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Observation and analysis are types of invention. They make things apparent which perhaps were invisible. By noticing, drawing and naming something we bring it into being. On the other hand, building and making can be thought of as analytical observations, pointing out what had not been so clear before and revealing the potential for other actions yet to occur. This book is a collection of urban research and architectural projects by award-winning architects Nigel Bertram / NMBW Architecture Studio, using observation as a design tool and design as an observational method. Through this process, a position on the making of architecture and on the role of architecture within the wider urban environment is established; embracing the full messy reality of the present, finding delight in the everyday and developing sensitivity to a range of found environments. By taking pre-existing conditions seriously, each project, architectural or analytical, large or small, becomes understood as the strategic renovation of a continuing state. This method of working operates by thinking simultaneously at different scales, from furniture to structure and infrastructure, searching for combinations of what might normally be separated into different categories, moving between the many small and ad-hoc actions of individuals to wider systems of collective organisation. Thinking about the effects of small moves on the larger urban field (and vice-versa), the role of unplanned or uncontrolled events in relation to the inward focus of design; thinking about the combinatory effect of what is newly made with what is already there, for example, enables architecture and the city to be understood in relative terms - in terms of relationships. Between people, groups of people, things, and parts of things, actions and groups of actions: urban architecture is the social arrangement of activity with the physical arrangement of large and small parts of its environment. But what people do also changes the place in which they do it. Considering different scales and types of relationships between individuals and groups, insiders and outsiders, expected and unexpected actions can be a way of crossing categories and establishing new relations. Breaking down components of a given situation or brief, before re-grouping, can be used to flatten and redistribute hierarchies embedded within. Similarly, finding ways of carefully observing things just as they are in the present, helps to see around the presuppositions of familiarity, without worrying about cause or effect. These aims, techniques and thoughts are presented through the discipline of the architectural project, where precise strategies must in the end be found to define an exact physical arrangement and materiality, usually at minimum cost. This collection of works researches the manner in which such precision can also generate openness and indeterminacy, allowing and provoking the engagement of others.
This book is a collection of urban research and architectural projects by award-winning architects Nigel Bertram / NMBW Architecture Studio, using observation as a design tool and design as an observational method. Through this process, a position on the making of architecture and on the role of architecture within the wider urban environment is established; embracing the full messy reality of the present, finding delight in the everyday and developing sensitivity to a range of found environments. By taking pre-existing conditions seriously, each project, architectural or analytical, large or small, becomes understood as the strategic renovation of a continuing state.
The collection and arrangement of previously published and built works, interspersed with reflections on topics which have arisen through the doing of those works, is done with the aim of putting forward an idea about urban architecture. It attempts to make clear a line of thinking which has been implicit in the individual works produced over the past ten years, but perhaps not fully articulated. This argument is to be understood, however, not as a historical account, but in the present: as the current iteration of a cumulative position, developing continuously through the repeated act of doing projects and working with others. A strategy of concentrating on the very large (urban) scale and very small (material/ experiential) scale is used as a method of avoiding or bypassing the middle scale which is the usual scale and preoccupation of architecture. This middle scale is that of the 'object', the whole thing, in isolation and complete. It is the scale on which form is often studied, modelled, considered and communicated. By comparison, the very large is the scale of infrastructure, or shared metropolitan systems, and the very small is the scale of furniture, or personalised and highly-responsive micro-environments.But defining things precisely at the middle-scale of the whole is the architect's task. We need to decide on and then describe exactly where things go, how big things are, what they are made of; in order that they can be understood, approved, priced and made. The works collected here investigate ways in which actions and decisions can be made logically and precisely, but in a way that also encourages other things to happen; that does not limit or define absolutely the meaning, interpretation or potential inhabitation of spaces; that leaves room for and encourages appropriation and customisation (active engagement) in the everyday urban realm. In order to do this it is necessary to continually study ways in which such things as customisation and appropriation occur (how the urban environment is used), and also continually reflect upon the nature and potential of the fundamental decisions and limits that everyday architecture entails; aspects such as spatial organisation, structure, expression, materials, fittings (how the urban environment is made).
