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Furry fandom--an adult social group interested in anthropomorphic animals in art, literature and culture--has grown since the 1980s to include an estimated 50,000 "furries." Their largest annual convention drew more than 6,000 attendees in 2015, including 1,000 dressed in "fur suits" or mascot-type animal costumes. Conventions typically include awards, organizations, art, literature and movies, encompassing a wide range of creative pursuits beyond animal costuming. This study of the furry subculture presents a history of the oft-misunderstood group and lists all conventions around the world from 1989 through 2015, including organizers, guests of honor and donations to charity.
Owo *whats this*: A Guide to the Furry Fandom is your introduction to the cute and weird world of the Furry Fandom. Written by an actual furry named Avery, you'll be introduced to key furry vocabulary, learn how to commission art, and more.
Winner of the 2017 Ursa Major Award for Best Non-Fiction Work! Furry fandom is a recent phenomenon, but anthropomorphism is an instinct hard-wired into the human mind: the desire to see animals on a more equal footing with people. It’s existed since the beginning of time in prehistoric cave paintings, ancient gods and tribal rituals. It lives on today—not just in the sports mascots and cartoon characters we see everywhere, but in stage plays, art galleries, serious literature, performance art—and among furry fans who bring their make-believe characters to life digitally, on paper, or in the carefully crafted fursuits they wear to become the animals of their imagination. In Furry Nation, author Joe Strike shares the very human story of the people who created furry fandom, the many forms it takes—from the joyfully public to the deeply personal— and how Furry transformed his own life.
The International Anthropomorphic Research Project is a group of social scientists conducting research to gain a better understanding of the furry fandom. In the present book we present the main findings from a variety of studies, including more than 10,000 furry participants, over the past five years. The book seeks to answer questions often asked about furries, such as what is a furry? Do furries really think they're animals? Is it true that all furries where fursuits? Whether you've never heard of furries before or you've been a furry for decades, you're sure to learn something from this book.
Although definition can vary, to be a Furry, a person identifies with an animal as part of their personality; this can be on a mystical/religious level or a psychological level. In modern Western society having a spirit animal or animal identity can sometimes be framed as social deviance rather than religious or totemic diversity. Jessica Ruth Austin investigates how Furries use the online space to create a 'Furry identity'. She argues that for highly identified Furries, posthumanism is an appropriate framework to use. For less identified Furries, who are more akin to fans, fan studies literature is used to conceptualise their identity construction. This book argues that the Furries are not a homogenous group and with varying levels of identification within the fandom, so shows that negative media representations of the Furry Fandom have wrongly pathologized the Furries as deviants as opposed to fans.
Are they human, or are they beast? Over the past several decades, the world has seen a new phenomenon on the rise, a group of people identifying as "furries." They have appeared in the news and popular TV shows as adults wearing fursuits and participating in sex parties, but what are they really? This collection of essays on the furry fandom reveals furries through their own eyes, with bestselling novelist Kyell Gold, award-winning artist Rukis, the International Anthropomorphic Research Project, and so many more, covering topics from anthropomorphic art to fursuiting to conventions and the psychology behind furries. Some of the essays are comical and playful, while others are serious and academic. On one paw, this is a work for non-furries to get a glimpse into the anthropomorphic world. On the other, this is a chance for furries to hear from many of their favorite furries celebrities.
Sometimes Your Best Self Is Your Fursona Online, MauveCat (a cool, confident, glittering pixie cat) has friends and a whole supportive furry community that appreciates her art. At home, Maeve Stephens has to tiptoe around her hoarder mother’s mood and mess. When her life is at its hardest, Maeve can always slip into Mauve, her fursona, and be “the happy one,” the bubbliest, friendliest artist in her community—it’s even how she made her best friend, Jade. With graduation around the corner, Maeve is ready to put her lonely school days behind her and move on with her life. And while her father hasn’t been home since the divorce, he does offer her a dream come true: an all-expenses paid trip to the regional furry convention. Furlympia will have everything Maeve’s been missing—friends, art mentors, and other furries! So when her mother forbids her from going, Maeve decides to sneak out on her own. Between hitching a ride with Jade, getting a makeover from a young furry she inspired, and connecting with an art idol who could help Her get into her dream school—the furcon is everything Maeve hoped for and more. A single weekend away shows Maeve how wonderful her life could be, but breaking free of the hoard means abandoning her mother, just like everyone else in their life. And Maeve isn’t sure if she can—even if it destroys her, too.
Furry fiction revolves around sentient animals or characters who have animal aspects, ranging from genetically engineered creatures to aliens to werewolves. This anthology of furry fiction features twenty-six of the best stories from long-running literary magazines such as Anthrolations, PawPrints Fanzine, and The Ever-Changing Palace.
Although definition can vary, to be a Furry, a person identifies with an animal as part of their personality; this can be on a mystical/religious level or a psychological level. In modern Western society having a spirit animal or animal identity can sometimes be framed as social deviance rather than religious or totemic diversity. Jessica Ruth Austin investigates how Furries use the online space to create a 'Furry identity'. She argues that for highly identified Furries, posthumanism is an appropriate framework to use. For less identified Furries, who are more akin to fans, fan studies literature is used to conceptualise their identity construction. This book argues that the Furries are not a homogenous group and with varying levels of identification within the fandom, so shows that negative media representations of the Furry Fandom have wrongly pathologized the Furries as deviants as opposed to fans.