Garcia Marquez is one of the most influential writers of our time, with a unique literary creativity rooted in the history of his native Colombia. This is the first book of criticism to consider in detail the totality of Garcia Marquez's oeuvre.
Gabriel García Márquez’s novel One Hundred Years of Solitude seemed destined for obscurity upon its publication in 1967. The little-known author, small publisher, magical style, and setting in a remote Caribbean village were hardly the usual ingredients for success in the literary marketplace. Yet today it ranks among the best-selling books of all time. Translated into dozens of languages, it continues to enter the lives of new readers around the world. How did One Hundred Years of Solitude achieve this unlikely success? And what does its trajectory tell us about how a work of art becomes a classic? Ascent to Glory is a groundbreaking study of One Hundred Years of Solitude, from the moment García Márquez first had the idea for the novel to its global consecration. Using new documents from the author’s archives, Álvaro Santana-Acuña shows how García Márquez wrote the novel, going beyond the many legends that surround it. He unveils the literary ideas and networks that made possible the book’s creation and initial success. Santana-Acuña then follows this novel’s path in more than seventy countries on five continents and explains how thousands of people and organizations have helped it to become a global classic. Shedding new light on the novel’s imagination, production, and reception, Ascent to Glory is an eye-opening book for cultural sociologists and literary historians as well as for fans of García Márquez and One Hundred Years of Solitude.
AVAILABLE FOR THE FIRST TIME IN eBOOK! General Simon Bolivar, “the Liberator” of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill. Aflame with memories of the power that he commanded and the dream of continental unity that eluded him, he is a moving exemplar of how much can be won—and lost—in a life.
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An oral history biography of the legendary Latin American writer and Nobel laureate Gabriel García Márquez, brimming with atmosphere and insight. Irrevent and hopeful, Solitude & Company recounts the life of a boy from the provinces who decided to become a writer. This is the story of how he did it, how little Gabito became Gabriel García Márquez, and of how Gabriel García Márquez survived his own self-creation. The book is divided into two parts. In the first, BC, before Cien años de soledad (One Hundred Years of Solitude), his siblings speak and those who were friends before García Márquez became the universally loved Latin American icon. Those who knew him when he still didn't have a proper English tailor nor an English biographer, and didn't accompany presidents. It gathers together the voices around the boy from the provinces, the sisters and brothers, the childhood friends, the drinking buddies and penniless fellow students. The second part, AC, describes the man behind the legend that García Márquez became. From Aracataca, to Baranquila, to Bogota, to Paris, to Mexico City, the solitude that García Márquez needed to produce his masterpiece turns out to have been something of a raucous party whenever he wasn't actually writing. Here are the writers Tomás Eloy Martínez, Edmundo Paz Soldán and William and Rose Styron; legendary Spanish agent Carmen Balcells; the translator of A Hundred Years of SolitudeGregory Rabassa; Gabo's brothers Luis Enrique, Jaime, Eligio and Gustavo, and his sisters Aida and Margot; María Luisa Elío, to whom A Hundred Years of Solitude is dedicated; and so much more: a great deal of music, especially the vallenato; the hilarious scenes of several hundred Colombians, García Márquez's chosen delegation, flying to Stockholm for the Nobel Prize celebrations; the time Mario Vargas Llosa punched Gabriel García Márquez in the face; and much, much more. In Living to Tell the Tale, the first volume of García Márquez's autobiography, Gabo writes: "I am consoled, however, that at times oral history might be better than written, and without knowing it we may be inventing a new genre needed by literature: fiction about fiction." Solitude & Company joins other great oral histories, like Jean Stein and George Plimpton's Edie: American Girl, their oral history biography of Edie Sedgwick, or Barry Gifford's oral history of Jack Kerouac, Jack's Book--an intimate portrait of the most human side of Gabriel García Márquez told in the words of those who knew him best throughout his life.
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