“Occasionally you come across a book that does everything it claims - and then some. This is one” (Blueprint) Architects have been responsible for many of the modern furniture classics of the 20th century - Mies's Barcelona Chair, Eileen Gray's side table and Le Corbusier's chaise longue. Furniture and Architecture takes a unique look at the relationship between architects and furniture design. Focusing not only on classic mid-20th-century design i.e. Eames, Mies, Le Corbusier and Gropius, it also provides a unique insight into who will produce the next generation of classics by asking an international-array of established designers to give their tips for the top young architect-designers. In additional it includes exclusive interviews with high-profile architects as well as with key figures in furniture manufacture and retail. A directory of specialist retailers, who sell architect-designed furniture, makes this an invaluable resource for architects and the interested public. The book includes comprehensive articles and images of popular modernist architects such as Erno Goldfinger, Arne Jacobsen and Eero Saarinen It also features interviews with architects Alvaro Siza, David Adjaye and Selfridges director Vittore Radice Lavishly illustrated with many full-colour images Contains a directory of specialist retailers selling architect-designed furniture
This edited collection provides an up-to-date account, by a group of well-informed and globally positioned authors, of recently implemented projects, public policies and business activities in Open Building around the world. Countless residential Open Building projects have been built in a number of countries, some without knowledge of the original theory and methods. These projects differ in architectural style, building industry methods, economic system and social aims. National building standards and guidelines have been promulgated in several countries (Finland, China, Japan, Korea), providing incentives and guidance to Open Building implementation. Businesses in several countries have begun to deliver advanced FIT-OUT systems both for new construction and for retrofitting existing buildings, demonstrating the economic advantages of ‘the responsive, independent dwelling.’ This book also argues that the ‘open building’ approach is essential for the reactivation of the existing building stock for long-term value, because in the end it costs less. The book discusses these developments in residential architecture from the perspective of an infrastructure model of built environment. This model enables decision-makers to manage risk and uncertainty, while avoiding a number of problems often associated with large, fast-moving projects, such as separation and distribution of design tasks (and responsibility) and the ensuing boundary frictions. Residential Architecture as Infrastructure adds to the Routledge Open Building Series, and will appeal to architects, urban designers, researchers and policy-makers interested in this international review of current projects, policies and business activities focused on Open Building implementation.
Building Smart, Resilient and Sustainable Infrastructure in Developing Countries contains the papers presented at the International Conference on Development and Investment in Infrastructure (DII-2022). The contributions cover a wide range of topics related to infrastructure issues on the African continent: Sustainable Infrastructure Development Smart Infrastructure and Cities Quality and Resilient Infrastructure Education, Empowerment, Gender Equity, Wellness and Development Environmental and Waste Management/Facilities & Real-Estate Management Infrastructure, Investment and Finance- Trends and Forecasts Infrastructure: Shock Events, Procurement, Project Management, Health & Safety Infrastructure: Economic, Social/Environmental Sustainability Digital Innovation and transition in the built environment Building Smart, Resilient and Sustainable Infrastructure in Developing Countries evaluates innovations, empowerment, growth and sustainable development of infrastructure development in Africa, and aims at administrators, academics, and professionals.
What is the role of design research in the types of insight and knowledge that architects create? That is the central question raised by this book. It acts as the introductory overview for Ashgate’s major new series, ’Design Research in Architecture’ which has been created in order to establish a firm basis for this emerging field of investigation within architecture. While there have been numerous architects-scholars since the Renaissance who have relied upon the interplay of drawings, models, textual analysis, intellectual ideas and cultural insights to scrutinise the discipline, nonetheless, until recently, there has been a reluctance within architectural culture to acknowledge and accept the role of design research as part of the discourse. However, in many countries around the world, one of the key changes in architecture and architectural education over the last decade has been the acceptance of design as a legitimate research area in its own right and this new series provides a forum where the best proponents of architectural design research can publish their work. This volume provides a broad overview on design research that supports and amplifies the different volumes coming out in the book series. It brings together leading architects and academics to discuss the more general issues involved in design research. At the end, there is an Indicative Bibliography which alludes to a long history of architectural books which can be seen as being in the spirit of design research.
Today’s architecture has failed the body with its long heritage of purity of form and aesthetic of cleanliness. A resurgence of interest in flesh, especially in art, has led to a politics of abjection, completely changing traditional aesthetics, and is now giving light to an alternative discussion about the body in architecture. This book is dedicated to a future vision of the body in architecture, questioning the contemporary relationship between our Human Flesh and the changing Architectural Flesh. Through the analysis and design of a variety of buildings and projects, Flesh is proposed as a concept that extends the meaning of skin, one of architecture’s most fundamental metaphors. It seeks to challenge a common misunderstanding of skin as a flat and thin surface. In a time when a pervasive discourse about the impact of digital technologies risks turning the architectural skin ever more disembodied, this book argues for a thick embodied flesh by exploring architectural interfaces that are truly inhabitable. Different concepts of Flesh are investigated, not only concerning the architectural and aesthetic, but also the biological aspects. The latter is materialised in form of Synthetic Neoplasms, which are proposed as new semi-living entities, rather than more commonly derived from scaled-up analogies between biological systems and larger scale architectural constructs. These ’neoplasmatic’ creations are identified as partly designed object and partly living material, in which the line between the natural and the artificial is progressively blurred. Hybrid technologies and interdisciplinary work methodologies are thus required, and lead to a revision of our current architectural practice.