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Seventeen essays make up the body of this anthology. Most of the authors are Latin Americans (although some of them work in other regions), and thus we might say that this volume is, in a very approximate sense, a showcase of recent Latin-American ontology and metaphysics. The remaining authors--Pierre Aubenque, Barry Smith, Lorenzo Peña and James Hamilton--are distinguished teachers who have had important contacts with the Latin-American philosophical community. The articles in this anthology address some of the central questions in ontology and metaphysics: the possibility of a science of being (Aubenque), the different possible approaches to ontology (Hurtado), the recent application of ontology to informatics (Smith), guise theory and its Leibnizian antecedents (Herrera), the reduction of space and time to phenomenological properties (Rodríguez Larreta), the Newtonian ontology of space and time (Benítez and Robles), the relation between truth and the so-called "truth-makers" (Rodríguez Pereyra), the ontological position of the Pyrrhonic skeptic (Junqueira Smith), the limits and difficulties of metaphysical realism (Cabanchik, Pereda), the defense of physicalist or emergentist positions regarding the mental (Pérez), the metaphysical nature of persons (Naishtat), the ontology of cultural entities (Peña), political ontology (Nudler), the relation between ontology and literature (Hamilton), the ontology of art (Tomasini). Some of the works (e.g., those Aubenque and Robles) approach the question from a historical perspective: others examine the most recent philosophical literature on the problems focalized (e.g., those by Pérez and Rodríguez Pereyra), and others offer new approaches (e.g., those of Rodríguez Larreta, Peña or Nudler) to a specific problematic area.
A unique and engaging account of local urban decision-making within the globalizing world High Point, North Carolina, is known as the “Furniture Capital of the World.” Once a manufacturing stronghold, most of its furniture factories have closed over the past forty years, with production shipped off to low-wage countries. Yet as manufacturing left, the city tightened its hold on a biannual global exposition that serves as the world’s furniture fashion runway. At the High Point Market, visitors from more than one hundred nations traverse twelve million square feet of meticulous design. Downtown buildings—once courthouses, movie theaters, post offices, and gas stations—are now chic showroom spaces, even as many sit empty between each exposition. In Showroom City, John Joe Schlichtman applies an ethnographic lens to the global exposition’s relationship with High Point after it defeated rival Chicago in the 1960s and established itself as the world’s dominant furniture center. In recent decades, following trends in global finance, private equity firms were increasingly behind downtown High Point’s real estate transactions, coordinated by buyers far removed from the region. Then, in one massive transaction in 2011, a firm funded by Bain Capital purchased every major showroom building, and the majority of downtown real estate was under one owner. Showroom City is a story of exclusionary growth and unchecked development, of a city flailing to fill the void left by its dwindling factories. But beyond that Schlichtman engages the general lessons behind both High Point’s deindustrialization and its stunning reinvention as a furniture fashion, merchandising, and design node. With great nuance, he delves deeply to reveal how power operates locally and how citizens may affirm, exploit, influence, and resist the takeover of their community.
"Rich in information ... sharp in perception."-The Times Educational Supplement
Whether you want to identify, date or evaluate your own pieces, Furniture is the only comprehensive, full-color reference guide for you. Judith Miller gives a global overview that spans the last 3,000 years of design, guaranteed to turn any amateur into a furniture buff. Furniture defines decorative motifs of key periods with over 3,500 photographs of every style and form. This eBook also includes profiles of influential designers, craftsmen and key movements.
Woodworkers use these books as a source of inspiration and project ideas. Interior designers and architects use them as a means to keep up with the latest trends in furniture design. The series has been published since 1977, to date, seven Design Books have been published, the last in 1996. The series is being expanded in response to reader requests. Past design books were basically a catalogue of woodworking projects selected by a panel of experts. "Design Book Eight" will depart from that tradition by featuring fewer examples, but offering design talk about each piece as well as detail shots. The book is organized by class of furniture: Tables, Chairs, Desks, Cabinets, Book cases, Home Entertainment Furniture, Beds and Bureaus.
In a comprehensive listing of entries from "Aalto, Hugo Alvar Henrik" to "Zui Weng Yi," Boyce illuminates readers about furniture styles, construction details, terminology, furniture designers, and design movements throughout history and throughout the world. Styles covered include European-inspired classical, baroque, pop, rococo, and modernist. This extensive guide will be helpful for furniture enthusiasts, historians, and those interested in redecorating their homes.
A smart, sharply written novel from a talent whose “fresh and original” works made her one of England’s most beloved authors (The New York Times). Abandoned by her mother and betrayed by the men she thought she loved, Juno Marlowe is alone. So alone that when the air raid sirens ring out, she has nowhere to hide until a kind but frail man offers to take her in for the night. Her sad story inspires him to write her a letter of introduction to his family—a caring gesture that will turn out to mean more than she could have imagined. With nowhere to call home, she seeks out the man’s father, Robert Copplestone, who lives on a quiet Cornwall estate where Juno is able to earn her keep by helping him tend to his animals. And she soon finds that the strong, handsome widower is more of a friend than she’s ever had and more like family than anyone she’s ever known. But when Juno’s fractured past catches up with her, the fragile and unlikely bond Robert and Juno have formed may be in danger of breaking under the strain. This “heartwarming story of May-December love” is a gentle look at the folly of humanity, weaving a tale of friendship, love, and healing (Publishers Weekly). “An elegant, satisfying entertainment.” —Kirkus Reviews