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Thadeus Burke has his hands full again when an office boy goes missing, a child is kidnapped and a death occurs at a séance.
Fugitives Chasidah "Chaz" Bergren and her lover, ex-monk, mercenary, and telepath Gabriel Ross Sullivan, are forced out of hiding when Chaz's brother is arrested for treason.
A footloose adventurer is unexpectedly named as guardian for an orphan boy. In his quest to find the child the perfect family, he must grapple with his own longing for love and acceptance.
From a New York Times and USA Today bestselling author: Lifelong romantic Thaddeus Middleton is on the hunt for a wife. He hopes to find a woman more attracted to him than to money. Instead, he finds himself drawn to a spitfire who isn’t interested in him at all! At least, that’s what she says when she’s not kissing him beneath the stars... Miss Priscilla Weatherby will inherit a fortune… provided she remains unwed and scandal-free. Easy enough, until she meets a man more dangerous than haughty lords and heartless rakes. Thad is a sweet, sexy delight, whose passionate embrace will ruin everything—including her! She’ll sacrifice anything for independence. Even love… Meet the unforgettable men of London's most notorious tavern, The Wicked Duke. Seductively handsome, with charm and wit to spare, one night with these rakes and rogues will never be enough...
The final book of the smash-hit Wayward Pines trilogy from the New York Times bestselling author of Dark Matter, Recursion, and Upgrade What’s inside was a nightmare. What’s outside is a thousand times worse. Welcome to Wayward Pines, the last town. Secret Service agent Ethan Burke arrived in Wayward Pines, Idaho, three weeks ago. In this town, people are told who to marry, where to live, where to work. No one is allowed to leave; even asking questions can get you killed. But Ethan has discovered the astonishing secret of what lies beyond the electrified fence that surrounds Wayward Pines and protects it from the terrifying world beyond. And now that secret is about to come storming through the fence to wipe out this last, fragile remnant of humanity. The Last Town at last pitches Ethan Burke and his fellow residents into all-out war against the forces outside the town’s gates—and in doing so delivers every bit the riotously horrific, breathlessly action-packed conclusion that the Wayward Pines trilogy deserves.
This book is a sequel to the first adventures of Thadeus Burke, published last year, and continues the antics of the aristocratic Lloyd's insurance broker and his sister, Dr Freddie, together with Inspector Johnny Jackson of Scotland Yard. It is now the summer of 1926 and our hero, assisted by his loyal staff, divide their time between the City of London and the City of Cambridge. Following the Derby at Epsom, a body in the Cam, a major art robbery and some very peculiar anonymous postal deliveries, the amateur sleuths are kept busy until they can finally relax at the theatre in Paris. Between.
This classic work of comparative history explores why some countries have developed as democracies and others as fascist or communist dictatorships Originally published in 1966, this classic text is a comparative survey of some of what Barrington Moore considers the major and most indicative world economies as they evolved out of pre-modern political systems into industrialism. But Moore is not ultimately concerned with explaining economic development so much as exploring why modes of development produced different political forms that managed the transition to industrialism and modernization. Why did one society modernize into a "relatively free," democratic society (by which Moore means England)? Why did others metamorphose into fascist or communist states? His core thesis is that in each country, the relationship between the landlord class and the peasants was a primary influence on the ultimate form of government the society arrived at upon arrival in its modern age. “Throughout the book, there is the constant play of a mind that is scholarly, original, and imbued with the rarest gift of all, a deep sense of human reality . . . This book will influence a whole generation of young American historians and lead them to problems of the greatest significance.” —The New York Review of Books
A source of controversy upon its 1929 publication, this novel was the first to openly address color prejudice among black Americans. The author, an active member of the Harlem Renaissance, offers insightful reflections of the era's mood and spirit in an enduringly relevant examination of racial, sexual, and cultural identity.
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
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