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A new satirical extravaganza from one of Britain’s best-loved political cartoonists Steve Bell’s If… cartoon strip in the Guardian attracted generations of loyal readers. If… Stands Up is his hilarious commentary on our current political madness. Unmissable highlights include a Jubilee fly-past over Buckingham Palace by Boris Johnson’s bottom. Liz Truss taking back control of her own eyeballs. A dead-horse race between zombie "Treeza" May and pink-rubber fiend David Cameron, towing his bijou shepherd’s hut. Rishi Sunak flogging the skeletal remains of Margaret Thatcher. Donald Trump with a golden toilet seat brain. And Keir Starmer, aka Keeves the butler, assuring the toffs that "the below-stairs movement is realigning its values with those of the British people." If… Stands Up also keeps a gimlet eye on Charles and the Royals. Bell draws an unforgettable picture of a nation that has left reality behind. Why did the chlorinated chicken cross the Atlantic? Who needs hell when you have the Conservative Party? Might the Labour leadership simply be robots in disguise? In a world of war and chauvinism, Bell picks himself up and goes in search of a new source of laughs. In this, if nothing else, Westminster politics rarely disappoints.
Resistance is a beautifully written and powerful story set during an imagined occupation of Britain by Nazi Germany in World War II. In a remote and rugged Welsh valley in 1944, in the wake of a German invasion, all the men have disappeared overnight, apparently to join the underground resistance. Their abandoned wives, a tiny group of farm women, are soon trapped in the valley by an unusually harsh winter—along with a handful of war-weary German soldiers on a secret mission. The need to survive drives the soldiers and the women into uneasy relationships that test both their personal and national loyalties. But when the snow finally melts, bringing them back into contact with the war that has been raging beyond their mountains, they must face the dramatic consequences of their choices.
Cody and Carolyn Redford enjoy a carefree lifestyle in Kent County, with friends Gavin and Melanie Maynard. In Cornwall, the Redfords encounter a soothsayer predicting a bleak future for mankind. The foursome then notes some unexplained changes in the behaviour of wild animals and migrating birds, giving credence to the prediction. When a terrorist outrage in South Africa leads to further major atrocities in Israel and India, détente finally fails. Global nuclear war is sparked off by an unforeseen source, resulting in the superpowers exchanging H-bomb punches like drunken boxers. In the midst of survival, Cody Redford becomes aware of the artificial insemination and incubation (AI2) programme, an initiative hatched in the Cold War years to store the sperm of prominent scientists with the objective of using surrogate hosts to factory farm children in a post-holocaust world. Though appalled, nonetheless, he resigns himself to supporting the programme, unaware of the significant down the road consequences to the nature of human life.
British cartoonists and caricaturists are renowned worldwide. Originally published in 2000, this indispensable handbook offers a unique ‘who’s who’ of all the major artists working in Britain in the twentieth century and contains nearly 500 entries. Extensively illustrated, the book provides information on the work of artists such as Steve Bell, Gerald Scarfe, Posy Simmonds, Ronald Searle, Trog, mac and Larry as well as such past masters as David Low, Vicky, H. M. Bateman, Illingworth, Heath Robinson and more. The dictionary concentrates primarily on political cartoonists, caricaturists and joke or ‘gag’ cartoonists, actively working for the main Fleet Street national dailies and weeklies from 1900 to 1995. Each entry is cross-referenced and provides a concise biographical outline with an account of the artist’s style, influences and preferred medium. Where relevant the entry includes suggestions for further reading and notes solo exhibitions, books illustrated and works held in public collections. The Dictionary of Twentieth-Century British Cartoonists and Caricaturists offers an insight into the lives of satirical artists working during a century that provoked cartoonists and caricaturists to a pitch of comic and artistic invention that has rarely been matched.
Originally published in 1994, this dictionary provides a unique 'who’s who' of the major figures in the world of British cartoons and caricatures. It was the first book to encompass the entire field from c.1730 when Hogarth published the first of his 'modern moral pictures' to 1980. In addition to describing the careers and achievements of the artists and the characteristics of their styles, more than 500 entries give details of their publications, their illustrations to books and periodicals, exhibitions of their work, public collections in which their work is represented and literature on or referring to them. More than 150 illustrations are included. This is a comprehensive reference work and will be of interest to social and political historians as well as cartoon and caricature enthusiasts.
This book examines the debate which has long raged in Britain about the meaning of the Falklands War. Using literary critical methods, Monaghan examines how the Thatcherite reading of the war as a myth of British greatness reborn was developed through political speeches and journalistic writing. He then goes on to discuss a number of films, plays, cartoon strips and travel books which have subverted the dominant myth by finding national metaphors of a very different kind in the Falklands War.