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Explores the relationship between long-distance trade and the economic and political structure of southern India.
Kanchi, the ancient capital city of the South, teems with historic temples of great beauty and grandeur. The magnificent temple of Lord Varadaraja, situated in Vishnu-Kanchi, has played a remarkable part in fostering the growth of Sri-Vaishnavism and has justly been ranked with the famous temples of Srirangam and Tirupati as the holiest of the holies. This is the first comprehensive and illustrated treatise on this hoary temple, focusing attention of the various aspects like the origin and the growth of the temple, critical review of the temple traditions, the role of the temple in the growth of Sri-Vaishnavism, the association of the acharyas like Ramanuja with the temple, besides the pivotal role the temple has played in the social and cultural life of the community. The vast literature that has grown round the temple and the five hundred and odd inscriptions that crowd the wall-spaces of the shrines provide a sumptuous source material for this study. One of the largest temple complexes of South India, the temple presents interesting variety of architectural and sculptural styles of different schools. The temple is particularly rich in Vaishnava iconography. The book provides a detailed study and interpretation of these features with the help of hitherto unpublished photographs and drawings. The book also brings to light the presence of fine paintings of the Vijayanagar times that are found in the dark cloister around the sanctum. The book is a distinct contribution to the field of historical and architectural studies of ancient Indian temples.
The Vijayanagara Empire flourished in South India between 1336 and 1565. Conveying the depth and creativity of Hindu religious and literary expression during that time, Vijayanagara Voices explores some of the contributions made by poets, singer-saints, and philosophers. Through translations and discussions of their lives and times, Jackson presents the voices of these cultural figures and reflects on the concerns of their era, looking especially into the vivid images in their works and their legends. He examines how these images convey both spiritual insights and physical experiences with memorable candour. The studies also raise intriguing questions about the empire's origins and its response to Muslim invaders, its 'Hinduness', and reasons for its ultimate decline. Vijayanagara Voices is a book about patterns in history, literature and life in South India. By examining the culture's archetypal displays, by understanding the culture in its own terms, and by comparing associated images and ideas from other cultures, this book offers unique insights into a rich and influential period in Indian history.
This book has brought together some of the foremost scholars of South Asian and Global History, who were colleagues and associates of Professor John F. Richards to discuss themes that marked his work as a historian in an academic career of almost forty years. It encapsulates discussions under the rubric of 'frontiers' in multiple contexts. Frontier has often been conceived as a space of transformation marking new forms of economic organization, commodity trade, land settlement and state authority. The essays here underline the range of interests and approaches that marked Professor Richards' illustrious career - frontiers and state building; frontiers and environmental change; cultural frontiers; frontiers, trade and drugs; and frontiers and world history. The volume discusses issues from medieval to early modern South Asian history. It also reflects a concern for large-scale global processes and for the detailed specificities of each historical case as evident in Professor Richards' work.
The medieval period of Indian history is difficult to clearly define. It can be considered a long transition from ancient to precolonial times. Its end is marked by Vasco da Gama's voyage round the Cape of Good Hope in 1498 and the establishment of the Mughal empire (1526). The renewed Islamic advance into north India, from roughly 1000 A.D. onward, leading to the rise of the Delhi Sultanate (1206), is the beginning of the medieval period in political and cultural terms.
The Vijayanagar Empire, which was headquartered in present-day Hampi, Karnataka, is acclaimed in pre-modern history as the most powerful kingdom to arrest the onslaught of Moghul invaders in the South for nearly two centuries. Its rulers were known for their valour in taking on the Sultans from the North. Further, the rulers of Vijayanagara were great patrons of Hindu culture and civilization and were known for their military and administrative acumen. They patronized fine arts, music, dance and temple architecture. Despite their glory, there are conflicting records of the empire’s history, right from the inception of the empire to its collapse. There are some apologists who even contest the fact that Sage Vidyaranya founded the empire to defend Hinduism and its values. Others, foreign tourists who visited the empire, were not wholly appreciative of the rulers and exaggerated their weaknesses if any. Influenced by their religious allegiances, these visitors were often biased and tended to base their narratives on hearsay. Modern historians too have descredited the empire so as to nullify the role of religious bigotry. They came up with theories that do not truly represent the true spirit and culture of this great empire. Which narrative is the most accurate and who has curated the history of the Vijayanagar Empire in the most succinct way? This book only tries to analyse various theories about the Empire and tries to give a perspective on such controversies.