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F.W. Harvey was one of a generation whose lives were splintered by the First World War, and one of that group of war poets for whom the war changed everything. He joined the 5th Battalion of the Gloucestershire Regiment only days after war was declared, and was among the first Territorials to land in France. As a Lance-Corporal he was awarded the Distinguished Conduct Medal for ‘conspicuous gallantry’ and was commissioned shortly afterwards. He survived the Somme offensive but in August 1916 was captured by the Germans while reconnoitring alone behind enemy lines. He spent the rest of the war in p-o-w camps.But Harvey was more than just a tough soldier. A contemporary of Sassoon, Brooke and Thomas – and with Ivor Gurney his closest friend – he wanted nothing more when ‘at rest’ than an interval of quiet in which to set down in verse his longing for his Gloucestershire homeland, his outrage at the waste of war, his joy in comradeship, his humour and his unflinching faith. This biography contains many of the poems, including the world-famous ‘Ducks’, and is illustrated with a wealth of contemporary photographs
Published to coincide with performances of the play 'Will Harvey's War' at the Everyman Theatre in Cheltenham from 30th July to 2nd August 2014. Part of the Gloucestershire Remembers World War I programme. Discovered only recently, this unpublished novel by F.W. Harvey tells the fictionalized tale of Will Harvey and his journey from a rural Gloucestershire childhood to the frontline trenches of the First World War. It is a sentimental story of young boy finding love for the first time and being separated from it, it is also a story of how war changes men forever. The novel offers a rare insight into the poet's own experiences of the First World War and his struggle to come to terms with his lost youth.
F.W. Harvey was one of a generation whose lives were splintered by the First World War, and one of that group of war poets for whom the war changed everything. He joined the 5th Battalion of the Gloucestershire Regiment only days after war was declared, and was among the first Territorials to land in France. As a Lance-Corporal he was awarded the Distinguished Conduct Medal for "conspicuous gallantry" and was commissioned shortly afterwards. He survived the Somme offensive but in August 1916 was captured by the Germans while reconnoitering alone behind enemy lines. He spent the rest of the war in POW camps. But Harvey was more than just a tough soldier. A contemporary of Sassoon, Brooke, and Thomas -- and with Ivor Gurney, his closest friend -- he wanted nothing more when "at rest" than an interval of quiet in which to set down in verse his longing for his Gloucestershire homeland, his outrage at the waste of war, his joy in comradeship, his humor and his unflinching faith. This biography contains many of the poems, including the world-famous "Ducks," and is illustrated with a wealth of contemporary photographs.
Thirty-seven chapters, written by leading literary critics from across the world, describe the latest thinking about twentieth-century war poetry. The book maps both the uniqueness of each war and the continuities between poets of different wars, while the interconnections between the literatures of war and peacetime, and between combatant and civilian poets, are fully considered. The focus is on Britain and Ireland, but links are drawn with the poetry of the United States and continental Europe. The Oxford Handbook feeds a growing interest in war poetry and offers, in toto, a definitive survey of the terrain. It is intended for a broad audience, made up of specialists and also graduates and undergraduates, and is an essential resource for both scholars of particular poets and for those interested in wider debates about modern poetry. This scholarly and readable assessment of the field will provide an important point of reference for decades to come.
The first comprehensive biography of an extraordinary English poet and composer whose life was haunted by fighting in the First World War and, later, confinement in a mental asylum Ivor Gurney (1890–1937) wrote some of the most anthologized poems of the First World War and composed some of the greatest works in the English song repertoire, such as “Sleep.” Yet his life was shadowed by the trauma of the war and mental illness, and he spent his last fifteen years confined to a mental asylum. In Dweller in Shadows, Kate Kennedy presents the first comprehensive biography of this extraordinary and misunderstood artist. A promising student at the Royal College of Music, Gurney enlisted as a private with the Gloucestershire regiment in 1915 and spent two years in the trenches of the Western Front. Wounded in the arm and subsequently gassed during the Battle of Passchendaele, Gurney was recovering in hospital when his first collection of poems, Severn and Somme, was published. Despite episodes of depression, he resumed his music studies after the war until he was committed to an asylum in 1922. At times believing he was Shakespeare and that the “machines under the floor” were torturing him, he nevertheless continued to write and compose, leaving behind a vast body of unpublished work when he died of tuberculosis. Drawing on extensive archival research and spanning literary criticism, history, psychiatry and musicology, this compelling narrative sets Gurney’s life and work against the backdrop of the war and his institutionalisation, probing the links between madness, suffering and creativity. Facing death in the trenches, Gurney hoped that history might not “forget me quite.” This definitive account of his life and work helps ensure that he will indeed be remembered.
Through the first comprehensive investigation and analysis of the English language trench periodicals of the First World War, The Soldiers' Press presents a cultural interpretation of the means and methods through which consent was negotiated between the trenches and the home front.
This interdisciplinary account explores how English infantrymen in Belgium and France experienced and coped with war between 1914 and 1918.
The poetry of the First World War has determined our perception of the war itself. This volume features poetry drawn from old newspapers and journals, trench and hospital magazines, individual volumes of verse, gift books, postcards, and a manuscript magazine put together by conscientious objectors.