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During the 1950s and 1960s, the British devastated the lands and the tribes of the Australian aborigines through the extensive mining of uranium and through secret nuclear tests. B. Wongar uses these shocking historical events as the starting point for this powerful novel about the destruction of a people and a culture. According to myth, Gabo Djara, an immense green ant and the spiritual ancestor of local tribes, created the aboriginal land and the pattern of human life there. Then he retreated to the spirit world. But if the land were disturbed, he would "rise again, monstrous, to harass the intruders". And so he does, in this satiric and scathing allegory which pits culture against culture. Gabo Djara returns, following the nuclear and mining devastations. He infiltrates the reigning circles of white man's society and creates havoc in politics and government, industry, and the church. Although he is pursued relentlessly, he is never captured. Finally, he succeeds in his quest for regeneration and the restoration of aboriginal ways. 'Gabo Djara' is the third book in B. Wongar's highly acclaimed 'nuclear trilogy'. 'Walg' and 'Karan', the first and second books, are also available, and the trilogy has since been extended with the addition of a prequel 'Manhunt', and two further books, 'Raki' and 'Didjeridu Charmer'.
Contemporary Australian fiction is attracting a world audience, particularly in the United States, where a growing readership eagerly awaits new works. In Australian Voices, Ray Willbanks goes beyond the books to their authors, using sixteen interviews to reveal the state of fiction writing in Australia—what nags from the past, what engages the imagination for the future. Willbanks engages the writers in lively discussions of their own work, as well as topics of collective interest such as the past, including convict times; the nature of the land; the treatment of Aborigines; national identity and national flaws; Australian-British antipathy; sexuality and feminism; drama and film; writing, publishing, and criticism in Australia; and the continuous and pervasive influence of the United States on Australia. The interviews in Australian Voices are gossipy, often funny, and always informative, as Willbanks builds a structured conversation that reveals biography, personality, and significant insight into the works of each writer. They will be important for both scholars and the reading public.
Post-Colonial Literatures in English, together with English Literature and American Literature, form one of the three major groupings of literature in English, and, as such, are widely studied around the world. Their significance derives from the richness and variety of experience which they reflect. In three volumes, this Encyclopedia documents the history and development of this body of work and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.
Mickey Dewar made a profound contribution to the history of the Northern Territory, which she performed across many genres. She produced high‑quality, memorable and multi-sensory histories, including the Cyclone Tracy exhibition at the Museum and Art Gallery of the Northern Territory and the reinterpretation of Fannie Bay Gaol. Informed by a great love of books, her passion for history was infectious. As well as offering three original chapters that appraise her work, this edited volume republishes her first book, In Search of the Never-Never. In Dewar’s comprehensive and incisive appraisal of the literature of the Northern Territory, she provides brilliant, often amusing insights into the ever-changing representations of a region that has featured so large in the Australian popular imagination
The author, an American academic, presents the results of his interviews with 16 prominent Australian contemporary writers including Patrick White, Thea Astley and Peter Carey. He discusses with them themes such as national identity, American and English influences, literary criticism and sexuality. First published in 1991 by the University of Texas Press.
'Raki' is the Australian Aboriginal generic word for rope, the unifying metaphor of Wongar's novel, representing the conquered or bound state of oppressed people. From the confines of an outback Australian prison cell to war-torn Serbia, 'Raki' invokes a powerful story of enchantment and struggle - the struggle to uphold traditions and nurture memory and joyous fortitude in the face of human devastation. Drawing on tragic similarities between the forced separation of Aboriginal children from their tribal families and the decimation of his Serbian native land, B. Wongar has written an epic, surprisingly optimistic novel. And the unifying symbol is raki - the rope which fuses the historical facts, linking the Serbian and Aboriginal cultures to time immemorial. But raki is also the yoke of servitude, the rope which snaps with the shock of genocide, but which ultimately binds people together with love.
As interest in environmental issues grows, many writers of fiction have embraced themes that explore the connections between humans and the natural world. Ecologically themed fiction ranges from profound philosophical meditations to action-packed entertainments. Where the Wild Books Are offers an overview of nearly 2,000 works of nature-oriented fiction. The author includes a discussion of the precursors and history of the genre, and of its expansion since the 1970s. He also considers its forms and themes, as well as the subgenres into which it has evolved, such as speculative fiction, ecodefense, animal stories, mysteries, ecofeminist novels, cautionary tales, and others. A brief summary and critical commentary of each title is included. Dwyer’s scope is broad and covers fiction by Native American writers as well as ecofiction from writers around the world. Far more than a mere listing of books, Where the Wild Books Are is a lively introduction to a vast universe of engaging, provocative writing. It can be used to develop book collections or curricula. It also serves as an introduction to one of the most fertile areas of contemporary fiction, presenting books that will offer enjoyable reading and new insights into the vexing environmental questions of our time.
In his latest book, Patrick Brantlinger probes the state of contemporary America. Brantlinger takes aim at neoliberal economists, the Tea Party movement, gun culture, immigration, waste value, surplus people, the war on terror, technological determinism, and globalization. An invigorating return to classic cultural studies with its concern for social justice and challenges to economic orthodoxy, States of Emergency is a delightful mix of journalism, satire, and theory that addresses many of the most pressing issues of our time.
This study compares modern and contemporary literary works from around the globe that have translation as a central theme, and that treat one of four of said black-box issues: language as embodiment; unknown language; conversion; and postcolonial derivations.